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'Praise be to Our Lady of Eternal Sorrows, and blessed be the Ascended Martyr.' Those were the words on lips of the faithful: Blessed be the Ascended Martyr, and woe betide you if you thought otherwise. The word Unbeliever had become a death sentence on the streets in those days. Gangster, soldier, priest. Governor, knight, and above all, Queen's Man. Once, Tomas Piety looked after his men, body and soul, as best he could. Then those who ran his country decided his dark talents would better serve in the corridors of power. Crushed by the power of the Queen's Men and with the Skanian menace rising once more on the streets of Ellinburg, Tomas Piety is forced to turn to old friends, old debts and untrustworthy alliances. Meanwhile in the capital city of Dannsburg, Dieter Vogel is beginning to wonder if the horror he has unleashed in the Martyr's Disciples might be getting out of control. With revolution brewing and tragedy and terrorism running rife in the cities, Piety and Vogel must each weigh the cost of a crown.
"The first in an unmissable series, Priest of Bones is a fresh and compelling take on grimdark fantasy. Mashing together soldiers, gangsters, magic and war into a heady mix that is a hulking big brother to The Lies of Locke Lamora."--Anna Stephens, author of Godblind The war is over, and army priest Tomas Piety heads home with Sergeant Bloody Anne at his side. But things have changed while he was away: his crime empire has been stolen and the people of Ellinburg--his people--have run out of food and hope and places to hide. Tomas sets out to reclaim what was his with help from Anne, his brother, Jochan, and his new gang: the Pious Men. But when he finds himself dragged into a web of political intrigue once again, everything gets more complicated. As the Pious Men fight shadowy foreign infiltrators in the back-street taverns, brothels, and gambling dens of Tomas's old life, it becomes clear: The war is only just beginning.
Gangster, soldier, priest. Queen's Man. Governor. 'If you haven't yet picked up this riveting and unique series, I highly recommend you do' Fantasy Book Critic Tomas Piety has everything he ever wanted. In public he's a wealthy, highly respected businessman, happily married to a beautiful woman and governor of his home city of Ellinburg. In private, he's no longer a gang lord, head of the Pious Men, but one of the Queen's Men, invisible and officially non-existent, working in secret to protect his country. The queen's sudden death sees him summoned him back to the capital - where he discovers his boss, Dieter Vogel, Provost Marshal of the Queen's Men, is busy tightening his stranglehold on the country. Just as he once fought for his Pious Men, Tomas must now bend all his wit and hard-won wisdom to protect his queen - even when he can't always tell if he's on the right side. Tomas has started to ask himself, what is the price of power? And more importantly, is it one he is willing to pay? 'If you like your fantasy with a side of dark and gritty, you won't want to miss this' CHRISTINA HENRY, bestselling author of The Girl in Red on Priest of Lies
Tomas Piety has been many things: soldier, priest, gangster...and spy. As Tomas's power grows, the nobility better watch their backs, in this dark and gritty epic fantasy series. People are weak, and the poorer and more oppressed they are, the weaker they become--until they can't take it anymore. And when they rise up...may the gods help their oppressors. When Tomas Piety returned from the war, he just wanted to rebuild his empire of crime with his gang of Pious Men. But his past as a spy for the Queen's Men drew him back in and brought him more power than he ever imagined. Now, with half of his city in ashes and the Queen's Men at his back, the webs of political intrigue stretch out from the capital to pull Tomas in. Dannsburg is calling. In Dannsburg the nobility fight with words, not blades, but the results are every bit as bloody. In this pit of beasts, Tomas must decide once and for all whether he is truly the people's champion...or just a priest of lies.
Part of your job as the costume designer is to be creative and use what materials are available to you to execute the design elements in a production. This book will show you how to use inexpensive materials to create durable products in a short amount of time that are practical and technical. It is written in an easy-to-follow manner and each step is shown with a wide array of illustrations and photographs. From creating armour out of laundry baskets, to detailed tricks to create a prosthetic nose for a witch, this book will show the techniques needed for you to produce end results that are beautiful, economical, and fast to make.
There are many rules a priest can't break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God. I've always been good at following rules. Until she came. Then I learned new rules. My name is Tyler Anselm Bell. I'm twenty-nine years old. Six months ago, I broke my vow of celibacy on the altar of my own church, and God help me, I would do it again. I am a priest and this is my confession.
In the year 937, the new king of England, a grandson of Alfred the Great, readies himself to go to war in the north. His dream of a united kingdom of all England will stand or fall on one field—on the passage of a single day. At his side is the priest Dunstan of Glastonbury, full of ambition and wit (perhaps enough to damn his soul). His talents will take him from the villages of Wessex to the royal court, to the hills of Rome—from exile to exaltation. Through Dunstan’s vision, by his guiding hand, England will either come together as one great country or fall back into anarchy and misrule . . . From one of our finest historical writers, The Abbott’s Tale is an intimate portrait of a priest and performer, a visionary, a traitor and confessor to kings—the man who can change the fate of England.
THE BOOK BEHIND THE FOURTH SEASON OF THE ACCLAIMED HBO SERIES GAME OF THRONES Few books have captivated the imagination and won the devotion and praise of readers and critics everywhere as has George R. R. Martin’s monumental epic cycle of high fantasy. Now, in A Feast for Crows, Martin delivers the long-awaited fourth book of his landmark series, as a kingdom torn asunder finds itself at last on the brink of peace . . . only to be launched on an even more terrifying course of destruction. A FEAST FOR CROWS It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears. . . . With the death of the monstrous King Joffrey, Cersei is ruling as regent in King’s Landing. Robb Stark’s demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist—or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out. But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces—some familiar, others only just appearing—are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead. It is a time when the wise and the ambitious, the deceitful and the strong will acquire the skills, the power, and the magic to survive the stark and terrible times that lie before them. It is a time for nobles and commoners, soldiers and sorcerers, assassins and sages to come together and stake their fortunes . . . and their lives. For at a feast for crows, many are the guests—but only a few are the survivors.
A hitman navigates a seedy London shot through with dark magic, demons, and angels in this wickedly hilarious urban fantasy series debut Meet Don Drake: a profane, alcoholic hitman . . . and summoner of demons. Drake owes a gambling debt to one such demon. Forced to carry out one more assassination to clear his debt, Don unwittingly kills an innocent child and brings the Furies of Greek myth down upon himself. Rescued by an almost-fallen angel called Trixie, Don and his magical accomplice, The Burned Man—an imprisoned archdemon—are forced to deal with Lucifer himself whilst battling a powerful evil magician. Now Don must foil Lucifer’s plan to complete Trixie’s fall and save her soul whilst preventing the Burned Man from escaping and wreaking havoc on the entire world. “What connects [Raymond] Chandler, Guy Ritchie, Harry Potter and Buffy the Vampire Slayer? ‘Not much’ is probably the answer, until now. A punchy debut novel.” —SFX Magazine
This book analyzes the acquisition and use of texts by the parish clergy in the diocese of Eichstätt between 1400 and 1520 to refute the amusing, but misleading, image of the lustful and ignorant cleric so popular in the satirical literature of the period. By the fifteenth-century, more widely available local schooling and increasing university attendance had improved the educational level of the clergy; priests were bureaucrats as well as pastors and both roles required extensive use of the written word. What priests read is a question of fundamental importance to our understanding of the late medieval parish and the role of the clergy as communicators and cultural mediators. Priests were entrusted with saying the Mass, preaching doctrine and repentance, honoring the saints, plumbing the conscience, and protecting the legal rights of the Church. They baptized children, blessed the fields, and prayed for the souls of the dead. What priests read would have informed how they understood and how they performed their social and religious roles. By locating and contextualizing the manuscripts, printed books, and parish records that were once in the hands of priests in the diocese, the author has found evidence for the unexpected: the avid acquisition of books; a theological awareness; and an emerging professional identity. This marks an important revision to the conventional view of a dramatic era marked by both the transition from manuscripts to printed books and the outbreak of the Reformation.