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Essay from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,0, Humboldt-University of Berlin (Institut für Anglistik & Amerikanistik), course: SE Writing the Term Paper, language: English, abstract: Babette Cole's Princess Smartypants is a young woman who has, according to her mother, reached the age at which she is ready for marriage. This typical fairytale theme of a young princess is contradicted and overthrown constantly by Princess Smartypants' character throughout the whole story – she seems, dresses, appears and behaves more like a child than a lady, favours pet monsters over men and tends to have more fun playing around than being responsible or at least behaving according to the position she is put into. It seems that for her, this childlike lifestyle is the key to living “happily ever after” in a world such as hers - one of responsibility - and that she stands for the message that the child inside is what leads to happiness if lived to the full with devotion. This paper aims to elaborate on this thesis and its proof given in several elements of the children's story.
Princess Smartypants is pretty, rich, and single. She's also clever, headstrong, and independent. So when her parents demand that she finally marry, what's a princess to do? The cunning Smartypants sets up a series of impossible tasks that any suitor is destined to fall. But when Prince Swashbuckle shows up, has the princess finally met her match? "Clever details add to the fun.... (Cole) presents a new slant on the traditional fairy tale princess in a light-handed, tongue-in-cheek manner. A refreshing alternative". -- School Library Journal "She's a thoroughly amusing modern princess, kind of like Pippi Longstocking pretending to be Stephanie of Monaco". -- The Washington Post "The illustrations provide the light-hearted touch that makes the story fun, with plenty of amusing monsters and humorous details". -- Kirkus Reviews Copyright © Libri GmbH. All rights reserved.
Making the world-renowned Montessori method available to all, this book will be welcomed by parents who wish to give their children a solid foundation in a set of basic skills that will benefit them for a lifetime. 80 color illustrations.
When the Queen packs off Princess Smartypants to finishing school, it seems that our favourite royal might become a perfect princess after all . . . huh, no chance! Instead, Princess Smartypants makes her own school rules and teaches those other do-goody princesses just exactly how to have fun.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
A tattered ballet slipper found under the floorboards of Braithwaite Manor may be the key to Clara’s sinister family secrets in this delightful, lightly Gothic mystery for fans of Maryrose Wood and Claire Legrand. Clara Starling lives a life of dull rules, deadly routine, and flavorless meals under her cold uncle's strict regime—until the day Uncle disappears, leaving Clara alone in his old mansion. When streetwise orphan Peter and his rescue cat arrive unexpectedly, the children seize the chance to live by their own rules. But when the pair’s wild romps through the halls of Braithwaite Manor reveal a single, worn ballet slipper, they are hurled into a mystery that will lead to London’s glittering Royal Opera House and the unraveling of twisted Starling family secrets of poison, passion, and murder. Diabolical villains, plucky orphans, and glamorous ballet stars populate this absorbing adventure with a classic feel.
This collection offers a thorough treatment of the ways in which the verbal and visual semiotic modes interrelate toward promoting gender equality and social inclusion in children’s picture books. Drawing on cutting-edge theoretical work in multimodality, including multimodal cognitive linguistics, multimodal discourse analysis, and visual social semiotics, the book expands on descriptive-oriented studies to offer a more linguistically driven perspective on children’s picture books. The volume explores the choice afforded to and the lexico-semantic and discursive strategies employed by writers and illustrators in conveying representational, interpersonal, and textual meanings in the verbal and non-verbal components in these narratives in order to challenge gender stereotypes and promote the social inclusion of same-sex parent families. This book will be of particular interest to students and scholars in multimodality, discourse analysis, social semiotics, and children’s literature. Chapters 1 & 8 of this book are freely available as downloadable Open Access PDFs under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com.
This major new textbook has been specially written to meet the needs of a new generation of students who may be studying sociology in a variety of different levels, on different types of courses at different types of institutions but all need to understand the fundamentals of sociological thought to make sense of the society around them. The student oriented approach which has been adopted encourages the reader to constantly think for themselves rather than learn by rote and the book has been carefully designed to make the material contained as interactive and as accessible as possible. The most up-to-date case studies and data are used wherever appropriate to ensure this book is an informed, original and stimulating introduction to Sociology and a valuable new resource for student and lecturer alike.
The famous Cinderella and her neighbor Cinder Edna each worked sunup to sundown for their wicked stepmother and stepsisters. But while Cinderella had the good fortune to be rescued by her fairy godmother, Edna was strong, self-reliant, spunky--and she lived happier ever after! "Nicely executed....This Cinderella send-up is full of kid-pleasing jokes."--Publisher's Weekly.