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Clare Rees’s Practical Demonology is a chilling YA novel set in a world overrun by plague and demons—and a group of teens doing anything they can to survive. There have always been castles in the valley, and the people have always been under threat. They’ve always needed those thick walls, the protection of that enclosing stone. Non feels like she needs it more than most, because her mother was infected by the demons that live in the woods. As the doctor’s daughter, Non had planned a career in medicine—partly to please her father, but also because it would keep her inside the protective walls of the citadel. When plague strikes the citadel, all the teenagers are evacuated to the ruined Cirtop Castle. While there, she’s given the opportunity of a lifetime: the chance to study the demons that she’s always feared. But will she be brave enough to take it? In the footsteps of Jelly, Rees’s brilliant and original debut novel, comes a new story of survival and community—and just a little bit of literal guts. “This fantasy with a side of horror offers an original take on demons, a faux medieval setting, and an anxious protagonist whose perceptive, amusing voice carries the narrative with aplomb . . . A clever and atmospheric read.”—Kirkus Reviews
Psellus here delivers one of the more in depth works on demonology which has ever been made. Categorizing demons in the form of a Socratic dialogue between Timothy and Thracian, Psellus remarks upon the form, goals, and nature of the demonic realm in all its subsets. We see here, for the more secular reader, as well, a description of possession as a de facto mental state, and a description of speaking in tongues under such power as well. Moreover, the use of mind altering substances as a way of communication with such entities is not explicit here but indeed is implied.
Sixteen-year-old Nick and his brother, Alan, are always ready to run. Their father is dead, and their mother is crazy—she screams if Nick gets near her. She’s no help in protecting any of them from the deadly magicians who use demons to work their magic. The magicians want a charm that Nick’s mother stole—and they want it badly enough to kill. Alan is Nick’s partner in demon slaying and the only person he trusts in the world. So things get very scary and very complicated when Nick begins to suspect that everything Alan has told him about their father, their mother, their past, and what they are doing is a complete lie. . . .
Struggling with depression, anxiety, illness, an eating disorder, a difficult relationship, fear, self-hatred, addiction or anger? Renowned Buddhist leader Tsultrim Allione explains that the harder we fight our demons, the stronger they become. If we want to liberate ourselves from the fight once and for all, we must reverse our approach and nurture our demons. This powerful five-step practice forms a strategy for transforming negative emotions, relationships, fears, illnesses and self-defeating patterns. This will help you cope with the inner enemies that undermine your best intentions. By recognising your demons, giving them form and feeding them, you can free yourself from the battle. Enriched with detailed examples to show how others have transformed their demons, Feeding Your Demons will give you remarkable new insight into the forces that threaten to defeat you, along with the tools to achieve inner peace.
Shows from theology, the Bible and counseling experiences that Christians can be affected by demonic activity. Equips believers to fight spiritual battles--and win.
Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance? The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the dramatic tradition; its dialectical qualities, or its eschewing of the dialectic; questions of representation and the real in theatre; the role of bodies, perception, appearance and theatricality in postdramatic theatre; as well as subjectivity and agency in postdramatic theatre, dance and performance. Offering analyses of a wide range of international performance examples, scholars in this volume engage with Hans-Thies Lehmann's theoretical positions both affirmatively and critically, relating them to other approaches by thinkers ranging from early theorists such as Brecht, Adorno and Benjamin, to contemporary thinkers such as Fischer-Lichte, Rancière and others
Situated at the crossroads of history and literary studies, this book examines confession's place at the heart of French demonology. Drawing on evidence from published treatises, the writings of skeptics such as Montaigne, and the documents from a witchcraft trial, Virginia Krause shows how demonologists erected their science of demons on the confessed experiences of would-be witches.
Demonology – the intellectual study of demons and their powers – contributed to the prosecution of thousands of witches. But how exactly did intellectual ideas relate to prosecutions? Recent scholarship has shown that some of the demonologists’ concerns remained at an abstract intellectual level, while some of the judges’ concerns reflected popular culture. This book brings demonology and witch-hunting back together, while placing both topics in their specific regional cultures. The book’s chapters, each written by a leading scholar, cover most regions of Europe, from Scandinavia and Britain through to Germany, France and Switzerland, and Italy and Spain. By focusing on various intellectual levels of demonology, from sophisticated demonological thought to the development of specific demonological ideas and ideas within the witch trial environment, the book offers a thorough examination of the relationship between demonology and witch-hunting. Demonology and Witch-Hunting in Early Modern Europe is essential reading for all students and researchers of the history of demonology, witch-hunting and early modern Europe.
Includes an excerpt from Overcoming rejection.
Presents a compilation of Bloom's introductions to the Modern critical views and Modern critical interpretations series of books, focusing on twenty essayists and prophets.