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Pretentiousness is the engine oil of culture; the essential lubricant in the development of all arts, high, low, or middle.
Including: A response to critics, and: Ten rules for "serious" writers, the author continues his fight on behalf of the American reader, arguing against pretension in so-called "literary" fiction, naming names and exposing the literary status quo.
Why do we get so embarrassed when a colleague wears the same shirt? Why do we eat the same thing for breakfast every day, but seek out novelty at lunch and dinner? How has streaming changed the way Netflix makes recommendations? Why do people think the music of their youth is the best? How can you spot a fake review on Yelp? Our preferences and opinions are constantly being shaped by countless forces – especially in the digital age with its nonstop procession of “thumbs up” and “likes” and “stars.” Tom Vanderbilt, bestselling author of Traffic, explains why we like the things we like, why we hate the things we hate, and what all this tell us about ourselves. With a voracious curiosity, Vanderbilt stalks the elusive beast of taste, probing research in psychology, marketing, and neuroscience to answer myriad complex and fascinating questions. If you’ve ever wondered how Netflix recommends movies or why books often see a sudden decline in Amazon ratings after they win a major prize, Tom Vanderbilt has answers to these questions and many more that you’ve probably never thought to ask.
Pretentiousness is for anyone who has braved being different, whether that's making a stand against artistic consensus or running the gauntlet of the last bus home dressed differently from everyone else. It's an essential ingredient in pop music and high art. Why do we choose accusations of elitism over open-mindedness? What do our anxieties about "pretending" say about us? Co-editor of frieze, Europe's foremost magazine of contemporary art and culture, Dan Fox has authored over two hundred essays, interviews, and reviews and contributed to numerous catalogues and publications produced by major international art galleries and institutions.
Homer Aldrich Winthrop was a neurologist who died of a neurological illness. That’s all Homer Jr.’s mother will say about his father, who died when he was 2, and any prodding for details results in silence, evasion, or sudden migraine headaches. So by age 12, Homer’s given up asking. But on an unexpected trip to Maine, Homer finds himself in a place where his father had lived. In this one coastal village there must be millions of facts about his father. Now Homer must face his biggest fear–maybe there’s a reason his father is such a secret. Maybe there are things he really doesn’t want to know. Still, Maine gives him courage. There’s something about the people he meets and the breadth of the sky that convince Homer to search for the truth–to solve the mystery of his own life.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Quentin Jacobson has spent a lifetime loving Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life - dressed like a ninja and summoning him for an ingenious campaign of revenge - he follows. After their all-nighter ends, Q arrives at school to discover that Margo has disappeared.
Average suburban middle manager Nathan's life starts to unravel around him as his wife goes baby crazy, his friend wants to climb Everest, and he lends a copy of "Cat's Cradle" to a local teenage girl.
From Eimear McBride, author of the award-winning A Girl Is a Half-formed Thing, comes the beguiling travelogue of a woman in exile: from her past, her ghosts, and herself. A nameless woman enters a hotel room. She’s been here once before. In the years since, the room hasn’t changed, but she has. Forever caught between check-in and check-out, she will go on to occupy other hotel rooms. From Avignon to Oslo, Auckland to Austin, each is as anonymous as the last but bound by rules of her choosing. There, amid the detritus of her travels, the matchbooks, cigarettes, keys and room-service wine, she negotiates with her memories, with the men she sometimes meets, with the clichés invented to aggravate middle-aged women, with those she has lost or left behind--and with what it might mean to return home. Urgent and immersive, filled with black humour and desire, McBride’s Strange Hotel is a novel of enduring emotional force.
Stun your friends into silence as you take the humble proverb and transform it into a display of linguistic acrobatics. Why use just one word when ten will do? If you want to sound as though you've swallowed a dictionary, here are 100 simple proverbs and their verbose translations for you to memorize and recite at dinner parties and other social gatherings. Instead of saying "Never look a gift horse in the mouth," go for "Never perform an oscular examination on a gratuitous solid-hoofed plant-eating quadruped."