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Gavesanam deals with the Vedic discourse on many levels. It is mostly with the Rgvedic and the Yajurvedic texts, that is, with the hymns and the ritual texts, that it does so. The work shows a search for an insight into the highly cultivated poetic mind of the Rsis, which displays mystery and myth, knowledge and secrecy in their creations. The first two chapters illustrate with some clarity the method which is adopted in order to come to grips with a few of the symbolic and metaphorical, mythic and ritualistic texts and lays the foundation for the rest of the essay. The approach is interpretive and, therefore, necessarily speculative. In the main, the procedure is neither classificatory nor descriptive of the texts, since many scholars have done excellent work in this manner. The present exercise highlights the importance of the Vedic Ida, the Vedic World, the Vedic gods and goddesses like the Mitravaruna, Agni, Vak, Visnu, Sarasvat, Soma, and so on, from an interpretive point of view. A few figures make comprehension easier and more concrete. The work as a whole may be considered to be a long essay of progressive approximations, which means that the thoughts that are presented have to be corrected and complemented by further approximations in a truly academic and scientific spirit. Such an effort opens a new way for a better understanding and appreciation of the Vedic and the post-Vedic literature and culture.
The classical Vedic texts that deal with large-scale sacrificial ritual and those writings that deal with domestic ritual have traditionally been treated as unrelated. The former are devoted to the explication of rituals that are dominated by wealthy male elites; the latter concern humble private ceremonies more open to famale participation. Reflections on Resemblance, Ritual and Religion argues that there is in fact, a fundamental connection between these two large and important bodies of Indic religious literature.
This book deals with the significance attached to gold by the authors of the Veda; the use made of it in rites and ceremonies (symbolical actions transferring its inherent power, purification, magic etc.); its importance as an element of theological and speculative thought, e.g. the figure of Hiraṇyagarbha in the Veda and the Vedānta.
Provides an accessible introduction to the Vedic religious world by focusing on the role of divine and human imagination in sacred texts.
The Strange World of Human Sacrifice is the first modern collection of studies on one of the most gruesome and intriguing aspects of religion. The volume starts with a brief introduction, which is followed by studies of Aztec human sacrifice and the literary motif of human sacrifice in medieval Irish literature. Turning to ancient Greece, three cases of human sacrifice are analysed: a ritual example, a mythical case, and one in which myth and ritual are interrelated. The early Christians were the victims of accusations of human sacrifice, but in turn imputed the crime to heterodox Christians, just as the Jews imputed the crime to their neighbours. The ancient Egyptians rarely seem to have practised human sacrifice, but buried the pharaoh's servants with him in order to serve him in the afterlife, albeit only for a brief period at the very beginning of pharaonic civilization. In ancient India we can follow the traditions of human sacrifice from the earliest texts up to modern times, where especially in eastern India goddesses, such as Kali, were long worshipped with human victims. In Japanese tales human sacrifice often takes the form of self-sacrifice, and there may well be a line from these early sacrifices to modern kamikaze. The last study throws a surprising light on human sacrifice in China. The volume is concluded with a detailed index
Enlarges our understanding of the term "scripture" through a comparative study of Veda and Torah.
Authorship of the great sanskrit language epic poem of India, the Mahabharat, is attributed to the sage krsna Dvaipayana Vyasa. This study focuseson the depictionof vyasa in the Mahabharata, where he is an important character in the tale he is credited, with composing. The interpretation of vyasa is enriched by the different perspectives provided by other literature, including dramas, Jataka tales, Arthasastra, and Puranas.
How did ‘Vedic man’ think about the destiny of man after death and related ethical issues? That heaven was the abode of the gods was undisputed, but was it also accessible to man in his pursuit of immortality? Was there a realm of the deceased or a hell? What terms were used to indicate these ‘yonder worlds’? What is their location in the cosmos and which cosmographic classifications are at the root of these concepts? The articles by Henk Bodewitz collected in this volume, published over a period of 45 years, between 1969 and 2013, deal with these issues on the basis of a systematic philological study of early Vedic texts, from the Ṛgveda to various Brāhmaṇas, Āraṇykas and Upaniṣads.