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Examining the emergence of modernism from the fin-de-siecle primitivist project this volume shows how ethnographic materials shaped a variety of high and low discourses (ethnology, social theory, gender construction, classical scholarship, as well as travel photography) at the turn of the century. Illustrated with 98 photographs and drawings."
How did the Seregenti become an internationally renowned African conservation site and one of the most iconic destinations for a safari? In this book, Thomas M. Lekan illuminates the controversial origins of this national park by examining how Europe's greatest wildlife conservationist, former Frankfurt Zoo director and Oscar-winning documentarian Bernhard Grzimek, popularized it as a global destination. In the 1950s, Grimzek and his son Michael began a quest to save the Serengeti from modernization and "overpopulation" by remaking an imperial game reserve into a gigantic zoo for the earth's last great mammals. Grzimek, well-known to German audiences through his long-running television program, A Place for Animals, used the film Seregenti Shall Not Die to convince ordinary Europeans that they could save nature. Yet their message sidestepped the uncomfortable legacies of German colonial exploitation in the region that had endangered animals and excluded local people. After independence, Grzimek raised funds, brokered diplomatic favors, and convinced German tourists to book travel packages--all to persuade Tanzanian leader Julius Nyerere that wildlife would fuel the young nation's economic development. Grzimek helped Tanzania to create almost a dozen new national parks by 1975, but wooing tourists conflicted with rights of the Maasai and other African communities to inhabit the landscape on their own terms. Grzimek's global priorities eventually clashed with Nyerere's nationalist ones, as a more self-assertive Tanzania resented conservationists' meddling and failed promises. A story that demonstrates the conflicts between international conservation, nature tourism, decolonization, and national sovereignty, Our Gigantic Zoo explores the legacy of the man who portrayed himself as a second Noah, called on a sacred mission to protect the last vestiges of paradise for all humankind.
DIVA state of the art portrait of the field of American studies--its interests and methodologies, its interactions with the social and cultural movements it describes and attempts to explain, and a compendium of likely directions the field will take in the f/div
"If the past is indeed a foreign country, then how can we make sense of its richness and difference, without approaching it on our terms alone? 'Pre-histories' and 'afterlives', methods that have emerged in recent work by Terence Cave, offer new ways of shaping the stories we tell of the past and the analyses we offer. In this volume, distinguished contributors engage in a dialogue with these two new critical methods, exploring their uses in a range of contexts, disciplines, languages and periods. The contributors are Terence Cave, Marian Hobson, Anna Holland, Neil Kenny, Mary McKinley, Richard Scholar, Kate E. Tunstall, and Wes Williams."
Recent archaeological discoveries from China and central Asia have changed our understanding of how human civilization developed in the period of some 4 million years before the start of written history. In this new edition of his Very Short Introduction, Chris Gosden explores the current theories on the ebb and flow of human cultural variety.
Moving through a vast geographical, cultural, and artistic terrain and juxtaposing numerous modernist works, this volume explores the multiplicity of modernism and provides in-depth case studies, including of James Joyce's Finnegans Wake, the reception of jazz music in Europe, and the Cubist movement in the visual arts.
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
This VSI to prehistory will introduce the reader to four and a half million years of human existence. Many of the familiar aspects of modern life are no more than a century or two old, yet our deep social structures and skills were in large measure developed by small bands of our prehistoric ancestors many millennia ago. Chris Gosden invites us to think seriously about who we are by considering who we have been. The idea of prehistory owes its origins to Darwin - suddenly any description of human life on Earth had to take account of a much longer timespan than ever before. What new views of ourselves has this new timespan opened up? Chris Gosden's fascinating new book asks: What relationships did our distant ancestors have with the natural world, with each other, and with the objects and values they created? And as humanity hurtles into a future of virtual interraction and genetic manipulation, what can the darkest recesses of our past teach us about our future? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
A critical reading of sexually radical fiction by British women in the years during and after World War I. Gay Wachman examines work by Sylvia Townsend Warner, Virginia Woolf and Radclyffe Hall, along with the less well known Clemence Dane, Rose Allatini and Evadne Price. These writers, she states, created a modernist literary tradition -one that functioned both within and against the repressive ideology of the British Empire.
Collecting in full for the first time the correspondence between Ezra Pound and members of Leo Frobenius' Forschungsinstitut für Kulturmorphologie in Frankfurt across a 30 year period, this book sheds new light on an important but previously unexplored influence on Pound's controversial intellectual development in the Fascist era. Ezra Pound's long-term interest in anthropology and ethnography exerted a profound influence on early 20th century literary Modernism. These letters reveal the extent of the influence of Frobenius' concept of 'Paideuma' on Pound's poetic and political writings during this period and his growing engagement with the culture of Nazi Germany. Annotated throughout, the letters are supported by contextualising essays by leading Modernist scholars as well as relevant contemporary published articles by Pound himself and his leading correspondent at the Institute, the American Douglas C. Fox.