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The two great streams of Zen Buddhism are the Soto sect, known as the School of Silent Illumination, and the Rinzai school of rigorous koan study. Dogen established Soto Zen in Japan, and his work is widely known in the West with many of his books translated into English. Hakuin is credited with the modern revival of the Rinzai sect and is its most important teacher. His life has been a great inspiration to the students and practitioners of Zen in the West, and his writings offer great authority and practical application. Norman Waddell has devoted a large part of his life to translating and publishing work by and about Hakuin. This collection of six diverse and independent works contains five pieces never before translated into English, some of which have been—until quite recently—unknown, even in Japan. A rich and various gathering, the offerings here will be important to seasoned practitioners as well as attractive to newcomers to Zen and spiritual seekers of all faiths.
Having devoted a large part of his life to translating and publishing work by and about Hakuin, Buddhism's original ambassador to the West, Waddell presents us with this collection of six diverse and independent works that contains five pieces never translated into English before, some of which have been - until quite recently - unknown, even in Japan.
The first detailed treatment of the Chinese homosexual tradition in any Western language, Passions of the Cut Sleeve shatters preconceptions and stereotypes. Gone is the image of the sternly puritanical Confucian as sole representative of Chinese sexual practices—and with it the justification for the modern Chinese insistence that homosexuality is a recent import from the decadent West. Rediscovering the male homosexual tradition in China provides a startling new perspective on Chinese society and adds richly to our understanding of homosexuality. Bret Hinsch's reconstruction of the Chinese homosexual past reveals unexpected scenes. An emperor on his deathbed turns over the seals of the empire to a male beloved; two men marry each other with elaborate wedding rituals; parents sell their son into prostitution. The tradition portrays men from all levels of society—emperors, transvestite actors, rapists, elegant scholars, licentious monks, and even the nameless poor. Drawing from dynastic histories, erotic novels, popular Buddhist tracts, love poetry, legal cases, and joke books, Passions of the Cut Sleeve evokes the complex and fascinating male homosexual tradition in China from the Bronze Age until its decline in recent times.
This is the first anthology of its kind in English that deals in depth with the translation of Chinese texts, literary and philosophical, into a host of Western and Asian languages: English, French, German, Dutch, Italian, Spanish, Swedish, Hebrew, Slovak and Korean. After an introduction by the editor, in which multiple translations are compared to the many lives lived by the original in its new incarnations, 13 articles are presented in 3 sections.
Kobun Chino was a dragon-master of Zen's ability to reach "beyond words." Gesture, ink, space, light, laughter; dry brush, wet brush, sadness, form, emptiness are found in his calligraphy.
Here is the inimitable Master Sheng Yen at his best, illuminating the ancient texts of the Chinese Zen tradition to show how wonderfully practical they really are, even for us today. The texts, written by two of the founders of the Ts’ao-tung sect of Chan Buddhism, are poems entitled Inquiry into Matching Halves and Song of the Precious Mirror Samadhi. Both emphasize the Chan view that wisdom is not separate from vexation, and both speak of the levels of awareness through which one must pass on the way to realization. Both are also works of Buddhist philosophy that can serve as guides to spiritual practice for anyone.
Of all human inventions, the mirror is perhaps the one most closely connected to our own consciousness. As our first technology for contemplation of the self, the mirror is arguably as important an invention as the wheel. Mirror Mirror is the fascinating story of the mirror's invention, refinement, and use in an astonishing range of human activities -- from the fantastic mirrored rooms that wealthy Romans created for their orgies to the mirror's key role in the use and understanding of light. Pendergrast spins tales of the 2,500year mystery of whether Archimedes and his "burning mirror" really set faraway Roman ships on fire; the medieval Venetian glassmakers, who perfected the technique of making large, flat mirrors from clear glass and for whom any attempt to leave their cloistered island was punishable by death; Isaac Newton, whose experiments with sunlight on mirrors once left him blinded for three days; the artist David Hockney, who holds controversial ideas about Renaissance artists and their use of optical devices; and George Ellery Hale, the manic-depressive astronomer and telescope enthusiast who inspired (and gave his name to) the twentieth century's largest ground-based telescope. Like mirrors themselves, Mirror Mirror is a book of endless wonder and fascination.
Hakuin Ekaku Zenji (1686–1769) was one of the greatest Zen masters ever to live. Originator of the famous koan "What is the sound of a single hand?" he is credited with reviving the Rinzai sect of Zen in Japan, and today all masters of that sect trace their lineage back to him. Through his numerous descendants, his influence is now felt worldwide, with his "Song of Zazen" chanted daily in temples around the globe. Norman Waddell has spent decades reading and translating Hakuin's vast writings. He has published several previous selections, all leading to his work on this monumental gathering, the Keiso Dokuzui, little known in Japan and never before translated into any foreign language. Interpreting such a text requires immersion in the material in its original language, as well as complete mastery of the available commentary. Probably no one alive is as fully prepared for this important and difficult task as Dr. Waddell. For this collection, Hakuin gathered together an enormous number and variety of pieces—commentaries, memorials, poems, koans, teisho (lectures), letters, and more. Having presented many of them live to the throng of students residing in and around his temple as well as to other audiences around the country,
A comprehensive, accessible guide to the fascinating history of Zen Buddhism--including important figures, schools, foundational texts, practices, and politics. Zen Buddhism has a storied history--Bodhidharma sitting in meditation in a cave for nine years; a would-be disciple cutting off his own arm to get the master's attention; the proliferating schools and intense Dharma combat of the Tang and Song Dynasties; Zen nuns and laypeople holding their own against patriarchal lineages; the appearance of new masters in the Zen schools of Korea, Japan, Vietnam, and later the Western world. In The Circle of the Way, Zen practitioner and popular religion writer Barbara O'Brien brings clarity to this huge swath of history by charting a middle way between Zen's traditional lore and the findings of modern historical scholarship. In a clear and often funny style, O'Brien parses fact from fiction while always attending to the greatest interest of contemporary practitioners--the development of Zen doctrine and practice as a living tradition across cultures and centuries.