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This book is intended as a logical continuation of Practical Studies for Bassoon Book 1. The range has been extended to three full octaves and two more key signatures have been added. Each study is in a different key from the preceding one in order to further develop a sense of key-consciousness.
(Instructional). New edition with spiral binding For well over a century, students all over the world have learned to play the bassoon using Julius Weissenborn's Practical Bassoon Method . At long last, The New Weissenborn Method for Bassoon presents the complete 1887 publication in an updated, user-friendly version. With over 50 photographs, modern fingering charts, and in-depth instruction on performance basics, instrument care, and reeds, The New Weissenborn Method is a must-have for all bassoon students. Features: * Carefully researched and edited from the original 1887 edition * All lessons and exercises re-engraved * New notes, techniques and terminology introduced before each lesson * Weissenborn's original sections on tenor clef and the "speaker" keys restored and expanded * Original ornamentation chapter restored with added modern performance practices * Supplementary scale exercises now include all major and minor keys
(Southern Music). Transcribed for bassoon from studies by Hause, Gariboldi, Terschak, Kummer, Dont, Gambaro, Drouet, Lazarus and others.
As the sound-producing mechanism for the bassoon, the reed is a vital component in the sound of the entire instrument. While pre-manufactured reeds are widely available for purchase at music stores, this one-size-fits-all option hardly does justice to the unique needs of the musician and the piece. Many bassoonists, including seasoned professional bassoonist Eric Arbiter, instead choose to craft their own reeds. A nuanced and difficult craft to master, reed-making involves specialized machinery and necessitates special attention to the thickness, and even topography, of the reed itself. When done correctly, however, this process results in a reed that not only produces a more beautiful sound, but also holds up to even the most demanding musical performances. In The Way of Cane, Arbiter demystifies this process for bassoonists of all levels of experience. Drawing from his decades-long experience as both musician and reed-maker, Arbiter provides a comprehensive yet accessible overview of the craft, from the differing sound qualities produced by changing the dimensions of the reed's blades to the changes in the reed's behaviors as it passes through cycles of wetting and drying during production. Small changes in each of these variables, Arbiter explains, contribute to the ultimate goal of producing a bassoonist's ideal sound. With step-by-step instructions, detailed photos that further illuminate the reed-making process, and a companion website featuring the author's own recordings. The Way of Cane emphasizes the importance of the reed to the bassoon's sound, as well as the harmony between reed and musician.
Exercises and studies in this book have been written for the specific purpose of supplementing any of the elementary methods available. The book is in no way intended to serve as a method or as a course of progressive instruction for the Bassoon. This book is divided into two general classifications: studies for rhythmic development; and scale, arpeggio, and interval exercises which are so indispensable in mastering any instrument.
"Foundations for Superior Performance" is designed to help structure the daily rehearsal and advance the performance level of the ensemble. The primary goal is to offer a framework of exercises and routine drills that will facilitate the mastery of essential playing fundamentals. Different skill levels have been integrated into this book to meet the needs of the inexperienced player, and, at the same time, challenge the most advanced.
The material in the Gekeler Method for Oboe is divided in two parts. The studies in Part I are for the purpose of developing musical style and interpretation; those in Part II are for the study of scales and intervals, and for improvement of articulation.
(Instructional). Available July 2019 Volume I of The New Weissenborn Method for Bassoon ("a must for all young bassoon students" - The Double Reed; "a landmark in pedagogy" - Double Reed News) presented an updated, user-friendly version of Julius Weissenborn's seminal work for beginning bassoon students. Now, Volume II provides Weissenborn's advanced teaching material in a similar modern, easy-to-use edition. With well-organized lessons, supplemental materials, and advanced fingering charts, Volume II of The New Weissenborn Method for Bassoon is a must-have for advanced bassoon students. FEATURES: * Spiral-bound book lays flat on the stand and will last for years * At 190 pages, it weighs just 22 ounces and fits easily into most music pouches * Material is presented in well-organized lessons with no bad page turns and minimal need to flip between sections of the book * New expanded editions of Weissenborn's Advanced Studies, Op. 8, No. 2 and Milde's Scale and Chord Studies, Op. 25. Six of the Advanced Studies are provided in two keys - the key Weissenborn originally intended, plus the key in which it was first published - for a total of 56 Advanced Studies. The Milde Scale and Chord Studies contain nine bonus etudes to cover all 15 key signatures and to practice chromatic scales in a variety of keys. * Table of Contents and Reference Charts make it easy to find specific etudes when needed * Supplemental Materials include: Double-tonguing and triple-tonguing exercises by Arban; Sight-reading/rhythmic etudes by Bona; and select etudes from Weissenborn's Op. 8, No. 1 * Introduces all notes up to E5 with logical pacing and plenty of material to master each new note * Covers all Major and Minor Keys through seven sharps and seven flats, with long tones, scales, and arpeggios for each key