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Phineas Smith has been cursed with a power no one could control. Roark Lyne is his worst enemy and his only hope. First in the Darkest Court series. The only human student at Mather’s School of Magick, Phineas Smith has a target on his back. Born with the rare ability to tap into unlimited magick, he finds both Faerie Courts want his allegiance—and will do anything to get it. They don’t realize he can’t levitate a feather, much less defend the Faerie Realm as it slips into civil war. Unseelie Prince Roark Lyne—Phineas’s roommate and self-proclaimed arch nemesis—is beautiful and brave and a pain in the ass. Phineas can’t begin to sort through their six years of sexual tension masquerading as mutual dislike. But Roark is also the only one able to help Finn tame his magick. Trusting Roark’s mysterious motives may be foolish; not accepting his temporary protection would be deadly. Caught in the middle of the impending war, Phineas and Roark forge a dangerous alliance. And as the walls between them crumble, Phineas realizes that Roark isn’t the monster he’d imagined. But their growing intimacy threatens to expose a secret that could either turn the tide of the war . . . or destroy them both. Praise for the Darkest Court series “Stunningly brilliant.” —Mirrigold “This is such a fantastic series! The contemporary twist on classic high fantasy is beautifully executed.” —Wicked Reads “I am utterly infatuated with this series and cannot wait for the next book.” —The Novel Approach Reviews
“A well-told, stereotype-busting tale about a nineteenth century black financier who dared to be larger than life, and got away with it!” —Elizabeth Dowling Taylor, New York Times–bestselling author In the middle decades of the nineteenth century Jeremiah G. Hamilton was a well-known figure on Wall Street. Cornelius Vanderbilt, America’s first tycoon, came to respect, grudgingly, his one-time opponent. Their rivalry even made it into Vanderbilt’s obituary. What Vanderbilt’s obituary failed to mention, perhaps as contemporaries already knew it well, was that Hamilton was African American. Hamilton, although his origins were lowly, possibly slave, was reportedly the richest black man in the United States, possessing a fortune of $2 million, or in excess of two hundred and $50 million in today’s currency. In Prince of Darkness, a groundbreaking and vivid account, eminent historian Shane White reveals the larger than life story of a man who defied every convention of his time. He wheeled and dealed in the lily-white business world, he married a white woman, he bought a mansion in rural New Jersey, he owned railroad stock on trains he was not legally allowed to ride, and generally set his white contemporaries teeth on edge when he wasn’t just plain outsmarting them. An important contribution to American history, Hamilton’s life offers a way into considering, from the unusual perspective of a black man, subjects that are usually seen as being quintessentially white, totally segregated from the African American past. “If this Hamilton were around today, he might have his own reality TV show or be a candidate for president . . . An interesting look at old New York, race relations, and high finance.” —New York Post
New York Times Bestseller A landmark achievement The Prince of Darkness is not simply the stunningly candid memoir of one of the country’s most influential reporters but also a riveting history of the past half century in American politics.
HEART OF DARKNESS * AN OUTPOST OF PROGRESS * KARAIN * YOUTH The finest of all Conrad's tales, 'Heart of Darkness' is set in an atmosphere of mystery and menace, and tells of Marlow's perilous journey up the Congo River to relieve his employer's agent, the renowned and formidable Mr Kurtz. What he sees on his journey, and his eventual encounter with Kurtz, horrify and perplex him, and call into question the very bases of civilization and human nature. Endlessly reinterpreted by critics and adapted for film, radio, and television, the story shows Conrad at his most intense and sophisticated. The other three tales in this volume depict corruption and obsession, and question racial assumptions. Set in the exotic surroundings of Africa, Malaysia. and the east, they variously appraise the glamour, folly, and rapacity of imperial adventure. This revised edition uses the English first edition texts and has a new chronology and bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.
With this shattering final novel, “it can at last be said that Bakker has written the epic fantasy series of the post-Tolkien era” (Speculiction). The Men of the Great Ordeal have been abandoned by Anasurimbor Kellhus, and the grand crusade has devolved into cannibalism and chaos. When Exalt-General Proyas attempts to gain control of the lost Men and continue their march to Golgotterath, it becomes clear that the lost Lord-and-Prophet is not so easily shaken from the mission. As Sorweel, the Believer-King of Sakarpus, and Serwa, daughter of the Aspect-Emperor, join the Great Ordeal, they discover that the shortest path is not always the safest. Souls, morality, and relationships are called into question when no one can be trusted, and the price for their sins is greater than they imagined. An uncompromising portrayal of a catastrophic world of myth, war, and sorcery, the Aspect-Emperor books have earned their place alongside George R. R. Martin’s A Song of Ice and Fire. Powerful and haunting, this thrilling final installment of Bakker’s groundbreaking series is “no holds barred from page one” (Speculiction).
A town harboring sinister secrets panics at the arrival of an enigmatic foreigner in this gothic romance by a New York Times–bestselling author. A stranger has come to Middleburg, Maryland, a visitor from abroad with a mysterious purpose. But this quaint, affluent community has dark secrets of its own. And when the interloper, Peter Stewart, becomes involved with the bewitching, seductive ward of noted local author Kate More, the townfolk fear the chilling past they are hiding will no longer be safe. For Middleburg has a colonial history of malevolent sorceries and obscene sacrifice. And when the terrible pot is stirred, murder may be the least of the evils to emerge from the unholy brew. Praise for Prince of Darkness “Suspense, romance, and terror in a gripping story of Black Magic and the occult.” —Boston Herald Traveler “Full of witches, sabbats, human sacrifices, and devil worship . . . beautifully told with enough excitement to keep you glued to the pages.” —Book Press
A mysterious traveler intervenes in an epic holy war in this “impressive, challenging debut” of the critically acclaimed fantasy epic (Publishers Weekly, starred review). The first book in R. Scott Bakker's Prince of Nothing series introduces readers to a strikingly original and engrossingly vivid new world. With its language and classes of people, its cities, religions, mysteries, taboos, and rituals, The Darkness That Comes Before has drawn comparison to J.R.R. Tolkien’s The Lord of the Rings and Frank Herbert’s Dune. Bakker’s Eärwa is a world scarred by an apocalyptic past, evoking a time both two thousand years past and two thousand years into the future. As untold thousands gather for a crusade, two men and two women are ensnared by a mysterious traveler, Anasûrimbor Kellhus—part warrior, part philosopher, part sorcerous, charismatic presence—from lands long thought dead. The Darkness That Comes Before is a history of this great holy war, and like all histories, the survivors write its conclusion.
DECEMBER, AD 1193. England lies uneasy, a land without a king. Richard the Lionheart languishes in an Austrian dungeon and his brother John hungers for the crown. In the Lionheart's stead, Eleanor of Aquitaine rules. She is determined to prevent the outbreak of civil war, but the land is riven by treachery and there are few men she can trust. Justin de Quincy is one of the few. Sharp-witted, bastard-born, he is the Queen's most trusted agent, a foil to John's machinations. But now John himself has asked for de Quincy's aid. A powerful conspiracy threatens the course of history and de Quincy will have to prove his mettle – or find an early grave – as he searches for its dark heart.