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'A definitive tome for both Who fans and newcomers alike’ ***** Q Magazine Pete Townshend was once asked how he prepared himself for The Who’s violent live performances. His answer? ‘Pretend you’re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art’ this could have served as a motto. Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can’t Explain’, ‘My Generation’ and ‘I Can See For Miles’. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties. From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties. As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.
Shot down on a mission, 19-year-old bomber pilot Henry is alone in a treacherous land. Desperate to get back to his family and the girl he loves, he is forced to rely on the kindness of strangers and the cunning of the French Resistance. But in his battle to survive the deadly journey across Nazi-occupied Europe, he must face a terrible choice: can he take someone's life to save his own?
We can't just be done with religion, argues David Dark. The fact of religion is the fact of us. Religion is the witness of everything we're up to--for better or worse. David Dark is one of today's most respected thinkers, public intellectuals, and cultural critics at the intersection of faith and culture. Since its original release, Dark's Life's Too Short to Pretend You're Not Religious has become essential reading for those engaged in the conversation on religion in contemporary American society. Now, Dark returns to his classic text and offers us a revised, expanded, and reframed edition that reflects a more expansive understanding, employs inclusive language, and tackles the most pressing issues of the day. With the same keen powers of cultural observation, candor, and wit his readers have come to know and love, Dark weaves in current themes around the pandemic and vaccine responses, Black Lives Matter, the #MeToo and #ChurchToo movements, Critical Race Theory, and more. By looking intentionally at our weird religious background (we all have one), he helps us acknowledge the content of our everyday existence--the good, the bad, and the glaringly inconsistent. When we make peace with the idea of being religious, we can more practically envision an undivided life.
Winning at competitive games requires a results-oriented mindset that many players are simply not willing to adopt. This book walks players through the entire process: how to choose a game and learn basic proficiency, how to break through the mental barriers that hold most players back, and how to handle the issues that top players face. It also includes a complete analysis of Sun Tzu's book The Art of War and its applications to games of today. These foundational concepts apply to virtually all competitive games, and even have some application to "real life." Trade paperback. 142 pages.
Vonnegut was one of the most influential writers of the 20th century.
What happens when a young woman is accidentally caught up in a dangerous murder investigation, having merely been in the wrong place at the wrong time? Lacey Farrell, a rising star on the Manhattan real estate scene, is witness to a murder - and to the final words of the victim. The dying woman is convinced her attacker was after her dead daughter's journal, which Lacey gives to the police, but not before making a copy for herself. It's an impulse that later proves nearly fatal. Placed in the witness protection programme and sent to live in Minneapolis, Lacey must assume a fake identity, at least until the killer can be brought to trial. There she meets Tom Lynch, a radio talk-show host whom she tentatively begins to date - until the strain of her deception makes her break it off. Then she discovers the killer has traced her whereabouts. Armed with nothing more than her own courage and clues from the journal, Lacey heads back to New York determined to uncover who is behind the deaths of the two women… before she is the next casualty. A terrifyingly chilling bestseller from the internationally adored author of DADDY'S LITTLE GIRL
“Should I take one last shot at Star Wars and tell the backstory? I thought I would regret it if I didn’t do it.” – George Lucas Star Wars: The Saga Begins celebrates Episodes I-III of the Star Wars saga: The Phantom Menace, Attack of the Clones, and Revenge of the Sith. This collection includes classic interviews with Ewan McGregor, Hayden Christensen, Natalie Portman, Liam Neeson, and George Lucas, as they discuss telling the story of Anakin Skywalker’s rise and subsequent fall against the backdrop of a burgeoning galactic war. Also featured are interviews with key members of the visual effects team charged with bringing George Lucas’ singular vision to life. “This is the perfect gift for any Star Wars fan in your life.” – Seattle Book Review