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Primo Levi is best known as a memoirist of Auschwitz, but he was also a scientist, fiction writer, and poet: in short, a Renaissance man. Primo Levi's Universe offers a multi-faceted portrait of the heroic man who turned the concentration camp experience into beautiful yet terrifying literature. Over time, Levi developed an original world-view which he conveyed in his writing. Through careful readings of Levi's works, Sam Magavern finally does justice to his calm rationality, dark poetry, essential beliefs and wit. Levi's art and life are inextricably intertwined, and this book presents them together, allowing each to shed light on the other.
A work by the Italian-Jewish writer, Primo Levi. It describes his arrest as a member of the Italian anti-fascist resistance during the Second World War, and his incarceration in the Auschwitz concentration camp from February 1944 until the camp was liberated on 27 January 1945.
Inspired by the rhythms of the Periodic Table, Primo Levi assesses his life in terms of the chemical elements he associates with his past. From his birth into an Italian Jewish family through his training as a chemist, to the pain and darkness of the Holocaust and its aftermath, Levi reflects on the difficult course of his life in this heartfelt and deeply moving book.
A New York Times Notable Book of the Year Named one of the Best Books of the Year by the Washington Post and Library Journal A Holiday Gift Guide Selection in the San Francisco Chronicle and Newsday A New York Times Book Review Editors’ Choice Selection The Complete Works of Primo Levi, which includes seminal works like If This Is a Man and The Periodic Table, finally gathers all fourteen of Levi’s books—memoirs, essays, poetry, commentary, and fiction—into three slipcased volumes. Primo Levi, the Italian-born chemist once described by Philip Roth as that “quicksilver little woodland creature enlivened by the forest’s most astute intelligence,” has largely been considered a heroic figure in the annals of twentieth-century literature for If This Is a Man, his haunting account of Auschwitz. Yet Levi’s body of work extends considerably beyond his experience as a survivor. Now, the transformation of Levi from Holocaust memoirist to one of the twentieth century’s greatest writers culminates in this publication of The Complete Works of Primo Levi. This magisterial collection finally gathers all of Levi’s fourteen books—memoirs, essays, poetry, and fiction—into three slip-cased volumes. Thirteen of the books feature new translations, and the other is newly revised by the original translator. Nobel laureate Toni Morrison introduces Levi’s writing as a “triumph of human identity and worth over the pathology of human destruction.” The appearance of this historic publication will occasion a major reappraisal of “one of the most valuable writers of our time” (Alfred Kazin). The Complete Works of Primo Levi features all new translations of: The Periodic Table, The Drowned and the Saved, The Truce, Natural Histories, Flaw of Form, The Wrench, Lilith, Other People’s Trades, and If Not Now, When?—as well as all of Levi’s poems, essays, and other nonfiction work, some of which have never appeared before in English.
No other Auschwitz survivor has been as literarily powerful and influential as Primo Levi. But Levi was not only a victim or a witness. In the fall of 1943, at the very start of the Italian Resistance, he took part in the first efforts at guerrilla warfare against Nazi forces. Yet those months are strikingly unmentioned in Levi’s writings---aside from one obscure passage hinting that his deportation to Auschwitz was linked directly to an “ugly secret” from that time. What did Levi mean by those dramatic words? His small partisan band, it appears, had turned on itself, committing a brutal act against two of its own members. Using that shocking episode as a starting point, Sergio Luzzatto offers a rich examination of the early days of the Resistance, tracing vivid portraits of both rebels and Nazi collaborators. And he provides profound insight into the origins of the moral complexity that runs through the work of Primo Levi himself.
Young Albert Weiss was spared the horrors of Auschwitz when his parents threw him and his brother from the transport train. Years later, with the help of other survivors of the holocaust, he explores the myriad ways of confronting not just the evil that robbed him of his childhood, but the guilt he feels for having lost his brother on that wintry night.Mosaic, non-linear and semi-autobiographical, this book is reminiscent in style of Kurt Vonnegut's Slaughterhouse-Five and in theme of the works of Primo Levi. In documenting the stories of child survivors, it is a moving and necessary addition to the literature of the Holocaust.
This is the last complete book published during Levi's lifetime to be translated into English and offers one final look into the mind of one of the most compelling and tragic witnesses of the twentieth century. In THE SEARCH FOR ROOTS, Levi has selected the thirty pieces of prose and poetry most important to him. In doing so, he considers how many of our 'roots' come from the books we've read, and reveals a great deal about both his own tastes and his intellectual preoccupations. Levi's many fans will be fascinated by the pieces he has chosen - with authors selected ranging from Homer, Swift and Melville to Darwin, Marco Polo and a scientist on Black Holes.
When Christopher Isherwood's A Single Man first appeared, it shocked many with its frank, sympathetic, and moving portrayal of a gay man in maturity. Isherwood's favorite of his own novels, it now stands as a classic lyric meditation on life as an outsider. Welcome to sunny suburban 1960s Southern California. George is a gay middle-aged English professor, adjusting to solitude after the tragic death of his young partner. He is determined to persist in the routines of his former life. A Single Man follows him over the course of an ordinary twenty-four hours. Behind his British reserve, tides of grief, rage, and loneliness surge—but what is revealed is a man who loves being alive despite all the everyday injustices.
Think a newspaper can’t be responsible for mass murder? Think again. As flagship of the American news media, the New York Times is the world’s most powerful news outlet. With thousands of reporters covering events from all corners of the globe, the Times has the power to influence wars, foment revolution, shape economies and change the very nature of our culture. It doesn’t just cover the news: it creates it. The Gray Lady Winked pulls back the curtain on this illustrious institution to reveal a quintessentially human organization where ideology, ego, power and politics compete with the more humble need to present the facts. In its 10 gripping chapters, The Gray Lady Winked offers readers an eye-opening, often shocking, look at the New York Times’s greatest journalistic failures, so devastating they changed the course of history. How its World War II Berlin bureau chief, a known Nazi collaborator, skewed coverage in favor of the Third Reich for over a decade. Its notorious coverup of the Ukraine Famine, a genocide committed by Stalin, showing that it was the newspaper's owners who directed the coverup in order to advance their own financial and ideological interests. The “1619 Project," a cynical, ideologically driven attempt to revise American history by rooting the nation's birth in slavery instead of liberty. The result is an essential look at the tangled relationship between media, power and politics in a post-truth world told with novelistic flair to reveal a uniquely powerful institution’s tortured relationship with the truth. Most importantly of all, The Gray Lady Winked presents a cautionary tale that shows what happens when the guardians of the truth abandon that sacred value in favor of self-interest and ideology—and what this means for our future as much as for our past.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.