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In this collection of Sunday newspaper strips, Prince Valiant is enslaved and King Arthur is on his deathbed!
There's Merlin, Mordred, Maeve, Monsters, and Magic in this collection of the beloved Arthurian newspaper strip!
Renowned painter and graphic novelist George Pratt (Batman, Sandman) introduces the volume. In these full-page, gorgeously illustrated newspaper strips, Prince Valiant journeys from the upper regions of the Alps to the bowels of the Earth on an allegorical quest for humility involving the mysterious Wanderer, a curse on the kingdom, monstrous imps, and a mystical casket. York, Lincoln, Colchester, and Londinium are sacked as Mordred leads an invasion across Britain, culminating in the siege of Camelot. Aleta's pregnancy promises to bring a new child into the family, but the newly crowned Emperor Justinian plots to have the infant stolen at birth. Arn begins a dangerous courtship of the huntress maiden Maeve and embarks on quests to obtain the Sacred Ring of India and to find his lost newborn brother.
Arn journeys on his first solo adventure, is later kidnapped by an unscrupulous knight, and, eventually, plays an instrumental role in the defeat of Cidwic, the king of North Wales.
In this volume of the beloved newspaper strip based on Arthurian legend, it's election time for the King of Minstrels.
In the wake of her sister Ivy's widely publicized suicide attempt, Ursula Van Urden arrives in the metropolis of Middle City with hopes of starting her own life anew. In an attempt to understand the events leading up to her sister's breakdown, Ursula meets Ivy's mysterious boyfriend, Chas Lacouture, and joins his trendspotting firm, Tomorrow, Ltd. Armed with only a sketch pad and the mandate to "find the future," she begins an odyssey into the strangely intoxicating world of trendspotting where one lesson prevails: At the heart of every product lies a paradox, and when cultivated successfully, it yields untold riches. As Ivy's delusions grow stronger and more apocalyptic, Ursula's observations of a filthy, rodent-eating homeless girl -- an urban savage -- lead to an elaborate advertising scheme gone awry that has unexpected consequences.
After having countless schemes, capers, and heists easily thwarted by the plant team, Dr. Zomboss needs a win. With Crazy Dave and his powerful plant posse always one step ahead, Zomboss realizes the only way to achieve victory is by being even one more step ahead than that! So he builds his latest invention: four brain bots called The Unpredictables! With the bots’ ability to predict their enemies’ every move, Patrice, Nate, and Crazy Dave will have to pull out all the stops to protect Neighborville! Eisner Award-winning writer Paul Tobin (Bandette, Genius Factor) collaborates with artist Jesse Hamm (Plants vs. Zombies Volume 18: Constructionary Tales, Batman ‘66) for a brand-new Plants vs. Zombies original graphic novel, with lavish lettering by Eisner-nominated Steve Dutro and gorgeous colors by Heather Breckel!
Although it lasted barely more than a season, Dollhouse continues to intrigue viewers as one of Joss Whedon’s most provocative forays into television. The program centered on men and women who have their memories and personalities repeatedly wiped and replaced with new ones by a shadowy corporation dedicated to “fulfilling the whims of the rich.” This chilling scenario was used to tell stories about big issues—power and resistance, freedom and servitude, class and gender—while always returning to its central themes of identity and individuality. In Joss Whedon’s Dollhouse: Confounding Purpose, Confusing Identity, Sherry Ginn, Alyson R. Buckman, and Heather M. Porter bring together fourteen diverse essays that showcase the series’ complex vision of the future. Contributors probe deeply into the fictional universe of the show by considering the motives of the wealthy clients and asking what love means when personalities are continually remade. Other essays consider the show’s relations to politics, philosophy, and psychology and its representations of race and gender. Several essays explore the show’s complex relationship to transhumanism: considering the dark potential for dehumanization and abuse that lurks beneath the promise of turning bodies into temporary vessels for immortal, downloadable personalities. Though a short-lived series, Dollhouse has been hailed as one of television’s most thoughtful explorations of classic science fiction themes. As the first serious treatment of this landmark show, this collection will interest science-fiction scholars and Whedon fans alike.