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This work closely considers the history and political importance of Hong Kong in the period 1842 to 1992.
This analysis of Henry Kissinger's historical philosophy, statecraft, and views on international politics reveals Kissinger to be a transitional figure who urged a conversion of American foreign policy from an insular to a continental approach.
This novel traces a year in the life of Clare MacMillan, who is happily married and lives in Cape Town. Largely through the consciousness of Clare, the story is told of the ups and downs, the joys and sorrows that occur over the period of a year in the life of her family. This eventful year encompasses momentous family events, during which Clare needs to hold her nerve and maintain her balance. Her Christian faith is at the centre of her life, and sustains her, alongside the love of her husband and two sons. It is the permutations in the lives of these four family members that give the novel its drama and intensity. The narrative weaves easily through the different seasons of the year, keeping and engaging our interest all the way through. While the ending of the novel may not be conventional, it is ultimately life-affirming, and we are left with a positive feeling. We are moved by the love felt and shown between the characters, and by their courage and generosity of spirit, especially that of Clare as she consistently holds her family together. The young men Jerome and Matthew have their own narratives which are interwoven with those of their parents. The reader is drawn to all the characters with their dramas and melodramas. Ultimately faith triumphs over the events that challenge it, and hope helps overcome loss. It is a positive story of love and courage, faith and hope.
Since the sudden disappearance of the Soviet Union, many scholars have argued that the balance of power theory is losing its relevance. This text examines this viewpoint, as well as looking at systematic factors that may hinder or favour the return of balance of power politics.
For generations, visitors, journalists, and social scientists alike have asserted that Chicago is the quintessentially American city. Indeed, the introduction to "The New Chicago" reminds us that to know America, you must know Chicago. The contributors boldly announce the demise of the city of broad shoulders and the transformation of its physical, social, cultural, and economic institutions into a new Chicago. In this wide-ranging book, twenty scholars, journalists, and activists, relying on data from the 2000 census and many years of direct experience with the city, identify five converging forces in American urbanization which are reshaping this storied metropolis. The twenty-six essays included here analyze Chicago by way of globalization and its impact on the contemporary city; economic restructuring; the evolution of machine-style politics into managerial politics; physical transformations of the central city and its suburbs; and race relations in a multicultural era. In elaborating on the effects of these broad forces, contributors detail the role of eight significant racial, ethnic, and immigrant communities in shaping the character of the new Chicago and present ten case studies of innovative governmental, grassroots, and civic action. Multifaceted and authoritative, "The New Chicago" offers an important and unique portrait of an emergent and new Windy City.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Eugenio Barba is recognized as one of the most important theatre practitioners working today. Along with the company he founded over fifty years ago, the world-acclaimed Odin Teatret, he continues to produce extraordinary theatre performances that tour the world, and his International School of Theatre Anthropology has greatly developed research into the craft of the actor. Now revised and updated, this volume reveals the background to and work of a major influence on twentieth- and twenty-first century performance. Eugenio Barba is the first book to combine: an overview of Barba’s work and that of his company, Odin Teatret exploration of his writings and ideas on theatre anthropology, and his unique contribution to contemporary performance research in-depth analysis of the 2000 production of Ego Faust, performed at the International School of Theatre Anthropology a practical guide to training exercises developed by Barba and the actors in the company. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.