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By the middle of the sixteenth century, Jews in the cities of Italy were being crowded into compulsory ghettos as a result of the oppressive policies of Pope Paul IV and his successors. Forced to listen to Christian preachers seeking their conversion, they flocked to hear the Jewish preachers who regularly delivered sermons designed to uplift and educate them. The sermons of these Jewish preachers provide a remarkable vantage point from which to view the Jewish social and cultural landscape of the early modern period. Exploring the fraction of this vast literature that remains to us and that has been generally neglected, six leading scholars of Italian Jewish cultural history find treasures of information and insight. Their essays show how, in various times and places, a number of ghetto preachers interpreted reality for their constituencies. They illuminate from varying perspectives the transformation of Italian Jewish culture in the late sixteenth and early seventeenth century; the adjustment of a beleaguered but proud minority to its ghetto segregation; the openness of Jews and their surprising appropriations of the regnant cultural tastes of the surrounding society; and the restructuring of thought processes, ritual practices, and social organization engendered by the new urban neighborhoods. What was the role of the preacher as a shaper of Jewish culture? How did he present his ideas to the audience? In what way did he serve as a bridge between the ghetto and the world outside, between old and new conventions, and between elite and popular modes of thought? Judah Moscato in Mantua, Judah del Bene in Ferrara, Azariah Figo in Pisa and Venice, Leon Modena in Venice, Samuel Judah Katzenellenbogen in Padua, Abraham of Sant'Angelo in Bologna, and Isaac de Lattes in Mantua, Venice, and elsewhere are the rabbis whose published sermons the authors investigate. Among the subjects they consider are the influences of Renaissance and Baroque thinking on the content and style of the sermons, the interplay of ideas and speaking techniques with the Christian world, the "popularization" of the kabbalah, and the eulogy as a successful new form of sermon in Jewish society. The story of how these preachers reflected and shaped the culture of their listeners, who felt the pressure of cramped urban life as well as political, economic, and religious persecution, is finally beginning to be told.
By the mid-sixteenth century, Jews in the cities of Italy were being crowded into compulsory ghettos as a result of the oppressive policies of Pope Paul IV and his successors.The sermons of Jewish preachers during this period provide a remarkable vantage point from which to view the early modern Jewish social and cultural landscape. In this eloquent collection, six leading scholars of Italian Jewish history reveal the important role of these preachers: men who served as a bridge between the ghetto and the Christian world outside, between old and new conventions, and between elite and popular modes of thought. The story of how they reflected and shaped the culture of their listeners, who felt the pressure of cramped urban life as well as of political, economic, and religious persecution, is finally beginning to be told. Through the words of the Italian ghetto preachers, we discover a richly textured panorama of Jewish life more than 400 years ago.
With this heady exploration of time and space, rumors and silence, colors, tastes, and ideas, Robert Bonfil recreates the richness of Jewish life in Renaissance Italy. He also forces us to rethink conventional interpretations of the period, which feature terms like "assimilation" and "acculturation." Questioning the Italians' presumed capacity for tolerance and civility, he points out that Jews were frequently uprooted and persecuted, and where stable communities did grow up, it was because the hostility of the Christian population had somehow been overcome. After the ghetto was imposed in Venice, Rome, and other Italian cities, Jewish settlement became more concentrated. Bonfil claims that the ghetto experience did more to intensify Jewish self-perception in early modern Europe than the supposed acculturation of the Renaissance. He shows how, paradoxically, ghetto living opened and transformed Jewish culture, hastening secularization and modernization. Bonfil's detailed picture reveals in the Italian Jews a sensitivity and self-awareness that took into account every aspect of the larger society. His inside view of a culture flourishing under stress enables us to understand how identity is perceived through constant interplay—on whatever terms—with the Other.
This book explores the complexity of preaching as a phenomenon in the medieval Jewish-Christian encounter. This was not only an "encounter" as physical meeting or confrontation (such as the forced attendance of Jews at Christian sermons that took place across Europe), but also an "imaginary" or theological encounter in which Jews remained a figure from a distant constructed time and place who served only to underline and verify Christian teachings. Contributors also explore the Jewish response to Christian anti-Jewish preaching in their own preaching and religious instruction.
Focusing on an epoch of spectacular demographic, political, economic, and cultural changes for European Jewry, Cultural Intermediaries chronicles the lives and thinking of ten Jewish intellectuals of the Renaissance, nine of them from Italy and one a Portuguese exile who settled in the Ottoman empire after a long sojourn in Italy. David B. Ruderman, Giuseppe Veltri, and the other contributors to this volume detail how, in the relative openness of cultural exchange encountered in such intellectual centers as Florence, Mantua, Pisa, Naples, Ferrara, and Salonika, these Jewish savants sought to enlarge their cultural horizons, to correlate the teachings of their own tradition with those outside it, and to rethink the meaning of their religious and ethnic identities within the intellectual and religious categories common to European civilization as a whole. The engaging intellectual profiles created especially for this volume by scholars from Israel, North America, and Europe represent an important rereading and reinterpretation of early modern Jewish culture and society and its broader European intellectual contexts.
Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.
Judah ben Joseph Moscato (c.1533–1590) was one of the most distinguished rabbis, authors, and preachers of the Italian-Jewish Renaissance. This volume is a record of the proceedings of an international conference organized in Mantua and consists of contributions on Moscato and his intellectual world.
The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books. Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture. Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.
This seventh volume of The Cambridge History of Judaism provides an authoritative and detailed overview of early modern Jewish history, from 1500 to 1815. The essays, written by an international team of scholars, situate the Jewish experience in relation to the multiple political, intellectual and cultural currents of the period. They also explore and problematize the 'modernization' of world Jewry over this period from a global perspective, covering Jews in the Islamic world and in the Americas, as well as in Europe, with many chapters straddling the conventional lines of division between Sephardic, Ashkenazic, and Mizrahi history. The most up-to-date, comprehensive, and authoritative work in this field currently available, this volume will serve as an essential reference tool and ideal point of entry for advanced students and scholars of early modern Jewish history.
This anthology provides a broad overview of the social history of preaching throughout Western and Central Europe, with sections devoted to genre, specific countries, and commentary on the appeal of the Reformation messages.