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From Marilyn to Mussolini, people captivate people. A&E's Biography, best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians. Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals.
In this thoughtful and penetrating study, Sara Raup Johnson investigates the creation of historical fictions in a wide range of Hellenistic Jewish texts. Surveying so-called Jewish novels, including the Letter of Aristeas, 2 Maccabees, Esther, Daniel, Judith, Tobit, Josephus's account of Alexander's visit to Jerusalem and of the Tobiads, Artapanus, and Joseph and Aseneth, she demonstrates that the use of historical fiction in these texts does not constitute a uniform genre. Instead it cuts across all boundaries of language, provenance, genre, and even purpose. Johnson argues that each author uses historical fiction to construct a particular model of Hellenistic Jewish identity through the reinvention of the past. The models of identity differ, but all seek to explore relations between Jews and the wider non-Jewish world. The author goes on to present a focal in-depth analysis of one text, Third Maccabees. Maintaining that this is a late Hellenistic, not a Roman, work Johnson traces important themes in Third Maccabees within a broader literary context. She evaluates the evidence for the authorship, audience, and purpose of the work and analyzes the historicity of the persecution described in the narrative. Illustrating how the author reinvents history in order to construct his own model for life in the diaspora, Johnson weighs the attitudes and stances, from defiance to assimilation, of this crucial period.
Caroline Leakey, writing as Oliné Keese, published her first and only novel, The Broad Arrow, in 1859. It tells the story of Maida Gwynnham, a young middle-class woman lured into committing a forgery by her deceitful lover, Captain Norwell, and then wrongly convicted of infanticide. The novel’s title describes the arrow that was stamped onto government property, including the clothes worn by convict – a symbol of shame and incarceration. With its ‘fallen woman’ protagonist, its gothic undertones and its exploration of the social and moral implications of the penal system, this little-known novel gives an insight into a significant chapter of Australian history from a uniquely female perspective. In this new critical edition, editor Jenna Mead restores material that was cut when the novel was reissued in a radically abridged version in 1886, restoring for the first time in over a century the complete original text of Leakey’s important work.