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We Were Liars meets Heist Society in a riveting debut! Seventeen-year-old Violet’s entire life has revolved around one thing: becoming Erica Silverman, an heiress kidnapped at age five and never seen again. Violet’s father, the best con man in Las Vegas, has a plan, chilling in its very specific precision. Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.
Seventeen-year-old Violet's entire life has revolved around one thing: becoming Erica Silverman, an heiress kidnapped at age five and never seen again. Violet's father, the best con man in Las Vegas, has a plan, chilling in its very specific precisio
"Violet has been preparing her entire life to step into the shoes of the missing heiress Erica Silverman, in order to pull off the biggest inside job in Las Vegas history. She doesn't count on having a conscience"--
A Real Simple Best Book of the Year A deeply moving story of an epic home renovation in the Pacific Northwest—from New York Times–bestselling author of The Scent Keeper In this mesmerizing memoir-in-essays, Erica Bauermeister renovates a trash-filled house in eccentric Port Townsend, Washington, and in the process takes readers on a journey to discover the ways our spaces subliminally affect us. A personal, accessible, and literary exploration of the psychology of architecture, as well as a loving tribute to the connections we forge with the homes we care for and live in, this book is designed for anyone who’s ever fallen head over heels for a house. It is also a story of a marriage, of family, and of the kind of roots that settle deep into your heart. Discover what happens when a house has its own lessons to teach in this moving and insightful memoir that ultimately shows us how to make our own homes (and lives) better. “ . . . for anyone who has wondered where home is and how to find it, fix it, love it, and leave it for later as well.” —Laurie Frankel, New York Times–bestselling author of This Is How It Always Is
Everyone has secrets. Even best friends. Swirling black descends like ravens, large enough to block the glow of the streetlights. A dull roar starts like a train on the 'L', a far-away rumbling that grows louder as it pulls closer, until it's directly overhead and you feel it in your chest, except this doesn't pass you by. Verity, white-faced and eyes blazing, shouts through the din, "Run, Mo!" Mo Fitzgerald knows about secrets. But when she witnesses her best friend's murder, she discovers Verity was hiding things she never could have guessed. To find the answers she needs and the vengeance she craves, Mo--quiet, ordinary, unmagical Mo--will have to enter a world of raw magic and shifting alliances. And she'll have to choose between two very different, equally dangerous guys--protective, duty-bound Colin and brash, mysterious Luc. One wants to save her, one wants to claim her. Which would you choose? "Who doesn't love a character torn between two dangerous worlds and two risky guys? The only thing safe about this book is how good it is." --Lee Nichols, author of Deception, A Haunting Emma Novel "Dark, exciting and totally addictive! Just. . .wow!" –Kristi Cook, author of Haven "Dark, magical, and delicious!" --New York Times Bestselling Author C. L. Wilson
"Women Like Us traces the lives of four women from their undergraduate days at Sarah Lawrence College in the late 1950s through the colorful and varied histories of their boyfriends, jobs, husbands, children, divorces, friendships, rivalries, failures, and successes to the present. It is a novel brimming with the lives of a group of women caught between two generations: too restless for the pieties of the fifties, too early for the revolution of the sixties." "In rejecting Ben for the beautiful but feckless Gerrit, Daisy establishes a pattern of "all for love" that, despite her talent and intelligence, will haunt her life. Gina, the class square, focuses on her career rather than love. Franca's marriage collapses under the weight of children and her husband's experimentation with open marriage. Delphine, the leader of the clique, astonishes all by marrying before her graduation." "Women Like Us captures the lives of a generation of women who at thirty were overtaken by the feminist revolution, when all the rules changed, and who have been running to catch up ever since. In the tradition of Marilyn French, Erica Jong, Judith Rossner, and Gail Godwin, Erica Abeel has written an unforgettable story; in it, every woman is sure to recognize something of her own life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Saved! meets Tim Federle with just a dash of A.S. King in this hilarious and poignant debut about a teen stuck at Jesus camp. It’s bad enough that Nick’s sister is dead, and, in some bizarre attempt to force him to confront his grief, his parents are shipping him off to Jesus camp. But he’s also being followed around by Jack Kerouac, who’s incredibly annoying for a genius. If arguing with a dead beat poet doesn’t qualify him for antipsychotics already, Nick’s pretty sure Eden Springs is going to drive him insane. The campers ride donkeys into the desert, snap selfies with counselors dressed as disciples, and replace song lyrics with Bible verses. And somehow, only Nick seems to find this strange. Worst of all is the PC Box, into which the campers gleefully place daily prayers and confessions. With Jack nagging him to do it, Nick scribbles down his darkest secret—about his sister’s death—and drops it in the box. But then the box is stolen, with Nick’s secret inside of it. And when campers’ confessions start appearing around the camp, Nick is desperate to get the box back—before the world learns the truth about what he did. The truth he can’t even face himself. Laugh-out-loud funny, surreal, and insightful, this is an unforgettable novel about the strangeness of life, death, and grief—and the even stranger things people do to cope.
A debut short story collection from one of Canada's most exciting new Aboriginal voices. "In our family, it was Trish who was Going To Be Trouble; I was Such a Good Girl." At times haunting, at times hilarious, Just Pretending explores the moments in life that send us down pathways predetermined and not-yet-forged. These are the liminal, defining moments that mark irreversible transitions n girl to mother, confinement to freedom, wife to murderer. They are the melodramatic car-crash moments n the outcomes both horrific and too fascinating to tear our eyes from. And they are the unnoticed, infinitely tiny moments, seemingly insignificant (even ridiculous) yet holding the power to alter, to transform, to make strange. What links these stories is a sense of characters working n both with success and without, through action or reaction n to separate reality from perception and to make these moments into their lives' new truths.
When Erica Perkins wakes up on the morning of her tenth birthday, the last thing she expects is to find a very confused elephant sitting on her doorstep. So begins an unlikely friendship. But can a small girl and a rather large elephant learn to live together in a tiny terraced house? And when the dastardly owner of the local zoo plots to steal the elephant, will Erica be able to outsmart him?
What if we responded to death... by throwing a party? By the time Erica Buist’s father-in-law Chris was discovered, upstairs in his bed, his book resting on his chest, he had been dead for over a week. She searched for answers (the artery-clogging cheeses in his fridge?) and tried to reason with herself (does daughter-in-law even feature in the grief hierarchy?) and eventually landed on an inevitable, uncomfortable truth: everybody dies. While her husband maintained a semblance of grace and poise, Erica found herself consumed by her grief, descending into a bout of pyjama-clad agoraphobia, stalking friends online to ascertain whether any of them had also dropped dead without warning, unable to extract herself from the spiral of death anxiety... until one day she decided to reclaim control. With Mexico’s Day of the Dead festivities as a starting point, Erica decided to confront death head-on by visiting seven death festivals around the world – one for every day they didn’t find Chris. From Mexico to Nepal, Sicily, Thailand, Madagascar, Japan and finally Indonesia – with a stopover in New Orleans, where the dead outnumber the living ten to one – Erica searched for the answers to both fundamental and unexpected questions around death anxiety. This Party’s Deadis the account of her journey to understand how other cultures deal with mortal terror, how they move past the knowledge that they’re going to die in order to live happily day-to-day, how they celebrate rather than shy away from the topic of death – and how when this openness and acceptance are passed down through the generations, death suddenly doesn’t seem so scary after all.