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The thesis of this original and provocative book is that representative government should be understood as a combination of democratic and undemocratic, aristocratic elements. Professor Manin challenges the conventional view that representative democracy is no more than an indirect form of government by the people, in which citizens elect representatives only because they cannot assemble and govern in person. The argument is developed by examining the historical moments when the present institutional arrangements were chosen from among the then available alternatives. Professor Manin reminds us that while today representative institutions and democracy appear as virtually indistinguishable, when representative government was first established in Europe and America, it was designed in opposition to democracy proper. Drawing on the procedures used in earlier republican systems, from classical Athens to Renaissance Florence, in order to highlight the alternatives that were forsaken, Manin brings to the fore the generally overlooked results of representative mechanisms. These include the elitist aspect of elections and the non-binding character of campaign promises.
Originally published under the title Principles of Politics, this completely revised and updated work is a study in applied political theory. It uses current political society and politics as its backdrop and shows that the nature, authority, origin, and purpose of the state are dictated by fundamental theoretical and practical principles linked to the goals and values of ordinary life. Helpful in the quest for understanding are depictions of the political world by ancient philosophers as well as contemporary political scientists. With detailed examples, Understanding Principles of Politics and the State examines the charge that democracy is a myth, describes the world of academic political science, and belies the cynicism that principles and politics do not go together. An efficient and effective organizing principle is used to explain justice, rights, groups, church and state, federalism, constitutionalism, and even proposals for "world government." A brief case study of the Philippines illustrates some basic principles of state building. A preference for presidential over parliamentary government stands at odds with the view of many commentators. The necessity for principles in understanding ubiquitous change ends the book. Book jacket.
Prompts students to consider how the past shapes the present and future of American politics and government.
Benjamin Constant (1767-1830) was born in Switzerland and became one of France's leading writers, as well as a journalist, philosopher, and politician. His colourful life included a formative stay at the University of Edinburgh; service at the court of Brunswick, Germany; election to the French Tribunate; and initial opposition and subsequent support for Napoleon, even the drafting of a constitution for the Hundred Days. Constant wrote many books, essays, and pamphlets. His deepest conviction was that reform is hugely superior to revolution, both morally and politically. While Constant's fluid, dynamic style and lofty eloquence do not always make for easy reading, his text forms a coherent whole, and in his translation Dennis O'Keeffe has focused on retaining the 'general elegance and subtle rhetoric' of the original. Sir Isaiah Berlin called Constant 'the most eloquent of all defenders of freedom and privacy' and believed to him we owe the notion of 'negative liberty', that is, what Biancamaria Fontana describes as "the protection of individual experience and choices from external interferences and constraints." To Constant it was relatively unimportant whether liberty was ultimately grounded in religion or metaphysics -- what mattered were the practical guarantees of practical freedom -- "autonomy in all those aspects of life that could cause no harm to others or to society as a whole." This translation is based on Etienne Hofmann's critical edition of Principes de politique (1980), complete with Constant's additions to the original work.