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Having received an invitation to the fairy ball, Princess Lily finds that she has nothing suitable to wear--until her animal friends decide to help.
When Clara the fairy is told that she is too little to perform magic, Princess Lily decides to become her teacher.
A princess can be pretty in pink, green or red, in jeans or a dress, with either boots or high heels, defend her castle or dance at the ball, because she is an incredible girl.
Estranged for months from fellow P.I. Smith, Chinese-American private investigator Chin is brought in by former mentor Joel Pilarsky to help with a case that involves tracking down a valuable brooch, the Shanghai Moon, which disappeared during WWII.
Color is a visible technology that invisibly connects so many puzzling aspects of modern Western consumer societies—research and development, making and selling, predicting fashion trends, and more. Building on Regina Lee Blaszczyk’s go-to history of the “color revolution” in the United States, this book explores further transatlantic and multidisciplinary dimensions of the topic. Covering history from the mid nineteenth century into the immediate past, it examines the relationship between color, commerce, and consumer societies in unfamiliar settings and in the company of new kinds of experts. Readers will learn about the early dye industry, the dynamic nomenclature for color, and efforts to standardize, understand, and educate the public about color. Readers will also encounter early food coloring, new consumer goods, technical and business innovations in print and on the silver screen, the interrelationship between gender and color, and color forecasting in the fashion industry.
With the help of a mystical mirror, a princess discovers that her heart is not very 'princessy' at all! It's YUCKY! But, when she holds hands with Handsome Prince Jesus, something spectacular happens...
In "western" cultures, some people have chosen a dreadlock hairstyle, despite many in mainstream society looking at it in a negative light. This book deals with contradictions surrounding the hairstyle such as often representing a protest against the prevailing right-wing political systems, yet also emphasizing the white person’s power to appropriate any style. Based on interviews and close observations in social media, the book offers insights into the culture(s) surrounding dreadlocks and ultimately interprets the phenomenon as a postmodern form of individuality.
There is a lot one could say about animation in Europe, but above all, there is no consistent European animation. It is as disparate as the various countries involved. Audiences will certainly recognize American or Japanese animation, but in Europe, it can range from Czech, Polish, and Hungarian to Greek, Italian, Spanish, Portuguese, French, and British. Animation in Europe provides a comprehensive review of the history and current situation of animation in over 20 European countries. It features numerous interviews with artists and producers, including rare documents and firsthand accounts that illustrate the rich history of animation in Europe. Additional features include • An extensive chronology with key events in European animation • A Who’s Who of producers, directors, writers, and animators working in Europe • An examination of the origin of European animation and its influence Animation in Europe is the first book devoted entirely to this topic and, therefore, will be of value for animation buffs as well as practitioners and researchers.
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb,is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.