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A funny, fiercely feminist YA epic fantasy—following the adventures of a tavern wench Tanya has worked at her tavern since she was able to see over the bar. She broke up her first fight at 11. By the time she was a teenager she knew everything about the place, and she could run it with her eyes closed. She’d never let anyone—whether it be a drunkard or a captain of the queen’s guard—take advantage of her. But when her guardian dies, she might lose it all: the bar, her home, her purpose in life. So she heads out on a quest to petition the queen to keep the tavern in her name—dodging unscrupulous guards, a band of thieves, and a powerful, enchanted feather that seems drawn to her. Fast-paced, magical, and unapologetically feminist, Wench is epic fantasy like you’ve never seen it before.
Princess Leonie Kolburg, aged nineteen and heir to a faded European spaceship, enters the engagement season hoping only to save her family from financial ruin, but is soon falling for her first, rejected love.
Jebediah has a secret that will change his world forever and send his people into space. The Amish world of Alabaster calls upon an ancient promise to escape destruction. They end up on a cargo ship bound for the stars. But they are not the only cargo on board. Some of it is alive... or used to be. Now, with vampires taking over and closing in on the Amish refugees, these simple believers must decide whether their faith depends upon their honored traditions or something even older.
Pride and Prejudice and Mistletoe from New York Times bestselling author, Melissa de la Cruz, is a sweet, sexy and hilarious gender-swapping, genre-satisfying re-telling, set in contemporary America and featuring one snooty Miss Darcy. The basis for the Hallmark TV Movie of the same name available on streaming. Darcy Fitzwilliam is 29, beautiful, successful, and brilliant. She dates hedge funders and basketball stars and is never without her three cellphones—one for work, one for play, and one to throw at her assistant (just kidding). Darcy’s never fallen in love, never has time for anyone else’s drama, and never goes home for Christmas if she can help it. But when her mother falls ill, she comes home to Pemberley, Ohio, to spend the season with her family. Her parents throw their annual Christmas bash, where she meets one Luke Bennet, the smart, sardonic slacker son of their neighbor. Luke is 32-years-old and has never left home. He’s a carpenter and makes beautiful furniture, and is content with his simple life. He comes from a family of five brothers, each one less ambitious than the other. When Darcy and Luke fall into bed after too many eggnogs, Darcy thinks it’s just another one night stand. But why can’t she stop thinking of Luke? What is it about him? And can she fall in love, or will her pride and his prejudice against big-city girls stand in their way?
A NEW YORK TIMES BOOK REVIEW 100 NOTABLE BOOKS OF THE YEAR A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE NAMED A BOOK WE LOVED BY NPR A fictional and complex portrait of bestselling author Patricia Highsmith caught up in the longing that would inspire her queer classic, The Price of Salt Flung Out of Space is both a love letter to the essential lesbian novel, The Price of Salt, and an examination of its notorious author, Patricia Highsmith. Veteran comics creators Grace Ellis and Hannah Templer have teamed up to tell this story through Highsmith’s eyes—reimagining the events that inspired her to write the story that would become a foundational piece of queer literature. Flung Out of Space opens with Pat begrudgingly writing low-brow comics. A drinker, a smoker, and a hater of life, Pat knows she can do better. Her brain churns with images of the great novel she could and should be writing—what will eventually be Strangers on a Train— which would later be adapted into a classic film by Alfred Hitchcock in 1951. At the same time, Pat, a lesbian consumed with self-loathing, is in and out of conversion therapy, leaving a trail of sexual conquests and broken hearts in her wake. However, one of those very affairs and a chance encounter in a department store give Pat the idea for her soon-to-be beloved tale of homosexual love that was the first of its kind—it gave the lesbian protagonists a happy ending. This is not just the story behind a classic queer book, but of a queer artist who was deeply flawed. It’s a comic about what it was like to write comics in the 1950s, but also about what it means to be a writer at any time in history, struggling to find your voice. Author Grace Ellis contextualizes Patricia Highsmith as both an unintentional queer icon and a figure whose problematic views and noted anti-Semitism have cemented her controversial legacy. Highsmith’s life imitated her art with results as devastating as the plot twists that brought her fame and fortune.
An analysis of the role public spaces&—parks, clubs, book stores&—played in shaping the feminist movement in three Midwestern cities during the 1960s and 1970s.
“Deftly explores family strife and immigrant identity . . . expressive prose and convincing characters that immediately hook the reader.” —Publishers Weekly, starred review Winner of the PEN Oakland Award for Literary Excellence Long-listed for the IMPAC Dublin International Literary Award When Anna takes a break from her successful publishing career in the US and visits the Caribbean island home of her birth, she is upset to discover that her mother, Beatrice, has breast cancer. The family is upper class, and treatment in America may offer her a chance of survival. But, believing that she would never receive quality care there as a black woman, she rejects all efforts to persuade her as the clock keeps ticking on her illness . . . From the American Book Award–winning author of Prospero’s Daughter, this is a “moving exploration of immigrant identity [with] a protagonist caught between race, class, and a mother’s love” (Ms. Magazine). “A psychologically and emotionally astute family portrait, with dark themes like racism, cancer, and the bittersweet longing of the immigrant.” —The New York Times Book Review “Nunez has created a moving and insightful character study while delving into the complexities of identity politics. Highly recommended.” —Library Journal “An intimate portrait of the unknowable secrets and indelible ties that bind husbands and wives, mothers and daughters.” —Booklist “Probing and lyrical . . . one of Nunez’s best yet.” —Edwidge Danticat
This volume takes forward the debate about 19th-century domestic space, drawing on economic history and literary criticism. To date, studies of 19th-century domestic space have discussed a feminized, middle class sphere, often using domestic guides and fictional representations of domesticity to generate their arguments.
Lisa Hopkins analyzes eight film adaptations which have taken either Shakespeare or Jane Austen - icons of Englishness - out of their original geographical or cultural context and transposed them to a new location, allowing for a powerful interrogation both of what these texts mean in the modern world, and of Englishness itself.