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Preservation is Overtaking Us brings together two lectures given by Rem Koolhaas at Columbia University's Graduate School of Architecture, Planning and Preservation, along with a response (framed as a supplement to the original lectures) by Jorge Otero-Pailos. In the first essay Koolhaas describes alternative strategies for preserving Beijing, China. The second talk marks the inaugural Paul Spencer Byard lecture, named in celebration of the longtime professor of Historic Preservation at GSAPP. These two lectures trace key moments of Koolhaas' thinking on preservation, including his practice's entry into China and the commission to redevelop the State Hermitage Museum in St. Petersburg, Russia. In a format well known to Koolhaas' readers, Otero-Pailos reworks the lectures into a working manifesto, using it to interrogate OMA's work from within the discipline of preservation.
This professional reference provides solid advice to academic and public librarians for managing performing arts collections. The volume is divided into sections on the history of performing arts librarianship, dance collections, film studies collections, music collections, and theater collections. Each chapter is written by one or more expert contributors and presents current and reliable information on collection management. They discuss personnel management, collection development, technical services, public services, the impact of new technologies, facilities management, financial planning, and political considerations. Each chapter closes with references cited in the chapter, and the volume concludes with a valuable selected, annotated bibliography of important background sources and management tools.
Over a lifetime, CNN founder Ted Turner has dedicated two million private acres to a globally unparalleled project to reintroduce and restore the species that once roamed freely there. Ted Turner was for many years the largest private-property owner in America and known for his establishment of the largest bison herds in the world. From this beginning, his holdings have grown to be refuges of biodiversity for some of the most endangered species in the world, from migratory birds to fish and insects, and from wolves to grizzly bears. Rhett Turner explores his father’s devotion to leaving nature in better shape than he found it by taking us across nearly two dozen of the Turner family’s properties—from the northern Rockies to the prairies of the Dakotas to the southeastern Atlantic coastal plains and pine forests—land equal to the size of Yellowstone National Park.
The volume presents the results of a four-year inter-institutional, interdisciplinary research initiative led and organized by the National Gallery of Art. Contributions by 47 leading photograph conservators, scientists, and historians provide detailed examinations of the chemical, material, and aesthetic qualities of this important class of rare, beautiful, and technically complex photographs. The volume will help those who care for photograph collections gain a thorough appreciation of the technical and aesthetic characteristics of platinum and palladium prints and scientific basis for their preservation.
A powerful defense in words and photos of this unique grassland under increasing threat of oil and gas exploitation.