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The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
In the middle of the 14th century, Europe was devastated by an appalling epidemic which killed a third of its population. Accused of having spread the disease, Jewish communities faced terrible persecutions, which often led them to bury their most valuable goods. Two of these hoards, discovered at Colmar in 1863 and at Erfurt in 1998, are discussed and illustrated here. Comprising a great variety of jewelry, gold- and silversmiths' work, and coins, these two hoards constitute an exceptional source for the study of secular metalwork in the 13th and 14th centuries, very few examples of which have otherwise come down to us. They provide precious evidence of the economic activities and daily life of the medieval Jewish communities, but also of their precarious position within Christian Europe. In Erfurt over 1,000 people were killed, the entire Jewish population. Some of the objects, because of their very personal character, are deeply poignant.
Falsely accused of treason, Edmond Dantès is imprisoned in the bleak Chateau d'If. After a hair-raising escape, he launches an elaborate plot to extract a bitter revenge against those who betrayed him.
Suzanne Belperron (1900-1983) is one of the twentieth century's greatest jewellers; she is now achieving near iconic status in the jewellery world and in the auction rooms. Her reputation is as high as that of any of the great French Art Deco jewellers. Amazingly, she never signed her work, considering it so distinctive that it was instantly recognisable. She worked first for the famous firm of Rene Boivin, but in her thirties was encouraged by admirers to set up on her own. She opened a tiny shop on the Rue de Chateaudon and began selling her new designs, which were totally in vogue with modern taste and lusted after by a young and hip generation. It seemed destined that no book would ever be devoted to her work because it was thought that her archive was destroyed in a fire. However, the discovery of that archive has made this book possible. It has revealed all the drawings for her jewellery as well as order books containing a who's who of names of her customers. These ranged from royalty like the Duchess of Windsor to writers like Colette, to famous stars like Frank Sinatra. Her fame spread wide and her pieces were constantly illustrated in magazines like Vogue as well as featured on the big screen in Hollywood movies. A forthcoming sale of a huge amount of her work (Sothebys 2011) has resulted in a great number of exceptional photographs, which illustrate this book. Dedicated to the distinctive and highly imaginative works of Suzanne Belperron, one of the pioneers of modern jewellery ILLUSTRATIONS: 250 colour illustrations
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