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Environmental Aesthetics is a comprehensive introduction. It includes a history of aesthetics, discussing the psychology of human-environment relations, and artistic influences on the city and analysing the roles of policy and planning.
This collection explores the aesthetic qualities of human relationships, sports, taste, smell, food, and natural and built environments.
John Hospers presents a unique, evoking collection of writings about aesthetics in this book sure to serve undergraduate studies. With a focus on the idea of art as form, expression, and symbol, Introductory Readings in Aesthetics provides necessary and interesting analysis on the readings of aesthetics. The perfect addition to undergraduate classrooms, Hospers strives to share relevant and fresh information within the pages of this anthology that is sure to keep readers and instructors interested and engaged.
The essays, collected by Berleant in this volume all express the impulse to reject the received wisdom of modern aesthetics: that art demands a mode of experience sharply different from others and unique to the aesthetic situation, and that the identity of the aesthetic lies in keeping it distinct from other kinds of human experience, such as the moral, the practical, and the social. Berleant shows, on the contrary, that the value, the insight, the force of art and the aesthetic are all enhanced and enlarged by recognizing their social and human role, and that this recognition contributes both to the significance of art and to its humanizing influence on what we like to call civilization.