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Overlooked stories of the female painters and subjects of Pre-Raphaelite art When the Pre-Raphaelite Brotherhood exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England," this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colors and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colors. Who were these women? What is known of their lives and their roles in a movement that spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socializing with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewelry-making--the fine crafts that formed a supportive tier for the "higher" arts of painting and sculpture. Although their backgrounds and life experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Containing over 100 beautifully reproduced images, Pre-Raphaelite Sisters illustrates the obscure stories of some of the movement's most familiar faces. "
The MacDonald sisters started life in the lower-middle classes, denied the advantages of education and the expectation of social advancement. Yet, as wives and mothers, they connected a famous painter, a president of the Royal Academy, a prime minister, and the uncrowned poet laureate of the Empire.
In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
In this “sharp, scary, gorgeously evocative tale of love, art, and obsession” (Paula Hawkins, bestselling author of The Girl on the Train), a beautiful young woman aspires to be an artist, while a man’s dark obsession may destroy her world forever. The Doll Factory is a sweeping tale of curiosity, love, and possession set among all the sordidness and soaring ambition of 1850s London. The greatest spectacle London has ever seen is being erected in Hyde Park and, among the crowd watching, two people meet. For Iris, an aspiring artist of unique beauty, it is the encounter of a moment—forgotten seconds later—but for Silas, a curiosity collector enchanted by the strange and beautiful, the meeting marks a new beginning. When Iris is asked to model for Pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint, and suddenly her world expands beyond anything she ever dreamed of. But she has no idea that evil stalks her. Silas, it seems, has thought of only one thing since that chance meeting, and his obsession is darkening by the day...
Combining rebellion and revivalism, scientific precision and imaginative grandeur, the Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Featuring painting, photography, sculpture and applied arts, this book examines both well-known masterpieces and lesser-known works.
The three dazzlingly beautiful, wildly rich Wyndham sisters, part of the four hundred families that made up Britain's ruling class, at the center of cultural and political life in late-Victorian/Edwardian Britain. Here are their complex, idiosyncratic lives; their opulent, privileged world; their romantic, roiling age. They were confidantes to British prime ministers, poets, writers, and artists, their lives entwined with the most celebrated and scandalous figures of the day, from Oscar Wilde to Henry James. They were the lovers of great men--or men of great prominence...Mary Wyndham, wilder than her wild brothers; lover of Wilfrid Blunt, confidante of Prime Minister Arthur Balfour (the Balfour Declaration); married to Hugo, Lord Elcho; later the Countess of Wemyss...Madeline Adeane, the quietest and happiest of the three...and Pamela, spoiled, beautiful, of the three, possesser of the true talent, wife of the Foreign Secretary Edward Grey (later Viscount Grey), who took Britain into the First World War. They lived in a world of luxurious excess, a world of splendor at 44 Belgrave Square, and later at the even more vast Clouds, the exquisite Wiltshire house on 4,000 acres, the "house of the age," designed, in 1876, by the visionary architect, Philip Webb; the model for Henry James's The Spoils of Poynton. They were bred with the pride of the Plantagenets and raised with a fierce belief that their family was exceptional. They avoided the norm at all costs and led the way to a blending of aristocracy and art. Their group came to be called The Souls, whose members from 1885 to the 1920s included the most distinguished politicians, artists, and thinkers of their time. In Those Wild Wyndhams, Claudia Renton gives us a dazzling portrait of one of England's grandest, noblest families. Renton captures, with nuance and depth, their complex wrangling between head and heart, and the tragedy at the center of all their lives as the privilege and bliss of the Victorian age gave way to the Edwardian era, the Great War, and the passing of an opulent world.
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.