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SHORTLISTED FOR THE WILLIAM SAROYAN INTERNATIONAL PRIZE FOR WRITING. ONE OF BOOKLIST'S TOP TEN RELIGION AND SPIRITUALITY BOOKS. ONE OF BOOKLIST'S TOP TEN DIVERSE NONFICTION BOOKS. Honorable Mention in the San Francisco Book Festival Awards, Spiritual Category A 2019 United Methodist Women Reading Program Selection This enthralling story of the making of an American is a timely meditation on being Muslim in America today. Threading My Prayer Rug is a richly textured reflection. It is also the luminous story of many journeys: from Pakistan to the United States in an arranged marriage that becomes a love match lasting forty-five years; from secular Muslim in an Islamic society to devout Muslim in a society ignorant of Islam, and from liberal to conservative to American Muslim; from bride to mother; and from an immigrant intending to stay two years to an American citizen, business executive, grandmother, and tireless advocate for interfaith understanding. Beginning with a sweetly funny, moving account of her arranged marriage, the author undercuts stereotypes and offers the refreshing view of an American life through Muslim eyes. Sabeeha was doing interfaith work for Imam Feisal A. Rauf, the driving force behind the Muslim community center near Ground Zero, when the backlash began. She recounts what that experience revealed about American society and in a new preface discusses Islam in America in the time of Trump.
Collecting prayer practices from around the world, the author introduces readers to her favorites--fifty forms of prayer, worship, and meditation, with details about their history and roots in particular religious traditions. Original.
This handbook contains black-and-white pictures and describes groupings of Middle Eastern rugs, their patterns, coloring, manufacture, and estimated antiquity. Substantial changes were made between the first and third editions, including the deletion of a whole group of rugs and additions based on new research. The translator was able to add notes based upon his own research into the ownership of certain rugs.
This monumental reference work--long awaited by collectors and scholars--fills an important gap in the available literature on oriental rugs. Lavishly illustrated with over 1000 photographs and drawings, it offers clear and precise definitions for the rug and textile terms in use across a broad swath of the globe--from Morocco to Turkey, Persia, the Caucasus region, Central Asia, Afghanistan, Pakistan, India and China. Covering priceless museum-quality rug traditions as well as modern centers of production, Oriental Rugs: An Illustrated Lexicon of Motifs, Materials, and Origins draws on classical scholarship as well as current terminology in use among producers and traders in these areas today. It focuses primarily on the rich hand-knotting and hand-weaving traditions of the Near East and Central Asia, but also includes some examples of Scandinavian and Native American weavings. Oriental rugs are receiving ever-increasing attention and recognition in the field of art history. Tribal weavings especially have become a focus for new research, and Oriental Rugs provides a new understanding of many distinctive traditions that were previously understudied, such as the weavings of southwest Persia, Baluchistan and Kurdistan. This concise oriental rug reference book is a must-have for scholars and anyone serious about collecting rugs, selling rugs or the rug trade in general. Additional reference information also includes: Foreign terms Place names The Oriental Rug lexicon Museums with notable rug collections Oriental rug internet sites
Written on the occasion of the May 1922 gift of the James F. Ballard Collection to The Metropolitan Museum of Art, this catalogue illustrates and discusses the 125 ancient carpets from Persia, India, Turkey, The Caucasus, Central Asia, and Spain included in this gift which span from the fifteenth to the early nineteenth century. A short introduction covers the history of rug weaving and a brief discussion of rugs from each region represented.
In 'Rugs: Oriental and Occidental, Antique & Modern', author Rosa Belle Holt takes readers on a journey through the world of rugs in the 19th century. With a focus on oriental rugs, Holt presents a concise and accessible guide to the history, details, and characteristics of various rug types from around the world. Drawing on her own experiences as well as correspondence with experts and rug dealers, she shares valuable insights into rug-making techniques, materials, designs, and colors. Whether you're a novice looking to appreciate the beauty and complexity of rugs or a prospective buyer seeking guidance in purchasing a rug, this book is a must-read for anyone interested in this timeless art form.
This authoritative reference contains a vast amount of information about Oriental rugs. Oriental Rugs: A Complete Guide is the first large volume on the subject to be printed in the past forty-five years is meant for the individual who is interested in purchasing his first Oriental Rug, as well as the collector, museum, and rug importer. The volume is divided into three main parts. Part I, entitled "General Discussion devotes one chapter to each of the large rug weaving countries and includes helpful hints as to what the rug buyer should look for in an particular rug. Part II, "Description of Types," is an alphabetical list of all the names that have been used to identify rugs in the past, as well as the names that are being used at present. Each entry is followed by a full discussion and description of the rug. Part III, “Plates,” contains 194 pictures of different types of rugs, complete with descriptive captions for each. Thirty-nine of the plates are in full color. All of the plates are large, allowing the reader to see the design, and in some cases, the colors used in the particular rug.
TREFOIL catalogues the highly-praised Mills College 1990 exhibition of rugs from China, Turkestan, Persia, Anatolia, Spain & the Caucasus. The authors discuss seven design groups - Guls, Stars, Wheels, Quatrefoils, Gardens, Mihrabs & Beasts. The 33 color illustrations include a previously unpublished large-size 15th-c. "Holbein," two early "Animal/Tree" rugs, a village "Star Ushak," a silk Yarkand prayer rug, a Ladik prayer rug lacking a tulip panel, & a 21 ft. silk pile Kashgar Saph (now in the Asian Art Museum, San Francisco). "Trefoil...a major exhibition designed for the knowledgeable & committed rug collector...an exhibition of international importance..." - George O'Bannon, "TREFOIL at mills College," ORIENTAL RUG REVIEW, Vol. 10:4 (1990). "An intellectual's taste of classical & early village themes." - Thomas Murray, "Trefoil", HALI #51 (1990). "TREFOIL contains numerous insights, especially concerning the continuity of certain, possibly emblematic, designs...(It) is very much worth adding to any rug library." - Pamela Bensoussan, "TREFOIL" ORIENTAL RUG REVIEW, Vol. 11:6 (1991). TREFOIL, 248 Trinity Ave., Kensington, CA 94708; 510-526-3265. 33% library discount.