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"Princess Olga Romanoff, is the daughter of the eldest nephew of Tsar Nicholas II, murdered with his family by the Bolsheviks in 1918. She is the youngest child of the late Prince Andrei Alexandrovich of Russia, who was born in the Winter Palace in St Petersburg in 1897. He fled Russia in 1918 with his pregnant (first) wife and his father, Grand Duke Alexander Michaelovich, while his mother, Grand Duchess Xenia, and his grandmother, Her Imperial Highness Maria Feodorovna, followed a year later. The fabled Romanov jewels that they were able to smuggle out had to be sold and the exiled family lived for some time at various grace-and-favour homes at Windsor and Hampton Court. The book is peppered with amusing anecdotes about the Royal Family and their British cousins. The reader will also get a glimpse of the Princess's cosseted childhood. She was looked after by a number of nannies and then privately educated at home for fear of mixing with ordinary local children. My mother was a frightful snob, says Princess Olga, who rebelled, and who still laughs about one of her mother's ambitions: to marry her off to Prince Charles! It was indeed an unusual upbringing with a snobbish and strict mother of Scottish and Scandinavian background, and a more relaxed and indulgent Romanov father whose occupation was stated as 'Prince of Russia' on Olga's birth certificate. Her home, Provender House is crammed full of fascinating Romanov memorabilia, from the crockery used by the tsar and his family during their final captivity in Ekaterinburg, to the diamond blade penknife used for scratching the news of Prince Andrei's birth on a window pane in the Winter Palace - still there for visitors to see. The rambling 30-room Provender House, now open to the public, has indeed been witness to some extraordinary tales - many of them hitherto untold - handed down by Princess Olga's father." -- provided by publisher.
Often called the 'most royal Princess in Europe', Olga's life is imbued with drama from the outset: Taken 'hostage' by her Romanov grandmother, she is further traumatised by the assassination of her grandfather, the King of Greece, followed by a humiliating Swiss exile and being cast aside by a future Danish king. While Olga's marriage to the Prince Regent of Yugoslavia finds her raised to the rank of Consort, it eventually leads to her being branded a 'dangerous traitor' and sent as a 'political prisoner' to Kenya. Yet, as readers will discover, this is ultimately a story of duty, determination and redemption.
These 30 true stories of take-charge princesses from around the world and throughout history offer a different kind of bedtime story . . . Pop history meets a funny, feminist point-of-view in these illustrated tales of “royal terrors who make modern gossip queens seem as demure as Snow White” (New York Post). You think you know her story. You’ve read the Brothers Grimm, you’ve watched the Disney cartoons, and you cheered as these virtuous women lived happily ever after. But real princesses didn’t always get happy endings—and had very little in common with Cinderella, Sleeping Beauty, Belle, or Ariel. Featuring illustrations by Wicked cover artist, Douglas Smith, Princesses Behaving Badly tells the true stories of famous (Marie Antoinette; Lucrezia Borgia)—and some not-so-famous—princesses throughout history and around the world, including: • Princess Stephanie von Hohenlohe, a Nazi spy. • Empress Elisabeth of the Austro-Hungarian Empire, who slept wearing a mask of raw veal. • Princess Olga of Kiev, who slaughtered her way to sainthood. • Princess Lakshmibai, who waged war on the battlefield with her toddler strapped to her back. Some were villains, some were heroes, some were just plain crazy. But none of these princesses felt constrained to our notions of “lady-like” behavior.
"Genre-bending and darkly comic, Grushin's fourth novel is a weird and wonderful triumph." –O, the Oprah Magazine Cinderella wants her Prince Charming dead in this sophisticated fairy-tale for the twenty-first century. Cinderella married the man of her dreams--the perfect ending she deserved after diligently following all the fairy-tale rules. Yet now, thirteen and a half years later, things have gone badly wrong and her life is far from perfect. One night, fed up and exhausted, she sneaks out of the palace to get help from the Witch who, for a price, offers love potions to disgruntled housewives. But as the old hag flings the last ingredients into the cauldron, Cinderella doesn't ask for a love spell to win back her Prince Charming. Instead, she wants him dead. Endlessly surprising, wildly inventive, and decidedly modern, The Charmed Wife weaves together time and place, fantasy and reality, to conjure a world unlike any other. Nothing in it is quite what it seems--the twists and turns of its magical, dark, and swiftly shifting paths take us deep into the heart of what makes us unique, of romance and marriage, and of the very nature of storytelling.
Princess Liễu Hạnh, often called the Mother of the Vietnamese people by her followers, is one of the most prominent goddesses in Vietnamese popular religion. First emerging some four centuries ago as a local sect appealing to women, the princess’ cult has since transcended its geographical and gender boundaries and remains vibrant today. Who was this revered deity? Was she a virtuous woman or a prostitute? Why did people begin worshiping her and why have they continued? Cult, Culture, and Authority traces Liễu Hạnh’s cult from its ostensible appearance in the sixteenth century to its present-day prominence in North Vietnam and considers it from a broad range of perspectives, as religion and literature and in the context of politics and society. Over time, Liễu Hạnh’s personality and cult became the subject of numerous literary accounts, and these historical texts are a major source for this book. Author Olga Dror explores the authorship and historical context of each text considered, treating her subject in an interdisciplinary way. Her interest lies in how these accounts reflect the various political agendas of successive generations of intellectuals and officials. The same cult was called into service for a variety of ideological ends: feminism, nationalism, Buddhism, or Daoism.
In this international bestseller investigating the murder of the Russian Imperial Family, Helen Rappaport embarks on a quest to uncover the various plots and plans to save them, why they failed, and who was responsible. The murder of the Romanov family in July 1918 horrified the world, and its aftershocks still reverberate today. In Putin's autocratic Russia, the Revolution itself is considered a crime, and its anniversary was largely ignored. In stark contrast, the centenary of the massacre of the Imperial Family was commemorated in 2018 by a huge ceremony attended by the Patriarch of the Russian Orthodox Church. While the murders themselves have received major attention, what has never been investigated in detail are the various plots and plans behind the scenes to save the family—on the part of their royal relatives, other governments, and Russian monarchists loyal to the Tsar. Rappaport refutes the claim that the fault lies entirely with King George V, as has been the traditional view for the last century. The responsibility for failing the Romanovs must be equally shared. The question of asylum for the Tsar and his family was an extremely complicated issue that presented enormous political, logistical and geographical challenges at a time when Europe was still at war. Like a modern day detective, Helen Rappaport draws on new and never-before-seen sources from archives in the US, Russia, Spain and the UK, creating a powerful account of near misses and close calls with a heartbreaking conclusion. With its up-to-the-minute research, The Race to Save the Romanovs is sure to replace outdated classics as the final word on the fate of the Romanovs.
Award-winning and critically acclaimed historian Helen Rappaport turns to the tragic story of the daughters of the last Tsar of all the Russias, slaughtered with their parents at Ekaterinburg.
Young Elizabeth captures in vivid detail perhaps the single-most important formative experience in Queen Elizabeth's life, the 1947 royal tour of southern Africa with her parents King George VI, Queen Elizabeth and Princess Margaret, during which she celebrated her twenty-first birthday. The year of the royal tour of southern Africa, 1947, marked both the high-water mark of the British Empire and the very moment at which it began to unravel. Graham Viney has written an intimate, revealing portrait of the young princess on tour with her parents and sister, Princess Margaret, hard at work in the national interest, and succeeding triumphantly against all odds. In the words of Rian Malan, South African author of My Traitor's Heart, it is 'a story about a country teetering on the brink of convulsive change and yet almost united, at least for a moment, by love for a king and queen who weren't really ours.' The year 1947 was a pivotal moment not just in the history of the Union of South Africa, but of the British Empire itself. Later that same year India gained independence and just one year later the Afrikaner Nationalist victory in South Africa would lead inexorably to the Republic of South Africa in 1961 and its departure from the Commonwealth. The present Queen Elizabeth must have learned a great deal about statecraft from her father, and about duty, tact and hard work from both her parents in the course of this three-month tour, during which the then princess celebrated her twenty-first birthday. It was also the family's first real experience of multiculturalism. Graham Viney's book gives us an intimate and revealing portrait of the royal family, while also superbly capturing a moment in the life of a fractious, recently formed 'nation', before its descent into over four decades of darkness. The royal family travelled ceaselessly, from February to April, on a specially commissioned, white-and-gold train, meeting thousands of people at every stop along the way. The tour was a show of imperial solidarity and a recognition of South Africa's contribution to the Allied cause during the Second World War, specifically that of South African prime minister Jan Smuts, who had served in both British war cabinets. Young Elizabeth draws skilfully on many diverse sources, not least the Royal Archive at Windsor, and includes many photographs of the royal family not previously published, such as stills from film footage held by the South African National Film, Video and Sound Archives in Pretoria.