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The sixth chapter book in the Prince Not-So Charming series features Prince Carlos going on a quest—and disaster is never far away. Prince Carlos Charles Charming tells a lot more jokes than your standard prince is probably supposed to. But he’s been working hard to live up to his princely expectations. That’s good, because the ultimate prince, Gilbert the Gallant, has gone missing! Carlos, his friend Pinky, and his pet dragon Smudge are assigned to go find Gilbert and complete his quest. But how can Carlos do what the oh-so-perfect Gilbert couldn’t? Especially when Smudge sets their boat on fire before they’ve gone very far? And every princely voyage involves a sea monster! Perfect for middle grade readers and filled with adorable illustrations, Prince Not-So Charming: Wild Wild Quest shows how even princes struggle sometimes—but the only way to get through it is one step at a time. An Imprint Book
The sixth chapter book in the Prince Not-So Charming series features Prince Carlos going on a quest—and disaster is never far away. Prince Carlos Charles Charming tells a lot more jokes than your standard prince is probably supposed to. But he’s been working hard to live up to his princely expectations. That’s good, because the ultimate prince, Gilbert the Gallant, has gone missing! Carlos, his friend Pinky, and his pet dragon Smudge are assigned to go find Gilbert and complete his quest. But how can Carlos do what the oh-so-perfect Gilbert couldn’t? Especially when Smudge sets their boat on fire before they’ve gone very far? And every princely voyage involves a sea monster! Perfect for middle grade readers and filled with adorable illustrations, Prince Not-So Charming: Wild Wild Quest shows how even princes struggle sometimes—but the only way to get through it is one step at a time. An Imprint Book
New York Times bestselling author Brenda Jackson brings you The Westmorelands—a family whose loyalty always leads to love! Dana Rollins owes Jared Westmoreland a favor, but pretending to be his fiancée will mean putting her heart on the line… Chase Westmoreland's falling hard for his next-door neighbor, but she's hiding a secret that will test his limits… Pregnant Savannah Claiborne says yes to an in-name only marriage with ranger Durango Westmoreland, but he refuses to let it to end there… When the woman who betrayed Ian Westmoreland checks into his resort, he decides to play some bedroom games in pursuit of the truth… Meanwhile, Montana horse breeder McKinnon Quinn won't allow women on his ranch or in his heart, but Casey Westmoreland wants a job and her man. Get to know the Atlanta Westmoreland family in five alluring stories of love, family drama and passion! JARED'S COUNTERFEIT FIANCÉE THE CHASE IS ON THE DURANGO AFFAIR IAN'S ULTIMATE GAMBLE SEDUCTION, WESTMORELAND STYLE
In translating Charles Perrault's seventeenth-century Histoires ou contes du temps passé, avec des Moralités into English, Angela Carter worked to modernize the language and message of the tales before rewriting many of them for her own famous collection of fairy tales for adults, The Bloody Chamber, published two years later. In Reading, Translating, Rewriting: Angela Carter's Translational Poetics, author Martine Hennard Dutheil de la Rochère delves into Carter's The Fairy Tales of Charles Perrault (1977) to illustrate that this translation project had a significant impact on Carter's own writing practice. Hennard combines close analyses of both texts with an attention to Carter's active role in the translation and composition process to explore this previously unstudied aspect of Carter's work. She further uncovers the role of female fairy-tale writers and folktales associated with the Grimms' Kinder- und Hausmärchen in the rewriting process, unlocking new doors to The Bloody Chamber. Hennard begins by considering the editorial evolution of The Fairy Tales of Charles Perrault from 1977 to the present day, as Perrault's tales have been rediscovered and repurposed. In the chapters that follow, she examines specific linkages between Carter's Perrault translation and The Bloody Chamber, including targeted analysis of the stories of Red Riding Hood, Bluebeard, Puss-in-Boots, Beauty and the Beast, Sleeping Beauty, and Cinderella. Hennard demonstrates how, even before The Bloody Chamber, Carter intervened in the fairy-tale debate of the late 1970s by reclaiming Perrault for feminist readers when she discovered that the morals of his worldly tales lent themselves to her own materialist and feminist goals. Hennard argues that The Bloody Chamber can therefore be seen as the continuation of and counterpoint to The Fairy Tales of Charles Perrault, as it explores the potential of the familiar stories for alternative retellings. While the critical consensus reads into Carter an imperative to subvert classic fairy tales, the book shows that Carter valued in Perrault a practical educator as well as a proto-folklorist and went on to respond to more hidden aspects of his texts in her rewritings.
In USA Today bestselling author Janice Maynard’s sweet and sexy series, three childhood friends with a shared passion for the Outlander novels and TV show decide to travel to Scotland looking for adventure—and their very own Highland heroes... McKenzie Taylor is high maintenance when it comes to fashion, but when it comes to travel, the socialite prefers privacy to parties, and her own space to hotels. After she and her friends arrive in Scotland and split up to pursue their own adventures, she rents a small cottage on the Isle of Skye. On day two, she crashes her rental car. But a hero emerges from the mist to rescue her. He’s handsome, earthy, funny, and before long is making her feel desirable, not mention desirous. There’s just one problem: McKenzie’s Highland dreamboat is a motorcycle riding American. Finley Craig knows his cute new tourist friend is stubbornly set on falling for a Scotsman. But he’s just as set on her falling for him. So he plans to give her a taste of what she thinks she wants. Because Finley suspects McKenzie isn’t as shallow as she appears. And in the process of surrounding her with his hand-picked suitors, she may just decide that American-made is best—especially when she and Finley are rained in together over one long, delicious, and very adventurous weekend...
Jan Friedman's Eccentric America proved that the most unlikely events and landmarks could become tourist attractions. This award-winning title is dedicated to the sheer lunacy of California and her citizens, covering the biggest, the best, the wackiest and weirdest of the state's people and places. From art-car and golf-cart parades to the Valentine's Day Sex Tour at the San Francisco Zoo; from a festival that moons Amtrak to a town with its own language; from obsessed collectors of Pez, yo-yos, and bananas to kitschy theme motels and a man who built a three-storey mountain out of hay, adobe, and old paint. Eccentric California takes an in-depth look at one very peculiar place.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
A European playboy learns he must marry a princess to inherit his kingdom, but little does he know he'll have to woo the one woman who is seemingly immune to his charms. Original.
"Prince Carlos Charles Charming is the youngest in a long line of prince Charmings. But he dreams of juggling fire while riding a unicycle instead of fulfilling his princely duty. (And the word "duty" always makes him think of a poop joke.) But when a dragon is spotted in the Somewhat-Enchanted Forest, Carlos is going to have to figure out how to be a true Prince Charming fast. Prince Not-so Charming introduces a reluctant Prince Charming to every kid who might worry that it's hard to live up to the fairy tale"--Page [4] of cover.