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Before the arrival of the Indo-European Greeks in the area around the Aegean Sea, a non-Indo-European language was spoken there which was eventually replaced by Greek. Although no written texts exist in this Pre-Greek language, Robert Beekes shows that we can reconstruct elements of its phonology and morphology on the basis of the substantial amount of Pre-Greek vocabulary which was absorbed by Greek. In addition to the general characteristics of Pre-Greek, Beekes provides a complete overview of the evidence, comprising over 1100 Greek etyma which are certainly of Pre-Greek origin. The book thus opens a window on the first Pre-Indo-European language of prehistoric Europe to have left a trace in history.
By systematically confronting Greek tradition of the Heroic Age with the evidence of both linguistics and archaeology, Margalit Finkelberg proposes a multidisciplinary assessment of the ethnic, linguistic and cultural situation in Greece in the second millennium BC. The main thesis of this book is that the Greeks started their history as a multi-ethnic population group consisting of both Greek-speaking newcomers and the indigenous population of the land and that the body of 'Hellenes' as known to us from the historic period was a deliberate self-creation. The book addresses such issues as the structure of heroic genealogy, the linguistic and cultural identity of the indigenous population of Greece, the patterns of marriage between heterogeneous groups as they emerge in literary and historical sources, the dialect map of Bronze Age Greece, the factors responsible for the collapse of the Mycenaean civilisation and finally, the construction of the myth of the Trojan War.
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Contrary to a prevalent belief of the Western world, that democracy, agriculture, theater and the arts were the attainments of Classical Greek civilization, these were actually a Bronze Age fusion of earlier European concepts and Hellenic ingenuity. This work considers both the multicultural wellspring from which these ideas flowed and their ready assimilation by the Greeks, who embraced these hallmarks of civilization, and refined them to the level of sophistication that defines classical antiquity.
The dispersal of the Indo-European language family from the third millennium BCE is thought to have dramatically altered Europe's linguistic landscape. Many of the preexisting languages are assumed to have been lost, as Indo-European languages, including Greek, Latin, Celtic, Germanic, Baltic, Slavic and Armenian, dominate in much of Western Eurasia from historical times. To elucidate the linguistic encounters resulting from the Indo-Europeanization process, this volume evaluates the lexical evidence for prehistoric language contact in multiple Indo-European subgroups, at the same time taking a critical stance to approaches that have been applied to this problem in the past.
Europe is a word that is almost daily on our lips. But how far do we have to go back in order to find the origins of its name? The first part of this beautifully illustrated book traces the geographical and mythological basis of Europe's name. Who came up with the idea to distinguish the world in continents with proper names? The search will bring the reader back to the early history of mankind. How did the ancient Egyptians see the world and populations around them? Where did the Hebrews get the idea to split the world in three? And what was the world-picture in ancient Greece, laid down in geographic treatises and fragments? Where did the name 'Europe' originate from? Could it be from a person, either mortal or divine? In ancient Greek literature the name 'Europa' appears quite frequently for Greek goddesses and Greek women. Strangely enough, the best known Europa myth concerns a Phoenician princess, loved by the Greek god Zeus. Many mythographs doubt the Asian descent of the Phoenician Europa. Is her real origin to be located on mainland Greece? How can the contradicting Greek myths be interpreted, and was the name universally accepted as the name for the continent? In the second part of this book, the author tells the amazing story of how the Arts have treated the Europa myths for almost three millennia. He shows the extraordinary influence of the personification of the geographic continent Europe on literature, music, sculpture, painting, tapestry and other applied arts. All this clearly demonstrates the vivid interest in Europe for the subject throughout the ages and illustrates, according to Karel van Miert in his Foreword, our common European culture.
This book presents the most comprehensive coverage of the field of Indo-European Linguistics in a century, focusing on the entire Indo-European family and treating each major branch and most minor languages. The collaborative work of 120 scholars from 22 countries, Handbook of Comparative and Historical Indo-European Linguistics combines the exhaustive coverage of an encyclopedia with the in-depth treatment of individual monographic studies.
"The editors" PREFACE LIST OF PUBLICATIONS BY FREDERIK KORTLANDT "?driaan Barentsen": O S?P?STAVI?EL'N IZUC?NII ?GR?NICI L'NY? VR NNY? S?JUZ?V SL?VJANS?I? JAZY V "Robert S.P. Beekes": PALATALIZED CONSONANTS IN PRE-GREEK "Uwe Blasing": TALYSCHI RIZ 'SPUR' UND VERWANDTE: EIN BEITRAG ZUR IRANISCHEN WORTFORSCHUNG "Vaclav Blazek": CELTIC 'SMITH' AND HIS COLLEAGUES "Johnny Cheung": THE OSSETIC CASE SYSTEM REVISITED "Bardhyl Demiraj": ALB. RRUSH, ON RAGUSA UND GR. RHOKS "Rick Derksen": QUANTITY PATTERNS IN THE UPPER SORBIAN NOUN "George E. Dunkel": LUVIAN ?TAR AND HOMERIC AR "Jose L. Garcia Ramon": ERERBTES UND ERSATZKONTINUANTEN BEI DER REKONSTRUKTION VON INDOGERMANISCHEN KONSTRUKTIONSMUSTERN: IDG. *"G"' "HEU"- UND HETH. "LAHU-HHI" 'GIESSEN' "Eric P. Hamp": INDO-EUROPEAN *"SG'HEDHLA" "Andries van Helden": IS CASE A LINGUIST OR A FREDERIK? "Tette Hofstra": AUS DEM BEREICH DER GERMANISCH-OSTSEEFINNISCHEN LEHNWORTFORSCHUNG: UBERLEGUNGEN ZUR ETYMOLOGIE VON FINNISCH "RYTAKKA" 'KRACH' "Georg Holzer": STRUKTURELLE BESONDERHEITEN DES URSLAVISCHEN "Wim Honselaar": REFLECTIONS ON RECIPROCITY IN RUSSIAN AND DUTCH "Laszlo Honti": 'TIBI LIBER EST' 'HABES LIBRUM' (BEMERKUNGEN ZUR HERKUNFT DER HABITIVEN KONSTRUKTIONEN IM URALISCHEN) "Peter Houtzagers": ON THE CAKAVIAN DIALECT OF KOLJNOF NEAR SOPRON "Petri Kallio": ON THE "EARLY BALTIC" LOANWORDS IN COMMON FINNIC "Janneke Kalsbeek": THE QUANTITY OF THE VOWEL I IN STIPAN KONZUL'S "KATEKIZAM" (1564) "Jared S. Klein": INTERROGATIVE SEQUENCES IN THE RIGVEDA "Jorma Koivulehto": FRUHE SLAVISCH-FINNISCHE KONTAKTE "Leonid Kulikov": THE VEDIC TYPE "PATAYATI" REVISITED: SEMANTIC OPPOSITIONS, PARADIGMATIC RELATIONSHIPS AND HISTORICAL CONNECTIONS "Winfred P. Lehmann": LINGUISTIC LAWS AND UNIVERSALS: THE TWAIN. "Alexander Lubotsky": VEDIC 'OX' AND 'SACRIFICIAL CAKE' "Ranko Matasovic": THE ORIGIN OF THE OLD IRISH F-FUTURE "H. Craig Melchert": PROBLEMS IN HITTITE PRONOMINAL INFLECTION "Cecilia Ode": COMMUNICATIVE FUNCTIONS AND PROSODIC LABELLING OF THREE RUSSIAN PITCH ACCENTS "Norbert Oettinger": AN INDO-EUROPEAN CUSTOM OF SACRIFICE IN GREECE AND ELSEWHERE "Harry Perridon": RECONSTRUCTING THE OBSTRUENTS OF PROTO-GERMANIC "Georges-Jean Pinault": TOCHARIAN FRIENDSHIP "?driana Pols": ROZDENIE SLOVARJA "Arend Quak": ARCHAISCHE WORTER IN DEN MALBERGISCHEN GLOSSEN DER 'LEX SALICA' "Jos Schaeken": NOCHMALS ZUR AKZENTUIERUNG DER KIEVER BLATTER "Rudiger Schmitt": ZU DER FREMDBEZEICHNUNG ARMENIENS ALTPERS. "ARMINA"- "Patrick Sims-Williams": THE PROBLEM OF SPIRANTIZATION AND NASALIZATION IN BRITTONIC CELTIC "Han Steenwijk": THE MICROSTRUCTURE OF THE RESIANICA DICTIONARY "Michiel de Vaan": SANSKRIT "TRIDHA" AND "TREDHA" "William R. Veder": NON SECUNDUM SCIENTIAM: READING WHAT IS NOT THERE "Theo Vennemann gen. Nierfeld: MUNZE, MINT, AND MONEY": AN ETYMOLOGY FOR LATIN "MONETA." WITH APPENDICES ON CARTHAGINIAN "TANIT" AND THE INDO-EUROPEAN "MONTH" WORD "Willem Vermeer": THE PREHISTORY OF THE ALBANIAN VOWEL SYSTEM: A PRELIMINARY EXPLORATION "Jos J.S. Weitenberg": DIPHTHONGIZATION OF INITIAL "E"- AND THE DEVELOPMENT OF INITIAL "Y"- IN ARMENIAN
Epic is dialectally mixed but Ionic at its core. The proper dialect for elegy was Ionic, even when composed by Tyrtaeus in Sparta or Theognis in Megara, both Doric areas. Choral lyric poets represent the major dialect areas: Aeolic (Sappho, Alcaeus), Ionic (Anacreon, Archilochus, Simonides), and Doric (Alcman, Ibycus, Stesichorus, Pindar). Most distinctive are the Aeolic poets. The rest may have a preference for their own dialect (some more than others) but in their Lesbian veneer and mixture of Doric and Ionic forms are to some extent dialectally indistinguishable. All of the ancient authors use a literary language that is artificial from the point of view of any individual dialect. Homer has the most forms that occur in no actual dialect. In this volume, by means of dialectally and chronologically arranged illustrative texts, translated and provided with running commentary, some of the early Greek authors are compared against epigraphic records, where available, from the same period and locality in order to provide an appreciation of: the internal history of the Ancient Greek language and its dialects; the evolution of the multilectal, artificial poetic language that characterizes the main genres of the most ancient Greek literature, especially Homer / epic, with notes on choral lyric and even the literary language of the prose historian Herodotus; the formulaic properties of ancient poetry, especially epic genres; the development of more complex meters, colometric structure, and poetic conventions; and the basis for decisions about text editing and the selection of a manuscript alternant or emendation that was plausibly used by a given author.