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Catholic scholar Jean Danielou considers the centrality of prayer for the Christian layperson, developing the insight that the active, missionary dimension of the Christian life is in fact the "self-unfolding" of contemplation.
Prayer is an important religious practice that is rarely studied from the perspective of politics – and yet it should be. Though some forms of Protestantism teach that prayer should be individual and private, this is an exception rather than a rule. In many other religions and cultures, the regulation of collective and public prayer cannot be separated from the complex world of politics. Where is prayer allowed, and where not? Who can participate, and who can’t? How should you pray – and how shouldn’t you? Prayer is subject to a host of both written and unwritten political rules. From the Pentecostal religious battle – where prayer is both sword and shield against the Satanic Other – to the relations between Islam and Christianity, prayer as spiritual warfare can be found cross-culturally and across the world. This book brings together case studies of the political salience of prayer in Nigeria, France, India, Russia, and the United States. It deals with Christian, Muslim, and Hindu practices. In a world where religious tensions are ever-present, it reminds us of the intensely political nature of prayer. This book was originally published as a special issue of the Journal of Religious and Political Practice.
Have you ever felt too progressive for conservatives, but too conservative for progressives? It's easy for faithful Christians to grow disillusioned with civic engagement or fall into tribal extremes. Representing the AND Campaign, the authors of this book lay out the biblical case for political engagement and help Christians navigate the complex world of politics with integrity.
Glenn W. Olsen is a Professor of History at the University of Utah.
In this searing meditation on the bonds of family and the allure of extremist faith, one of today’s most celebrated Christian writers recounts his unexpected journey from a strict fundamentalist upbringing to a life of compassion and grace—a revelatory memoir that “invites comparison to Hillbilly Elegy” (Publishers Weekly, starred review). “Searing, heartrending . . . This stunning tale reminds us that the only way to keep living is to ask God for the impossible: love, forgiveness, and hope.”—Kate Bowler, New York Times bestselling author of Everything Happens for a Reason Raised by an impoverished widow who earned room and board as a Bible teacher in 1950s Atlanta, Philip Yancey and his brother, Marshall, found ways to venture out beyond the confines of their eight-foot-wide trailer. But when Yancey was in college, he uncovered a shocking secret about his father’s death—a secret that began to illuminate the motivations that drove his mother to extreme, often hostile religious convictions and a belief that her sons had been ordained for a divine cause. Searching for answers, Yancey dives into his family origins, taking us on an evocative journey from the backwoods of the Bible Belt to the bustling streets of Philadelphia; from trailer parks to church sanctuaries; from family oddballs to fire-and-brimstone preachers and childhood awakenings through nature, music, and literature. In time, the weight of religious and family pressure sent both sons on opposite paths—one toward healing from the impact of what he calls a “toxic faith,” the other into a self-destructive spiral. Where the Light Fell is a gripping family narrative set against a turbulent time in post–World War II America, shaped by the collision of Southern fundamentalism with the mounting pressures of the civil rights movement and Sixties-era forces of social change. In piecing together his fragmented personal history and his search for redemption, Yancey gives testament to the enduring power of our hunger for truth and the possibility of faith rooted in grace instead of fear. “I truly believe this is the one book I was put on earth to write,” says Yancey. “So many of the strands from my childhood—racial hostility, political division, culture wars—have resurfaced in modern form. Looking back points me forward.”
Since it was first released, How to Defend the Faith has given Catholics worldwide a new way of talking about their faith around the dinner table or at the office, getting across the Church's positions on contentious issues without losing their cool. It's about learning the principles that allow you to step outside the negative frames imposed by the news media and being well briefed on what the Church actually thinks about politics, gay people, marriage, women, sex abuse, and other key topics. Now revised and updated, How to Defend the Faith includes new sections on what we can learn from Pope Francis's communication, advice on how to give a talk and be active on Twitter, and many other invaluable tips and principles gleaned from the author's years of putting the Church's case in the media. Find your voice. Embody the new evangelization. Enjoy a new and better way to defend the Faith -- without ever having to raise your voice.
"I would like to write a beautiful prayer," writes the young Flannery O'Connor in this deeply spiritual journal, recently discovered among her papers in Georgia. "There is a whole sensible world around me that I should be able to turn to Your praise." Written between 1946 and 1947 while O'Connor was a student far from home at the University of Iowa, A Prayer Journal is a rare portal into the interior life of the great writer. Not only does it map O'Connor's singular relationship with the divine, but it shows how entwined her literary desire was with her yearning for God. "I must write down that I am to be an artist. Not in the sense of aesthetic frippery but in the sense of aesthetic craftsmanship; otherwise I will feel my loneliness continually . . . I do not want to be lonely all my life but people only make us lonelier by reminding us of God. Dear God please help me to be an artist, please let it lead to You." O'Connor could not be more plain about her literary ambition: "Please help me dear God to be a good writer and to get something else accepted," she writes. Yet she struggles with any trace of self-regard: "Don't let me ever think, dear God, that I was anything but the instrument for Your story." As W. A. Sessions, who knew O'Connor, writes in his introduction, it was no coincidence that she began writing the stories that would become her first novel, Wise Blood, during the years when she wrote these singularly imaginative Christian meditations. Including a facsimile of the entire journal in O'Connor's own hand, A Prayer Journal is the record of a brilliant young woman's coming-of-age, a cry from the heart for love, grace, and art.