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Silvology is the general science of forest ecosystems, without the usual division between Man and Nature. This systematic treatment of forests intends to integrate and harmonize existing approaches with the help of systems modeling in a hierarchy of close system levels, according to criteria of biological architecture, biomass production and species composition. Scientists and practitioners will appreciate this synoptic treatment of forests and their ecology, allowing the balance of holistic and reductionist viewpoints, and the placement of phenomena and techniques. Topics covered include: - introduction of the methods, - sections on forest organisms, - a special chapter on trees, - eco-units, i.e. forest ecosystems developing after some zero-event like fire, storm or waterlogging, - silvatic mosaics built by the eco-units of different size, architecture and species composition, - a summary of silvological rules determining system's behaviour at every level, e.g. fragmentation and fusion, transfer of functions, irreversibility and process oscillation.
Evidence is mounting that redwood forests, like many other ecosystems, cannot survive as small, isolated fragments in human-altered landscapes. Such fragments lose their diversity over time and, in the case of redwoods, may even lose the ability to grow new, giant trees. The Redwood Forest, written in support of Save-the-Redwood League's master plan, provides scientific guidance for saving the redwood forest by bringing together in a single volume the latest insights from conservation biology along with new information from data-gathering techniques such as GIS and remote sensing. It presents the most current findings on the geologic and cultural history, natural history, ecology, management, and conservation of the flora and fauna of the redwood ecosystem. Leading experts -- including Todd Dawson, Bill Libby, John Sawyer, Steve Sillett, Dale Thornburgh, Hartwell Welch, and many others -- offer a comprehensive account of the redwoods ecosystem, with specific chapters examining: the history of the redwood lineage, from the Triassic Period to the present, along with the recent history of redwoods conservation life history, architecture, genetics, environmental relations, and disturbance regimes of redwoods terrestrial flora and fauna, communities, and ecosystems aquatic ecosystems landscape-scale conservation planning management alternatives relating to forestry, restoration, and recreation. The Redwood Forest offers a case study for ecosystem-level conservation and gives conservation organizations the information, technical tools, and broad perspective they need to evaluate redwood sites and landscapes for conservation. It contains the latest information from ground-breaking research on such topics as redwood canopy communities, the role of fog in sustaining redwood forests, and the function of redwood burls. It also presents sobering lessons from current research on the effects of forestry activities on the sensitive faunas of redwood forests and streams. The key to perpetuating the redwood forest is understanding how it functions; this book represents an important step in establishing such an understanding. It presents a significant body of knowledge in a single volume, and will be a vital resource for conservation scientists, land use planners, policymakers, and anyone involved with conservation of redwoods and other forests.
A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”