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A headstrong young soprano must solve a murder to save her friend The Metropolitan Opera has no time for illness. So when its principal baritone succumbs to a head cold on the eve of Carmen, house diva Geraldine Farrar doesn’t hesitate to recommend a replacement: the hungry young American Jimmy Freeman. He’s raw, talented, and desperately in love with her—something she doesn’t mind at all. But when Freeman is passed over in favor of Philippe Duchon, a legendary baritone fleeing World War I, the young man is shattered, and the stage is set for tragedy. A throat spray laced with ammonia destroys Duchon’s vocal chords, finishing his career once and for all. But who poisoned his spray? While everyone in the company loathed Duchon, Freeman and Farrar are the obvious suspects. To clear their names, the thoroughly modern prima donna who brought flapper-style to the Metropolitan stage will kick up her heels and get to work. Prima Donna at Large is the 2nd book in the Opera Mysteries, but you may enjoy reading the series in any order.
Interviews with fifty-six great operatic divas of the twentieth century illuminate their lives, their art, and the world of modern opera.
This book reveals the power dynamics and interpersonal politics that lie at the heart of professional organizations. Drawing on the latest academic theory, and based on interviews with over 500 senior professionals, it analyses how professionals come together to create 'leadership'. It explains how change happens and why leaders so often fail.
From the author of the hypnotic and alluring ("Historical Novels Review") novel "The Spiritualist" comes another addictively readable historical novel with a twist of dark mystery.
Female characters assumed increasing prominence in the narratives of nineteenth- and early twentieth-century opera. And for contemporary audiences, many of these characters--and the celebrated women who played them--still define opera at its finest and most searingly affective, even if storylines leave them swooning and faded by the end of the drama. The presence and representation of women in opera has been addressed in a range of recent studies that offer valuable insights into the operatic stage as cultural space, focusing a critical lens at the text and the position and signification of female characters. Moving that lens onto the historical, The Arts of the Prima Donna in the Long Nineteenth Century sheds light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled "doomed women" onstage before an audience. Editors Rachel Cowgill and Hilary Poriss lead a cast of renowned contributors in an impressive display of current approaches to the lives, careers, and performances of female opera singers. Essential theoretical perspectives reflect several broad themes woven through the volume-cultures of celebrity surrounding the female singer; the emergence of the quasi-mythical figure of the diva; explorations of the intricate and sundry arts associated with the prima donna, and with her representation in other media; and the diversity and complexity of contemporary responses to her. The prima donna influenced compositional practices, determined musical and dramatic interpretation, and affected management decisions about the running of the opera house, content of the season, and employment of other artists--a clear demonstration that her position as "first woman" extended well beyond the boards of the operatic stage itself. The Arts of the Prima Donna in the Long Nineteenth Century is an important addition to the collections of students and researchers in opera studies, nineteenth-century music, performance and gender/sexuality studies, and cultural studies, as well as to the shelves of opera singers and enthusiasts.
Maria Callas was the most glamorous, idolized and criticized operatic figure of our time. Loved or hated, no singer inspired so much discussion, nor exercised as much power at the box office as the “ugly duckling” who triumphed over a bitter childhood to become the Queen of Opera. Written in 1960, this is a portrait of the artist at the height of her fame, and includes an epilogue that extends the story to Callas’ death in 1977 and her posthumous glory. “... a remarkably balanced picture which goes some way towards explaining the burning, never contented determination of the woman... wonderful array of photographs...” — The Guardian “As an artist Maria Callas is greater than the sum of her abilities... Mr. Jellinek has written a very sensible and informative account of her career.” — The New Statesman
Reproduction of the original: Memoirs of an American Prima Donna by Clara Louise Kellogg
Opera singer Sabine Conrad is the toast of nineteenth-century New York high society. A celebrated soprano with the voice of an angel, she is showered with adulation by her audiences and courted by wealthy patrons. But behind the scenes, her every move is controlled by a Svengali-like manager, Gideon Price. When her attempt to escape him goes tragically awry, she flees, leaving behind a grisly murder. Three years later, as Marguerite Olson, she has put aside the prima donna she once was to run a low-class theater in Seattle. Hidden among prostitutes, drunks, and miners, a desperate and determined Marguerite carefully guards the secrets of her old life—until her past returns to offer a terrifying proposition. Prima Donna captures both the glittering decadence of New York and the rough raunchy waterfront of Seattle, as Marguerite, caught between two worlds, must find the strength to confront the truth of her past and choose which voice defines her in this dark and harrowing novel.
He wasn't supposed to be nice. This changes everything.Charlotte Robinson has one goal: survive her senior year. Well, if she's truthful, it's actually to survive her new life without her mom. Which would be a lot easier to do if her dad was actually dealing with the death. Instead, he's buried himself in so many abandoned vehicles that their yard has turned into a suburban junkyard and it's just a matter of time before the city intervenes. When Lucas Addington, the obnoxious rich kid who's been banished to the small town of Sweet Water, douses her in his caramel macchiato, she's pretty sure she's reached her lowest low. But that's only the beginning. He's conceited and spoiled--everything she expected from a billionaire's heir--until things begin to change. Suddenly, she finds herself drawn to him for reasons she can't explain. He makes her feel safe and wanted, something she'd forgotten how to feel. Just when she allows herself to open up to him, her life comes crashing down around her.Now Charlotte must decide if she can fix her crumbling life and keep Lucas, or fail and lose everything she holds dear...again.1 town. 1 high school. 12 sweet romances.Read Misunderstanding the Billionaire's Heir from Anne-Marie Meyer. It is the first installment of the Sweet Water High Multi-Author Series.