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This book examines evidence for cultural interchange among the intellectual powerbrokers in Postclassic Mesoamerica, specifically those centered in the northern Maya lowlands and the central Mexican highlands. It includes a wealth of new data and interpretive frameworks in a comprehensive discussion of a critical time period in Mesoamerica.
For the past two hundred years biblical scholars have increasingly assumed that the Hebrew Bible was largely written and edited in the Persian and Hellenistic periods. As a result, the written Bible has dwelled in an historical vacuum. Recent archaeological evidence and insights from linguistic anthropology, however, point to the earlier era of the late-Iron Age as the formative period for the writing of biblical literature. How the Bible Became a Book combines these recent archaeological discoveries in the Middle East with insights culled from the history of writing to address how the Bible first came to be written down and then became sacred Scripture. This book provides rich insight into why these texts came to have authority as Scripture and explores why Ancient Israel, an oral culture, began to write literature, challenging the assertion that widespread literacy first arose in Greece during the fifth century BCE.
This volume is a concentrated examination of the varied roles of scribes and scribal practices in ancient Israel and Judah, shedding light on the social world of the Hebrew Bible. Divided into discussion of three key aspects, the book begins by assessing praxis and materiality, looking at the tools and materials used by scribes, where they came from and how they worked in specific contexts. The contributors then move to observe the power and status of scribal cultures, and how scribes functioned within their broader social world. Finally, the volume offers perspectives that examine ideological issues at play in both antiquity and the modern context(s) of biblical scholarship. Taken together, these essays demonstrate that no text is produced in a void, and no writer functions without a network of resources.
We think of the Hebrew Bible as the Book--and yet it was produced by a largely nonliterate culture in which writing, editing, copying, interpretation, and public reading were the work of a professional elite. The scribes of ancient Israel are indeed the main figures behind the Hebrew Bible, and in this book Karel van der Toorn tells their story for the first time. His book considers the Bible in very specific historical terms, as the output of the scribal workshop of the Second Temple active in the period 500-200 BCE. Drawing comparisons with the scribal practices of ancient Egypt and Mesopotamia, van der Toorn clearly details the methods, the assumptions, and the material means of production that gave rise to biblical texts; then he brings his observations to bear on two important texts, Deuteronomy and Jeremiah. Traditionally seen as the copycats of antiquity, the scribes emerge here as the literate elite who held the key to the production as well as the transmission of texts. Van der Toorn's account of scribal culture opens a new perspective on the origins of the Hebrew Bible, revealing how the individual books of the Bible and the authors associated with them were products of the social and intellectual world of the scribes. By taking us inside that world, this book yields a new and arresting appreciation of the Hebrew Scriptures.
The 17 essays in this volume fall into four sections: Early Judaism and its Environment; Chronicles-Ezra-Nehemiah; Wisdom, Scribes and Scribalism; and Theology of the Hebrew Bible. They are accompanied by a biographical sketch (by Robert Wilken) and a bibliography of Blenkinsopp's writings. Joseph Blenkinsopp is one of the foremost Catholic biblical scholars of his generation. Born in England, he has taught in the USA since 1968. The essays in this volume contributed by colleagues, friends and students reflect the many interests of Joseph Blenkinsopp's innovative and multi-faceted scholarship.
Since at least the 19th century Hebrew Bible scholarship has traditionally seen priests and prophets as natural opponents, with different social spheres and worldviews. In recent years several studies have started to question this perspective. The Priests in the Prophets examines how the priests are portrayed in the Latter Prophets and analyzes the relationship between priests and prophets. The contributors also provide insights into the place of priests, prophets, and some other religious specialists in Israelite and Judean society in pre-exilic and post-exilic times.
A cutting-edge scholarly review of how the Pentateuch functions as a scripture, and how it came to be ritualized in this way. Understanding the Pentateuch as a Scripture is a unique account of the first five books of the Bible, describing how Jews and Christians ritualize the Pentateuch as a scripture by interpreting it, by performing its text and contents, and by venerating the physical scroll and book. Pentateuchal studies are known for intense focus on questions of how and when the first five books of the Bible were composed, edited, and canonized as scripture. Rather than such purely historical, literary, or theological approaches, Hebrew Bible scholar James W. Watts organizes this description of the Pentateuch from the perspectives of comparative scriptures and religious studies. He describes how the Pentateuch has been used in the centuries since it began to function as a scripture in the time of Ezra, and the origins of its ritualization before that time. The book: Analyzes the semantic contents of the Pentateuch as oral rhetoric that takes the form of stories followed by lists of laws and sanctions Gives equal space to its ritualization in the iconic and performative dimensions as to its semantic interpretation Fully integrates the cultural history of the Pentateuch and Bible with its influence on Jewish and Christian ritual, and in art, music, theatre, and film Understanding the Pentateuch as a Scripture is a groundbreaking work that highlights new research data and organizes the material to focus attention on the Pentateuch’s—and Bible’s— function as a scripture.
Inside the covers of this book you will find the Real Scriptures of the Christian churches. Many church leaders know that other Christian churches hold to these books but they are only willing to state what they have been brain-washed to believe, that is about the other inferior books: It isn t in the canon (of scripture) formed of course by the early Catholic Church at various stages and Councils from the fourth century A.D. therefore no one has the right to change what is in the canon of scripture and the Catholic Church changed it in their councils not in agreement of other Christians but to hide their offence at the words of God. They would not even imagine that different churches have different scriptures and assume that the correct canon of scripture must be the one first declared by the Catholic Church and its priests but other priests must be considered demented or apostate, but they are not affected by the changes they made to the canon of Scripture over many centuries. They will not consider the canons of Orthodox Churches or others because they vary in different regions of the world. So is European Christianity based in the Vatican City right about all its holy scriptures while everyone else s church scriptures are false scriptures? Ethiopia it seems got most books of scripture right even with their translation into an ancient language! The Real Scriptures , edited by James Platter above, a layman who formerly studied the scriptures for many years with the Baptist Bible Fellowship in San Dimas, California in the United States, but now rejects the reduced 1627 A.D. Version of the KJV Bible, and formally learned the Greek language of the New Testament at Capernwray Missionary Fellowship, Moss Vale, N. S. W. Australia under the Reverend Alan Catchpoole in 1973.
UNDERSTANDING THE BIBLE AS A SCRIPTURE IN HISTORY, CULTURE, AND RELIGION The Bible is a popular subject of study and research, yet biblical studies gives little attention to the reason for its popularity: its religious role as a scripture. Understanding the Bible as a Scripture in History, Culture, and Religion integrates the history of the religious interpretation and ritual uses of biblical books into a survey of their rhetoric, composition, and theology in their ancient contexts. Emphasizing insights from comparative studies of different religious scriptures, it combines discussion of the Bible’s origins with its cultural history into a coherent understanding of its past and present function as a scripture. A prominent expert on biblical rhetoric and the ritualization of books, James W. Watts describes how Jews and Christians ritualize the Bible by interpreting it, by expressing it in recitations, music, art, and film, and by venerating the physical scroll and book. The first two sections of the book are organized around the Torah and the Gospels—which have been the focus of Jewish and Christian ritualization of scriptures from ancient to modern times—and treat the history of other biblical books in relation to these two central blocks of the Hebrew Bible and New Testament. In addition to analyzing the semantic contents of all the Bible’s books as persuasive rhetoric, Watts describes their ritualization in the iconic and expressive dimensions in the centuries since they began to function as a scripture, as well as in their origins in ancient Judaism and Christianity. The third section on the cultural history and scriptural function of modern bibles concludes by discussing their influence today and the controversies they have fueled about history, science, race, and gender. Innovative and insightful, Understanding the Bible as a Scripture in History, Culture, and Religion is a groundbreaking introduction to the study of the Bible as a scripture, and an ideal textbook for courses in biblical studies and comparative scripture studies.