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This is a study of the religious culture of sixteenth-century England, centred around preaching, and is concerned with competing forms of evangelism between humanists of the Roman Catholic Church and emerging forms of Protestantism. More than any other authority, Erasmus refashioned the ideal of the preacher. Protestant reformers adopted 'preaching Christ' as their strategy to promote the doctrine of justification by faith. The apostolic traditions of the preaching chantries provided standards that evangelical reformers used to supplant the mendicant friars in England. The late medieval cult of the Holy Name of Jesus is explored: the pervasive iconography of its symbol 'IHS' became one of the attributes of moderate Protestant belief. The book also offers fresh perspectives on fifteenth- and sixteenth-century figures on every side of the doctrinal divide, including John Rotheram, John Colet, Hugh Latimer and Anne Boleyn.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
This is a literary study of the seventeenth-century pamphlets and sermons delivered to the Long Parliament by Stephen Marshall, a leading English Puritan. Marshall was known as preacher to the Long Parliament and for his participation in the further reformation of the English Church in the 1640s. His understanding of the role of civil magistracy was deeply rooted in his concept of the English Reformation. He was convinced that the constitutional changes during the sixteenth-century English Reformation defined the role of civil magistrates. The King became the Supreme Head of the English Church, and the civil magistracy consisting of King-or-Queen-in Parliament had the responsibility to spearhead the reformation of the English Church. He also insisted that restoring godly preaching and teaching in every local church would eventually complete the English Reformation. Marshall also argued that the Henrician schism paved the way for England to become a Christian Commonwealth where the Church is lodged, whose characteristic was the unity among the people of God. This implied that in England, Presbyterians, Independents, and Erastians all belonged to one body of Jesus Christ, the Head of the Church. In a Christian Commonwealth, civil magistracy was a divine institution and had the highest power of ordering and governing the church, according to Marshall. It was the civil magistracys responsibility to protect and to take care of Gods people in all godliness. And in order to do so, magistrates should be rightly informed from the Word of God. Though Marshall showed his opposition to King Charles Is political innovation that precipitated an unfortunate war in 1642, his vision of a Christian Commonwealth where English magistracy consisting of the King-or-Queen-in-Parliament did not change. If the king could be persuaded to agree with the ecclesiastical reform Puritans proposed through Parliament, he would still be an instrument of reform.
Scholarship on religious printed images during the English Reformation (1535-1603) has generally focused on a few illustrated works and has portrayed this period in England as a predominantly non-visual religious culture. The combination of iconoclasm and Calvinist doctrine have led to a misunderstanding as to the unique ways that English Protestants used religious printed images. Building on recent work in the history of the book and print studies, this book analyzes the widespread body of religious illustration, such as images of God the Father and Christ, in Reformation England, assessing what religious beliefs they communicated and how their use evolved during the period. The result is a unique analysis of how the Reformation in England both destroyed certain aspects of traditional imagery as well as embraced and reformulated others into expressions of its own character and identity.
Italian sermons tell a story of the Reformation that credits preachers with using the pulpit, pen, and printing press to keep Italy Catholic when the region’s violent religious wars made the future uncertain, and with fashioning a post-Reformation Catholicism that would survive the competition and religious choice of their own time and ours.
Spanning the different phases of the English Reformation from William Tyndale's 1525 translation of the Bible to the death of Elizabeth I in 1603, John King's magisterial anthology brings together a range of texts inaccessible in standard collections of early modern works. The readings demonstrate how Reformation ideas and concerns pervade well-known writings by Spenser, Shakespeare, Sidney, and Marlowe and help foreground such issues as the relationship between church and state, the status of women, and resistance to unjust authority. Plays, dialogues, and satires in which clever laypersons outwit ignorant clerics counterbalance texts documenting the controversy over the permissibility of theatrical performance. Moving biographical and autobiographical narratives from John Foxe's Book of Martyrs and other sources document the experience of Protestants such as Anne Askew and Hugh Latimer, both burned at the stake, of recusants, Jesuit missionaries, and many others. In this splendid collection, the voices ring forth from a unique moment when the course of British history was altered by the fate and religious convictions of the five queens: Catherine Parr, Lady Jane Grey, Mary I, Mary Queen of Scots, and Elizabeth I.
One of the key foundation books of the English Reformation, The Obedience of a Christian Man (1528) makes a radical challenge to the established order of the all-powerful Church of its time. Himself a priest, Tyndale boldly claims that there is just one social structure created by God to which all must be obedient, without the intervention of the rule of the Pope. He argues that Christians cannot be saved simply by performing ceremonies or by hearing the Scriptures in Latin, which most could not understand, and that all should have access to the Bible in their own language - an idea that was then both bold and dangerous. Powerful in thought and theological learning, this is a landmark in religious and political thinking.
This is the first comprehensive study of one of the most important aspects of the Reformation in England: its impact on the status of the dead. Protestant reformers insisted vehemently that between heaven and hell there was no 'middle place' of purgatory where the souls of the departed could be assisted by the prayers of those still living on earth. This was no remote theological proposition, but a revolutionary doctrine affecting the lives of all sixteenth-century English people, and the ways in which their Church and society were organized. This book illuminates the (sometimes ambivalent) attitudes towards the dead to be discerned in pre-Reformation religious culture, and traces (up to about 1630) the uncertain progress of the 'reformation of the dead' attempted by Protestant authorities, as they sought both to stamp out traditional rituals and to provide the replacements acceptable in an increasingly fragmented religious world. It also provides detailed surveys of Protestant perceptions of the afterlife, of the cultural meanings of the appearance of ghosts, and of the patterns of commemoration and memory which became characteristic of post-Reformation England. Together these topics constitute an important case-study in the nature and tempo of the English Reformation as an agent of social and cultural transformation. The book speaks directly to the central concerns of current Reformation scholarship, addressing questions posed by 'revisionist' historians about the vibrancy and resilience of traditional religious culture, and by 'post-revisionists' about the penetration of reformed ideas. Dr Marshall demonstrates not only that the dead can be regarded as a significant 'marker' of religious and cultural change, but that a persistent concern with their status did a great deal to fashion the distinctive appearance of the English Reformation as a whole, and to create its peculiarities and contradictory impulses.