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"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 23 JUNE, 1963 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 65 VOLUME NUMBER: Vol. XXVIII. No. 25 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-58 ARTICLE: 1 Shri. Swati Tirunaal 2. The India-China Border-Legal Aspects 3. China Today and Yesterday: Education In New China 4. Karmveer Vivekanand AUTHOR: 1. His Highness Marthanda Varma, Elaya Rajah o f Travancore 2. Dr. K. Krishna Rao 3. Dr. C. P. Ramaswamy Iyer 4. M. S. Rao KEYWORDS : 1. A perfectionist, Alimguist, All Round Development,Other Creative Activities,Galaxy of Musicians. 2. India's Historic Rights,China's False Contention.India's Stand Corroborated,China's conflicting Stand, Arguments Vitiated, Judicial Decision,Treaties Decisive. 3. Frightening Silence,Emphasis on Technical Studies.Silent Celebration,Preparing for Ultimate Fight. 4. Relentless Fighter,Ideal of National Character, Every Indian a Brother. Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Farmers' Rights are essential for maintaining crop genetic diversity, which is the basis of all food and agricultural production in the world. The International Treaty on Plant Genetic Resources for Food and Agriculture recognizes Farmers' Rights and provides for relevant measures. However, implementation is slow, and in many countries there is resistance. This book shows the necessity of realizing Farmers' Rights for poverty alleviation and food security, the practical possibilities of doing so, and the potential gains for development and society at large. It provides decision-makers and practitioners with a conceptual framework for understanding Farmers’ Rights and success stories showing how each of the elements of Farmers' Rights can be realized in practice. The success stories have brought substantial achievements as regards one or more of the four elements of Farmers' Rights: the rights of farmers to save, use, exchange and sell farm-saved seed; the protection of traditional knowledge; benefit- sharing; and participation in decision-making. This does not mean that these examples are perfect. Challenges encountered on the way are conveyed and offer important lessons. The stories represent different regions and localities, including Europe, Asia, Africa and Latin America, as well as various categories of stakeholders and types of initiatives and policies.
What if the wrong girl is the one right for you? On a sultry night, on a deserted lawn overlooking a moonlit Taj Mahal, two strangers make passionate love and promise never to meet again... But promises are meant to be broken, right? This is the story of Dushyant Singh Rathore - the 30-something bestselling author of Kinda Cliched, a blockbuster romance novel based on his one night of bliss with a girl whose name he does not know. Under pressure to produce a money-spinning sequel - from his obsessive fans, his hit-seeking publisher and a sceptical journalist ready to expose the true-story angle as a marketing gimmick - he sets off, three years on, to find the elusive girl whom he had promised never to seek out... When his quest, many twists and turns later, leads him to the unlikeliest of places, Dushyant discovers there's a little more to this love story than he had anticipated. Will Dushyant get a second chance at love? What if the wrong girl was really always the right one for him?
On his second adventure, Bhrigu Mahesh is called to help by a hapless, retired clerk, Nataraj Bhakti, who thinks he is being haunted by the spirit of his dead wife. As he investigates, the mystery deepens and takes a sinister turn when a woman gets brutally murdered and the great detective faces the challenge to either catch the killer or risk the destruction of many innocent lives.
What do the TV shows we’re watching tell us about ourselves? Television is the single most powerful and dynamic agent of change in India today. It is also the country’s most popular and accessible form of entertainment. Remote Control examines three kinds of programming—24x7 news, soap operas and reality shows—that have changed Indian television forever, and analyzes how these three genres, while drawing on different sources, are hybridized, indigenized and manage to ultimately project a distinctively Indian identity. Shoma Munshi’s book shows us how everyday reality in India in the twenty-first century shapes television; and how television, in turn, shapes us.
Jannat is an anthalogy Compiled by Kavita Goyal and Harkirat Singh. This anthalogy is a collection of poem, short stories and letter.This anthalogy is all about the reason of our existence i.e. our mother. The love she give throughout her life to her child is priceless. So through this anthalogy we are showing a thank gesture For all the beautiful mothers of this universe. Love to all the mothers....
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION : 18 APRIL, 1965 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 69 VOLUME NUMBER: Vol. XXX. No. 16 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 14-68 ARTICLE: 1. In Quest of Cerebral Power 2. Biorhythm 3. In Quest of Adulation 4. The Darkening Shadow of Violence AUTHOR: 1. Jagjit Singh 2. D. N. Koul 3. V. A. Devasenapati 4. S. A. Sastri KEYWORDS : 1. Problem of substitute,the resemblances,two views, 2. Ups and downs,recurrent process,three rhythms,find your rhythm, 3. Praise and flattery,everyone likes flattery,corrupts both,most insidious form,uses of flattery,praising god 4. Sign of hope,dimension of discourtesy, exploiting the young, students ignored elders Document ID : APE-1965 (A-J) Vol-II-03 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
On the verge of retirement, Robert Ove was struck by an advertisement in the Lutheran Magazine for a volunteer mission trip to Kathmandu, Nepal-a valley in the shadow of Mt. Everest. His wife, Pat, agreed to join him in this yearlong adventure. Their time in Nepal changed their lives. They came to love the Nepalese and became lovingly known as Abba and Ama (Father and Mother). They now encourage everyone to take at least a short-term mission trip at some point, but not without proper advice on what to expect. Though every country and culture is different, Robert's personal experience in Nepal offers invaluable information for future missionaries on dealing with language barriers, exotic foods, foreign transportation, foreign politics, religious customs, disease and contamination, adverse living conditions, and religious intolerance. Some struggles span continents; others are more localized. Join Robert as he encourages and forewarns you. Discover the miracles that abound In the Shadow of Everest despite, or perhaps in light of, the seeming misfortunes that have befallen the inhabitants. See what God can do if you obey his leading, even when you think your future is on the golf course.
His real name was Dhanpat Rai but he is better known by his pen name Munshi Premchand. He has been read and studied both in India and abroad as one of the greatest writers of the century. Premchand's literary career started as a freelancer in Urdu. In his initial short stories he has depicted the patriotic upsurge that was sweeping the country in the first decade of the 19th century. In 1914, Premchand started writing in Hindi. Premchand was the first Hindi author to introduce realism in his writings. He pioneered the new art form of fiction with a social purpose. He wrote of the life around him and made his readers aware of the problems of the urban middle-class and the country's villages. Besides being a great novelist, Premchand was also a social reformer and thinker. Pratigya is the story about a young idealist who takes on himself the task of social upliftment and progress. It gives a vivid description of the society during that era and the obstructions that were faced by the few who believed in a new and better country by the removal of social evils prevalent during those times.