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Jody and T.C., the animal-loving henchmen employed by Jesse Custer's grandma, are back in action when Tomi and Cal--an odd couple on the run--have the great misfortune of running into the dastardly duo. Now all four become targets of Saddam Hopper, the insane villain who's after Tomi and Cal.
A story of Jody and T.C. from the Preacher comic book series.
The origin of Arseface! It's the story of the tragic teenager whose sad, painful life led to a botched suicide attempt, resulting in a face that now looks like...well, you know. Filled with all manner of destructive personalities and self-destructive behavior, witness a coming-of-age tale gone very, very wrong.
Reverend Jesse Custer, an old Texas minister who is joined with a spiritual entity called Genesis and wields the Word of God, revisits terrors of his childhood on his way to find God.
Shares uplifting advice about the virtues of forgiveness, offering strategic and biblically based advice on how to achieve peace and personal fulfillment by letting go of past wrongs.
Writer Garth EnnisÍs violent, scabrous journey across AmericaÍs religious landscape continues in this third volume. Preacher Jesse CusterÍs dark journey to find God, accompanied by his gun-toting girlfriend and Irish vampire buddy, continues in this third volume. During some down time, Jesse Custer faces an enemy from the past, who seeks vengeance for his fatherÍs death. Also includes a story spotlighting the Saint of Killers and a standalone tale starring Cassidy, the vampire. This volume collects PREACHER #34-40, PREACHER SPECIAL: ONE MAN'S WAR, PREACHER SPECIAL: THE GOOD OLD BOYS, PREACHER SPECIAL: THE STORY OF YOU-KNOW-WHO.
#1 New York Times bestseller with more than 11 million copies sold! When 4-year-old Colton Burpo emerges from life-saving surgery with remarkable stories of his visit to heaven, his family doesn’t know what to believe. Heaven is For Real details what Colton saw and his family’s journey towards accepting their young son had visited the afterlife. “Do you remember the hospital, Colton?” Sonja said. “Yes, mommy, I remember,” he said. “That’s where the angels sang to me.” Colton told his parents he left his body during an emergency surgery–and proved that claim by describing exactly what his parents were doing in another part of the hospital during his operation. He talked of visiting heaven and described events that happened before he was born and how he spoke with family members he’d never met. Colton also astonished his parents with descriptions and obscure details about heaven that matched the Bible exactly, even though he had not yet learned to read. With disarming innocence and the plainspoken boldness of a child, Colton recounts his visit to heaven, describing: Meeting long-departed family members Jesus, the angels, how “really, really big” God is, and how much God loves us How Jesus called Todd, Colton’s father, to be a pastor The Battle of Armageddon Retold by his father, but using Colton’s uniquely simple words, Heaven Is for Real offers a glimpse of the world that awaits us, where as Colton says, “Nobody is old and nobody wears glasses.” Heaven Is for Real will forever change the way you think of eternity, offering the chance to see, and believe, like a child. Praise for Heaven is for Real: “A beautifully written glimpse into heaven that will encourage those who doubt and thrill those who believe.” —Ron Hall, coauthor of Same Kind of Different as Me
Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
It is the year 1899 and a new century is fast approaching. Robbie Hewitt intends to get in as much living as possible between now and the new year, but his antics eventually entangle him in a dangerous scheme--one that holds the life of a man in balance.