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This book contains eleven essays on Aeneas Silvius Piccolomini (1405-1464), humanist, author, courtier, inveterate traveller, conciliarist and then papalist, priest, bishop and finally pope under the name Pius II (1458-1464), urban architect of Pienza, grand patron of the arts, and would-be Crusader. Contributors include: Giuseppe Chironi, Thomas M. Izbicki, Zweder von Martels, Claudia Martl, Margaret Meserve, Rolando Montecalvo, Keith Sidwell, Marcello Simonetta, and Benedikt Konrad Vollmann.
This 2002 book attempts to overcome the traditional historiographical approach to the role of the early modern papacy by focusing on the actual mechanisms of power in the papal court. The period covered extends from the Renaissance to the aftermath of the peace of Westphalia in 1648 - after which the papacy was reduced to a mainly spiritual role. Based on research in Italian and other European archives, the book concentrates on the factions at the Roman court and in the college of cardinals. The sacred college came under great international pressure during the election of a new pope, and consequently such figures as foreign ambassadors and foreign cardinals are examined, as well as political liaisons and social contacts at court. Finally, the book includes an analysis of the ambiguous nature of Roman ceremonial, which was both religious and secular: a reflection of the power struggle both in Rome and in Europe.
v.48: Biondo, Flavio. Scritti inediti e rari di Biondo Flavio... 1927.
In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.
Shows and describes Vatican paintings in chronological order, from the Middle Ages to the eighteenth century, including works by Giotto, Bellini, da Vinci, Caravaggio, Poussin, Titian, and Michelangelo