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Perhaps no drama catches the interest of the American public more than a spectacular trial. Even though the reporting of a crime may quickly diminish in news value, the trial lingers while drama builds. Although this has become seemingly more pronounced in recent years with the popularity of televised trials, public interest in criminal trials was just as high in 1735 when John Peter Zenger defended his right to free speech, or in 1893 when Lizzie Borden was tried for the murder of her father and stepmother. This book tells the stories of sixteen significant trials in American history and their media coverage, from the Zenger trial in 1735 to the O. J. Simpson trial in 1995. Each chapter relates the history of events leading up to the trial, the people involved, and how the crimes and subsequent trials were reported.
In the 1960s and 70s the American press forged a new set of values. Threatened with obsolescence by the proliferation of new competitors, pressured to rectify their treatment of minorities and women, denounced as biased by both the left and the right, the country's leading news organizations made fundamental changes. They shifted from simply reporting the news to analyzing it. They adopted a more adversarial approach to those in power. They continued to strive for objectivity, but they did so in a way that left many outside their newsrooms (and many on the inside) deeply dissatisfied. In many ways they became more liberal. Powerful institutions like the New York Times and the Los Angeles Times--the two newspapers this book scrutinizes--transformed themselves, with major ramifications for the rest of the news media and for the country as a whole. On Press shows how these changes occurred, why they persisted for three decades after the 1970s, and why the media is reassessing long-held values once again in the Trump era.--
Pamplets related to various lectures, speeches and scientific articles.
The book as object, as content, as idea, as interface. What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately. Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term “book” commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
The Press in New Order Indonesia is the most comprehensive book available in English on the print media during the Suharto presidency. Based on detailed and investigative research, it provides a succinct introduction to the political and economic forces shaping this dominant sector of the Indonesian media at a pivotal time in its development. The study documents the history of the press prior to the rise of President Suharto, surveys the changing New Order policies to the media, and analyses the various modes of control exercised through powerful government agencies and industry bodies. Throughout this critical historical period of political tension and economic transition, The Press in New Order Indonesia traces the development of huge media conglomerates which began to rival military muscle in shaping the media landscape of Indonesia. This study explains how the student press spilled off the campuses to play a unique political role. By contrast, a distinctly Islamic press achieved only very modest success. Focusing on Indonesian-language national daily newspapers, it also discusses news weeklies, periodicals and magazines, as well as publications in regional languages, English and Chinese. Brought back to life in Equinox Publishing's Classic Indonesia series, The Press in New Order Indonesia is required reading for students of Indonesian languages and cultures, Asian studies, Southeast Asian studies, media studies, journalism, and contemporary politics. David T. Hill is Professor of Southeast Asian Studies and Fellow of the Asia Research Centre, Murdoch University, Perth, Western Australia.
FINALIST for the 2021 Oregon Book Award. Rooted in the Pacific Northwest, the essays in Ruby McConnell's Ground Truth: A Geological Survey of a Life cover the vast terrain of this region &– from volcanoes to city parks, the eroding shorelines along the Oregon coast, badlands, lush forests, and city parks. Combining her background as a registered geologist, McConnell's essays also weave in personal landscapes composed of grief, loss, and optimism for the future of our environment. "The Pacific Northwest that you see today is the result of forty years of radical changes in the culture and economics of what was once a resource-extraction and agriculture-driven region. They are changes so fundamental in nature and scope...that, for those of us from this place, will always be marked by the cataclysmic eruptions of Mt. St. Helens on May 18, 1980." --Ruby McConnell In this collection of 17 essays, geologist Ruby McConnell opens her part natural history, part memoir-in-essays about the Pacific Northwest with the cataclysmic eruption of Mt. St. Helens in May of 1980. She was two years old. "Everything that I have stood direct witness to since, everything I know about this place, happe