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In this acclaimed book, Torgovnick explores the obsessions, fears, and longings that have produced Western views of the primitive. Crossing an extraordinary range of fields (anthropology, psychology, literature, art, and popular culture),Gone Primitivewill engage not just specialists but anyone who has ever worn Native American jewelry, thrilled to Indiana Jones, or considered buying an African mask. "A superb book; and--in a way that goes beyond what being good as a book usually implies--it is a kind of gift to its own culture, a guide to the perplexed. It is lucid, usually fair, laced with a certain feminist mockery and animated by some surprising sympathies."--Arthur C. Danto, New York Times Book Review "An impassioned exploration of the deep waters beneath Western primitivism. . . . Torgovnick's readings are deliberately, rewardingly provocative."--Scott L. Malcomson,Voice Literary Supplement
Traditional Anishinaabe (Ojibwe or Chippewa) knowledge, like the knowledge systems of indigenous peoples around the world, has long been collected and presented by researchers who were not a part of the culture they observed. The result is a colonized version of the knowledge, one that is distorted and trivialized by an ill-suited Eurocentric paradigm of scientific investigation and classification. In Our Knowledge Is Not Primitive, Wendy Makoons Geniusz contrasts the way in which Anishinaabe botanical knowledge is presented in the academic record with how it is preserved in Anishinaabe culture. In doing so she seeks to open a dialogue between the two communities to discuss methods for decolonizing existing texts and to develop innovative approaches for conducting more culturally meaningful research in the future. As an Anishinaabe who grew up in a household practicing traditional medicine and who went on to become a scholar of American Indian studies and the Ojibwe language, Geniusz possesses the authority of someone with a foot firmly planted in each world. Her unique ability to navigate both indigenous and scientific perspectives makes this book an invaluable contribution to the field of Native American studies and enriches our understanding of the Anishinaabe and other native communities.
A new edition of the seminal post-apocalyptic horror novel, featuring an original Introduction by Brian Keene and Cathy Gonzalez. It began as just another day for David Spires and his wife Tracy: coffee, breakfast, and getting the kids ready for school. Then the bottom dropped out of civilization. The world ends not with a bang or a whimper, but with a dizzying downward spiral. Instead of the rat race of commuters scurrying to beat the clock, humans are now packs of animals reduced to snarling primitives. David, Tracy and their daughter Emily, along with fellow survivors, leave Los Angeles for the safety of the country where fewer people means fewer primitives. But as they venture farther away from the city, they realize an unnatural force is at work. Civilization didn't just fall apart...it was overtaken by an ancient evil that was present before the first cave paintings. Human history has no formal record of it, but the dark presence that's fueled nightmares since time began has crept out of the shadows...and its influence is growing.
Anyone eager to master survival skills for outdoor vacations, or simply to find a fun new family activity for a Saturday afternoon, will be educated and inspired by the practical advice presented here by archaeologists, anthropologists, primitive practitioners, craftsmen, and artisans. These experts help modern readers rediscover the skills that have served humanity for millennia: fire-making, camp cooking, basket weaving, pottery making, animal tracking, and much more. You can even learn how to turn seashells into arrowheads or make glue from yucca plants. Plus, there’s intriguing information on the benefits of a hunter-gatherer diet. More than just a how-to, this handbook provides inspiration to live life to the fullest.
From the craftsman behind the popular YouTube channel Primitive Technology comes a practical guide to building huts and tools using only natural materials from the wild. John Plant, the man behind the channel, Primitive Technology, is a bonafide YouTube star. With almost 10 million subscribers and an average of 5 million views per video, John's channel is beloved by a wide-ranging fan base, from campers and preppers to hipster woodworkers and craftsmen. Now for the first time, fans will get a detailed, behind-the-scenes look into John's process. Featuring 50 projects with step-by-step instructions on how to make tools, weapons, shelters, pottery, clothing, and more, Primitive Technology is the ultimate guide to the craft. Each project is accompanied by illustrations as well as mini-sidebars with the history behind each item, plus helpful tips for building, material sourcing, and so forth. Whether you're a wilderness aficionado or just eager to spend more time outdoors, Primitive Technology has something for everyone's inner nature lover.
Winner of the Pulitzer Prize for Poetry Her most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside. "American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages." -- Stanley Kunitz "These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight." -- May Swenson
On Chinese cinema
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Nowhere can we appreciate so easily the intertwined nature of the triple forces of knowledge accumulation--capital, colonial, and racial--than in the imperial museum, where the objects of accumulation remain materially, visibly preserved. Sarita See maintains that it is this material collection of artifacts associated with the racial, colonial primitive that forms the foundation of American knowledge production. The Filipino Primitive takes Karl Marx's concept of "primitive accumulation," usually conceived of as an economic process for the acquisition of land and the extraction of labor, and argues that we also must understand it as a project of knowledge accumulation. Taking us through the Philippine collections at the University of Michigan Natural History Museum and the Frank Murphy Memorial Museum, also in Michigan, See reveals these exhibits as both allegory and real case of the primitive accumulation subtending imperial American knowledge, just as the extraction of Filipino labor contributes to American capitalist colonialism. With this understanding of the Filipino foundations of the development of an American accumulative drive toward power and knowledge, we can appreciate the value of Filipino American cultural producers like Carlos Bulosan, Stephanie Syjuco, and Ma-Yi Theater Company who have created incisive parodies of an accumulative epistemology, even as they articulate powerful alternative, anti-accumulative social ecologies.
For those who have been accustomed to reading books on wilderness skills that entertain but fall short of actually teaching you "how to" accomplish the tasks and skills at hand, this book is a pleasant surprise - written for those who wish to actually head into the wilderness and practice the skills of our ancestors. Primitive Wilderness Living and Survival Skills is a compilation of ten booklets written over the course of seven years each chapter a complete, concise "how-to" in itself. Unlike many who have written on this subject in the past, John and Geri McPherson have spent years daily practicing these skills, perfecting methods through trial and error - and documenting it. This vast knowledge is passed on to the reader. Illustrated with over 700 photographs crammed into 400 pages, this massive work is not a rehashing and perpetuation of myths. These are tried and true methods of primitive wilderness living and survival skills. Field and Stream says: "The McPherson's book....deals with taking flat nothing into boondocks and staying for a long period of time. If you'd like to know how to make a spear thrower, or pottery, or brain cure deer hides, or build a permanent shelter from what you find at and, here is the place to learn." And Sports Afield: "....Full of practical, tested advice for living off the land." Also the Museum of the Fur Trade: "This is without doubt the best raining guide for eral primitive living skills" Web Site www/prairiewolf.net;email: john/[email protected] or [email protected].