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Richly textured and lyrically written, Prairie Sonata is the story of Mira Adler and her journey from innocence to experience. Mira grows up in post–World War II Canada, in a close-knit Manitoba community founded by secular Jews from Eastern Europe. At the heart of her journey is the friendship that she develops with her teacher, Chaver B, a recent immigrant from Prague who is mysterious and intriguing and who Mira believes harbours a painful secret. Chaver B becomes deeply intwined in Mira’s life, and their relationship evolves, especially after he offers to teach her to play the violin. Little by little, Mira chips away at Chaver B’s past and soon comes to the shocking realization of what brought him to Manitoba. What she learns about his history both outrages and saddens her, yet she cannot stop herself from uncovering the truth about his life. While Chaver B attempts to reconcile his feelings of guilt, Mira struggles to understand a world that seems to be vastly different from the nurturing and seemingly untroubled one in which she grows up. And despite what she learns about Chaver B, herself, and the world around her, when she is older, Mira yearns for the chance to go back to her childhood. A coming-of-age story about music, love, friendship, community, and religion, Prairie Sonata is a riveting tale that will resonate with and captivate the reader.
A haunting novel of loss, love, and human connection from the author of Astrid & Veronika Linda Olsson's first novel, Astrid & Veronika, introduced readers to her gorgeous prose, and her extraordinary understanding of human relationships. With her second novel, she once again charts that terrain in a novel that also explores the significant impact of history on individual lives. In Sonata for Miriam, two events occur that will change composer Adam Anker's life forever. Embarking on a journey that ranges from New Zealand to Poland, and then Sweden, Anker not only uncovers his parents' true fate during World War II, but he also finally faces the consequences of an impossible choice he was forced to make twenty years before-a choice that changed the trajectory of his life.
A lyrical and honest portrait of illness and the way it changes life and faith, from the award-winning author of Things Seen and Unseen. “A fabulous book—brilliant, tender soulful.” —Anne Lamott In the winter of 2009, Nora Gallagher was told she had an inflamed optic nerve, cause unknown, that if untreated would leave her blind. With this news, and the search for a diagnosis and treatment, her once busy and fast-moving life tunneled into a quieter country she calls Oz: unfamiliar, slower, deeply rooted in uncertainty and vulnerability. Moonlight Sonata at the Mayo Clinic, written as Gallagher was still recovering, is a moving meditation on serious illness, what helped her through and what didn’t, why a wall exists between the sick and the healthy, and what can take it down partway. It is also a testament of modern faith—accepting of both science and intellect—and a hard-won revelation of what lies at the heart of ordinary suffering.
This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. Every society in history has produced some characteristic style of music. Music, like the other arts, tells us truths about the world through its impact on our emotional life. There is a structural correspondence between society and music. The emergence of 'modern art music' and its stylistic changes since the rise of capitalist social relations reflect the development of capitalist society since the decline of European feudalism. The leading composers of the different eras expressed in music the aspirations of the dominant or aspiring social classes. Changes in musical style not only reflect but in turn help to shape changes in society. This book analyses the stylistic changes in music from the emergence of ‘tonality’ in the late seventeenth century until the Second World War.
Longlisted for the PEN/Robert W. Bingham Prize for Debut Short Story Collection Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, the stories in What Isn't Remembered explore the burden, the power, and the nature of love between people who often feel misplaced and estranged from their deepest selves and the world, where they cannot find a home. The characters yearn not only to redefine themselves and rebuild their relationships but also to recover lost loves--a parent, a child, a friend, a spouse, a partner. A young man longs for his mother's love while grieving the loss of his older brother. A mother's affair sabotages her relationship with her daughter, causing a lifelong feud between the two. A divorced man struggles to come to terms with his failed marriage and his family's genocidal past while trying to persuade his father to start cancer treatments. A high school girl feels responsible for the death of her best friend, and the guilt continues to haunt her decades later. Evocative and lyrical, the tales in What Isn't Remembered uncover complex events and emotions, as well as the unpredictable ways in which people adapt to what happens in their lives, finding solace from the most surprising and unexpected sources.
Translations of selected poems by the Yiddish writer, covering the entire breadth of his career. Yiddish writer Avrom Sutzkever (1913–2010) was described by the New York Times as “the greatest poet of the Holocaust.” Born in present-day Belarus, Sutzkever spent his childhood as a war refugee in Siberia, returned to Poland to participate in the interwar flourishing of Yiddish culture, was confined to the Vilna ghetto during the Nazi occupation, escaped to join the Jewish partisans, and settled in the new state of Israel after the war. Personal and political, mystical and national, his body of work, including more than two dozen volumes of poetry, several of stories, and a memoir, demonstrated the ways in which Yiddish creativity simultaneously balanced the imperatives of mourning and revival after the Holocaust. In The Full Pomegranate, Richard J. Fein selects and translates some of Sutzkever’s best poems covering the full breadth of his career. Fein’s translations appear alongside the original Yiddish, while an introduction by Justin Cammy situates Sutzkever in both historical and literary context. Richard J. Fein is Professor Emeritus of English at the State University of New York at New Paltz and the author, editor, and translator of many books, including With Everything We’ve Got: A Personal Anthology of Yiddish Poetry.
The plot follows a celebrated classical pianist and her neglected daughter who meet for the first time in years, and chronicles their painful discussions of how they have hurt one another.