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In this companion biography to the acclaimed Victoria, A. N. Wilson offers a deeply textured and ambitious portrait of Prince Albert, published to coincide with the 200th anniversary of the royal consort’s birth. For more than six decades, Queen Victoria ruled a great Empire at the height of its power. Beside her for more than twenty of those years was the love of her life, her trusted husband and father of their nine children, Prince Albert. But while Victoria is seen as the embodiment of her time, its values, and its paradoxes, it was Prince Albert, A. N. Wilson expertly argues, who was at the vanguard of Victorian Britain’s transformation as a vibrant and extraordinary center of political, technological, scientific, and intellectual advancement. Far more than just the product of his age, Albert was one of its influencers and architects. A composer, engineer, soldier, politician, linguist, and bibliophile, Prince Albert, more than any other royal, was truly a “genius.” It is impossible to understand nineteenth century England without knowing the story of this gifted visionary leader, Wilson contends. Albert lived only forty-two years. Yet in that time, he fathered the royal dynasties of Germany, Russia, Spain, and Bulgaria. Through Victoria, Albert and her German advisers pioneered the idea of the modern constitutional monarchy. In this sweeping biography, Wilson demonstrates that there was hardly any aspect of British national life which Albert did not touch. When he was made Chancellor of the University of Cambridge in his late twenties, it was considered as purely an honorific role. But within months, Albert proposed an extensive reorganization of university life in Britain that would eventually be adopted, making it possible to study science, languages, and modern history at British universities—a revolution in education that has changed the world. Drawn from the Royal archives, including Prince Albert’s voluminous correspondence, this brilliant and ambitious book offers fascinating never-before-known details about the man and his time. A superb match of biographer and subject, Prince Albert, at last, gives this important historical figure the reverence and recognition that is long overdue.
Advance praise for ATLANTIC "Atlantic is a stirring story that illuminates a magical period in our maritime history. Scott Cookman weaves the compelling plot in a manner that will fascinate both the landlubber and the sailor alike. The schooner Atlantic's transatlantic racing record has remained unbeaten for nearly a century-and the story behind the race makes that achievement even more impressive. Cookman has done his homework well and unfolds that story page by page . . . the reader can just about feel the icy lash of a North Atlantic swell crashing aboard as the massive sailing craft are driven toward their destination by men and women whose dreams and goals (and even the pride of their countries) hang in the balance." -Peter Isler, America's Cup veteran, author of the bestselling Sailing for Dummies, and Editor at Large for Sailing World "Outstanding. Cookman is equally adept at depicting the gut-wrenching tension of ocean racing; the politics, intrigues, and skullduggery of billionaires, society snobs, and sailors who make Captain Ahab seem the model of restraint; and a gilded, vanished era under the gathering storm clouds of war." -Neil Hanson, author of The Custom of the Sea "In 1905, the key to unlocking America's economic potential was swift travel across the Atlantic. Scott Cookman recounts in meticulous detail the fanatical race for maritime supremacy. Scions and captains of industry took the challenge by racing across the ocean." -Gary Jobson, America's Cup--winning tactician on Ted Turner's Courageous (1977) and ESPN sailing analyst "Anyone who has ever been to sea, or dreamed of a sailing adventure, will be captivated by this extraordinary seafaring story. It is a perfect balance of history, intrigue, and period personalities that will make your palms sweat as you rush headlong through storm and fog to the finish." -Rockwell B. Harwood, Commodore, Stamford Yacht Club (1999--2001)
A first edition, Scenic Driving Atlantic Canada features nearly thirty separate drives through the beautiful Canadian coastline, from Nova Scotia up to Newfoundland. An indispensable highway companion, Scenic Driving Atlantic Canada includes route maps and in-depth descriptions of attractions.
A history of the cartoonists and illustrators from the Connecticut School, written by the son of the artist behind the popular strips "Prince Valiant" and "Big Ben Bolt, " explores the achievements and pop-culture influence of these artists in the aftermath of World War II.
An “engaging and disarmingly honest” (People) examination of the search for love and the meaning of marriage in a time of anxiety, independence, and indecision. Weddings. They’re fun, festive, and joyful, and at a time when people marry later in life—and sometimes not at all—they offer endless opportunities to reexamine love and what we want for ourselves, regardless of whether or not our aim is a walk down the aisle. In Save the Date, Jen Doll charts the course of her own perennial wedding guesthood, from the ceremony of distant family members when she was eight to the recent nuptials of a new boyfriend’s friends. There’s the first trip home for a childhood pal’s big day, in which she learns that her first love has eloped to Hawaii. There’s the destination wedding attended with little baggage beyond a suitcase of strappy sandals and summery party dresses. Regrettably, there is a series of celebrations that mean the end to a valued friendship. There’s also the wedding that offers all the promise of new love. Wedding experiences come in as varied an assortment as the gowns at any bridal shop, and Doll turns a keen eye to each, delivering a heartfelt exploration of contemporary relationships. Funny, honest, and affecting, Save the Date is a fresh and spirited look at the many ways in which we connect to one another.
Winston Churchill famously described the political alliance between the US and UK as a 'special relationship', but throughout the cultural history of these two countries there have existed transatlantic 'special relationships' of another kind - affairs between British and American citizens who have fallen in love, with one another but often too with the idea(l) of that other place across the ocean. From romantic novelist Elinor Glyn in the 1920s to Prince Harry and Meghan Markle today, this collection examines some of the history, contemporary manifestations and enduring appeal of US-UK romance across popular culture. Looking at both historical and contemporary case-studies, drawn from across film, television, music, literature, news and politics, this is a timely intervention into the popular romantic discourse of US-UK relations, at a critical and transitional moment in the ongoing viability of the special relationship.
In 1767, two “princes” of a ruling family in the port of Old Calabar, on the slave coast of Africa, were ambushed and captured by English slavers. The princes, Little Ephraim Robin John and Ancona Robin Robin John, were themselves slave traders who were betrayed by African competitors—and so began their own extraordinary odyssey of enslavement. Their story, written in their own hand, survives as a rare firsthand account of the Atlantic slave experience. Randy J. Sparks made the remarkable discovery of the princes’ correspondence and has managed to reconstruct their adventures from it. They were transported from the coast of Africa to Dominica, where they were sold to a French physician. By employing their considerable language and interpersonal skills, they cleverly negotiated several escapes that took them from the Caribbean to Virginia, and to England, but always ended in their being enslaved again. Finally, in England, they sued for, and remarkably won, their freedom. Eventually, they found their way back to Old Calabar and, evidence suggests, resumed their business of slave trading. The Two Princes of Calabar offers a rare glimpse into the eighteenth-century Atlantic World and slave trade from an African perspective. It brings us into the trading communities along the coast of Africa and follows the regular movement of goods, people, and ideas across and around the Atlantic. It is an extraordinary tale of slaves’ relentless quest for freedom and their important role in the creation of the modern Atlantic World.
MONEY, MURDER, AND MACHIAVELLIAN MAYHEM . . . CONTAINS A NEW EPILOGUE Mafia Prince is the first person account of one of the most brutal eras in Mafia history -- "Little Nicky" Scarfo's reign as boss of the Philadelphia family in the 1980s -- written by Scarfo's underboss and nephew, "Crazy Phil" Leonetti. The youngest-ever underboss at the age of 33, Leonetti was at the crux of the violent breakup of the traditional American Mafia in the 1980s when he infiltrated Atlantic City after gambling was legalized, and later turned state's evidence against his own. His testimony led directly to the convictions of dozens of high-ranking men including John Gotti, Vincent Gigante, and the downfall of his own uncle, Nick Scarfo -- sparking the beginning of the end of La Cosa Nostra (the insiders' term for the Mafia, translated as "This Thing of Ours").
A GUARDIAN BOOK OF THE YEAR * A TIMES BOOK OF THE YEAR * A SUNDAY TIMES BOOK OF THE YEAR * A DAILY MAIL BOOK OF THE YEAR 'An original, memorable and substantial achievement' TLS'A masterpiece' Mail on Sunday'I honked so loudly the man sitting next to me dropped his sandwich' ObserverShe made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor. Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her. For Pablo Picasso, she was the object of sexual fantasy. "If they knew what I had done in my dreams with your royal ladies" he confided to a friend, "they would take me to the Tower of London and chop off my head!" Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding. In her 1950's heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death, she had come to personify disappointment. One friend said he had never known an unhappier woman. The tale of Princess Margaret is pantomime as tragedy, and tragedy as pantomime. It is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled. Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues and essays, Ma'am Darling is a kaleidoscopic experiment in biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society. 'Brown has been our best parodist and satirist for decades now ... Ma'am Darling is, as you would expect, very funny; also, full of quirky facts and genial footnotes. Brown has managed to ingest huge numbers of royal books and documents without losing either his judgment or his sanity. He adores the spectacle of human vanity' Julian Barnes, Guardian
In the waning decades of British colonial slavery, the Atlantic Ocean became a corridor for ethical advocacy to call attention to the condition of slaves, ex-slaves and North American Natives. A two-way flow of activists, orators, articles, pamphlets and opinions transformed the Atlantic into an effective trans-national network. This book asks how the Atlantic network created, shared and exploited individual texts in the manufacture of valuable advocacy products.