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The Maori and their art - The Maori as an artist - The imaginative Maori - Styles of dress - War and recreation - Ancestor reverence - Domestic art forms - Art outdoors.
"Maori folk art is a distinctive, widespread tradition in painting and carving that first appeared in meeting houses throughout eastern tribal areas of the North Island just over a hundred years ago. It has obvious sources in both European and Classic Maori art traditions and is a clearly identifiable and vital communicative art, complex in its iconography and significance to its creators."--From preface.
First published in 1929, Raymond Firth’s original and insightful study offers an incredibly detailed account of the social and economic organisation of the Maori people before their contact with Western civilisation. Bridging the gap between anthropology and economics, the work covers the class structure, land system, industry, methods of co-operative labour, exchange and distribution, and the psychological foundations of Maori society. This reissue will be welcomed by all students of anthropology and anyone interested the history of the Maori people.
First published in 1929, Raymond Firth's original and insightful study offers an incredibly detailed account of the social and economic organisation of the Maori people before their contact with Western civilisation. Bridging the gap between anthropology and economics, the work covers the class structure, land system, industry, methods of co-operative labour, exchange and distribution, and the psychological foundations of Maori society. This reissue will be welcomed by all students of anthropology and anyone interested the history of the Maori people.
Originally published in 1933, this book examines the material culture of various 'primitive' peoples, not only as evidence of migration but also as a window onto that culture's beliefs and customs. Sayce, using a variety of examples from all over the world, details the way in which objects can accrue different meanings through their lifetimes. This book will be of value to anthropologists, folklorists, and anyone with an interest in the evolution of material culture.
This book is a mosaic or quilt of folk art around the world, from polychrome clay figures made in Izúcar de Matamoros, Puebla (Mexico) to the baskets Maori women create in New Zealand, from Japanese lacquer work and decorated paddles to black dolls in Rio de Janeiro, Brazil. The creative impulse found in three continents, four countries, and four geographical regions are juxtaposed to make up a harmonious whole. The book carries out a detailed dissection of a variety of ethnic, racialized, and gender representations in their contemporary forms.
This richly illustrated book presents a comprehensive assessment of the display of Maori culture from the nineteenth century to today. In doing so, Exhibiting Maori traces the long journey from curio to specimen, artefact, art and taonga (treasure). Drawing on extensive and groundbreaking research, Exhibiting Maori reveals for the first time the remarkable story of Maori resistance to, involvement in, and eventual capture of the display of their culture.Ranging across museums, world fairs, fine art and tourism, Exhibiting Maori fuses museum studies, anthropology, and visual and material culture to uncover a history of active Maori engagement with the colonial culture of display.
This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.