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This practical guide to the assessment and repair of historic buildings is invaluable for structural engineers, architects, surveyors and builders working in all aspects of building conservation. Taking a practical step-by-step approach, the authors discuss the appraisal of buildings and the differences in structural behaviour between new and existing structures. Each stage in the appraisal is explained, using examples from the authors' own work. Each major construction material is assessed in detail, with separate sections on masonry, concrete, timber and the particularly complex issues of iron and steel framed buildings. Techniques for testing the ability of a building to continue its existing use or to be converted to a new use are explained.
This book is the third in a series of volumes that combine conservation philosophy in the built environment with knowledge of traditional materials, and structural and constructional conservation techniques and technology: Understanding Historic Building Conservation Structures & Construction in Historic Building Conservation Materials & Skills for Historic Building Conservation The series aims to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge for architects, surveyors and engineers as well as for commissioning client bodies, managers and advisors. In each book, Michael Forsyth draws together chapters by leading architects, structural engineers and related professionals to reflect the interdisciplinary nature of conservation work. The books are structured to be of direct practical application, taking the reader through the process of historic building conservation and emphasising throughout the integrative teamwork involved. The present volume - Materials & Skills for Historic Building Conservation – describes the characteristics and process of decay of traditional materials which inform the selection of appropriate repair techniques. It provides essential information on the properties of the principal traditional external building materials. Their availability, sourcing and environmental impact is covered, as well as the causes of erosion and decay, and the skills required for their application on conservation projects. It covers the main most commonly used materials and conservation techniques including stone, brickwork, lime products, concrete, iron and steel, timber, wattle and daub, and glass, Thirteen chapters written by the experts present today's key issues in materials and skills for historic building conservation: Gus Astley, Patrick Baty, Charley Brentnall, Michael Bussell, Michael Forsyth, Tony Graham, Chris Harris, David McLaughlin, Brian Ridout, Mike Stock, Geoff Wallis, Ian Williams, Rory Young
John Warren's invaluable book describes historic brick and terracotta, setting out the causes of failure and decay, analysing available materials and evaluating processes of repair and applicable conservation philosophies. It provides the conservator, owner and student of building conservation with a comprehensive resource. Brickwork, with tile and terracotta, is one of those materials so universal, so apparently permanent and so much part of our everyday lives that its conservation is presumed to be understood. This is very largely untrue. Most brickwork is cursorily maintained and often subject to serious abuse. Neglect and clumsy repair are all too frequent, and the really skillful repair based on a full understanding of the mechanisms of decay is all too rare. John Warren is a Fellow of the Institute of Advanced Architectural Studies, University of York and is an Architect and Conservator with some 30 years experience in private practice, both in the UK and abroad. His conservation work has extended as far afield as India. At home he has been responsible for, among many others, the recovery of Horace Walpole's mansion, Strawberry Hill. He was also a founding Trustee, and for 20 years Hon. Architect, of the Open Air Museum of Buildings in Sussex, overseeing the reconstruction of buildings of timber and brick from a theoretical and analytical viewpoint. He was a member of the British Standards Institution Committee on Historic Buildings and is Chairman of ICOMOS UK World Heritage Committee. The technical and scientific background is clearly defined Current conservation philosophies are integrated with practice This is the only current work on this subject, especially important is the conservation of fired clays
Mortars, Renders and Plasters provides a broad perspective of contemporaryconservation theory and practice not otherwise found in one publication, describing the history,physical properties, and deterioration of these important materials. Methods of assessing condition and evaluating options for treatment and repair are discussed, together with a range of practical conservation techniques and maintenance strategies.
Since its publication in 1982 Sir Bernard Feilden's Conservation of Historic Buildings has become the standard text for architects and others involved in the conservation of historic structures. Leading practitioners around the world have praised the book as being the most significant single volume on the subject to be published. This third edition revises and updates a classic book, including completely new sections on conservation of Modern Movement buildings and non-destructive investigation. The result of the lifetime's experience of one of the world's leading architectural conservators, the book comprehensively surveys the fundamental principles of conservation in their application to historic buildings, and provides the basic information needed by architects, engineers and surveyors for the solution of problems of architectural conservation in almost every climatic region of the world. This edition is organized into three complementary parts: in the first the structure of buildings is dealt with in detail; the second focuses attention on the causes of decay and the materials they affect; and the third considers the practical role of the architect involved in conservation and rehabilitation. As well as being essential reading for architects and others concerned with conservation, many lay people with various kinds of responsibility for historic buildings will find this clearly written, jargon-free work a fruitful source of guidance and information.
There are over half a million listed buildings in Britain, conservation areas can be found in every borough, and a large proportion of our housing stock pre-dates 1914. So, whether in extending a listed house, reordering a local church, or converting an historic warehouse, most architects will work with historic buildings at some point in their career – even if they are not a specialist conservation architect. An Introduction to Architectural Conservation introduces non-specialist architects to the principles behind legislation concerning historic buildings. It will help them understand the practicalities of this legislation, the aims and objectives of Conservation Offices, Statutory Amenity Societies and other guardians of our heritage. With these skills, readers can advise clients more accurately, make successful listed building applications, and ensure their interventions are sensitive, appropriate and effective. An Introduction to Architectural Conservation is also a practical guide to good working practice: taking readers through the process of preparing a listed building application, preparing a suitable tender package and administering the contract. .
This series of books offers an in depth guide to all aspects of brickwork and bricklaying practice. Gerard Lynch, author of the guide to "Guaged Brickwork", has put together these comprehensive and instructive volumes, linking past knowledge and practices with modern skills and materials, so that both can be fully examined and understood. At a time when the conservation and restoration of old buildings demand a more sympathetic handling, such a work should be a useful addition to the existing literature, and an essential source of reference for all those involved in the construction and repair of brick buildings. The second of six volumes which offer an in-depth guide to all aspects of brickwork and bricklaying practice, this volume examines the elements of building construction in brick. The text covers both the contemporary and traditional aspects of substructure brickwork. Chapter one studies the setting out of a small building, and then progresses to foundations, examining the historical, as well as current practices, along with information on modern concrete production. The following six chapters cover both the contemporary and traditional aspects of substructure brickwork, basements, sleeper walls, damp proof courses, cavity walling, and jointing and pointing. The volume concludes with useful advice on achieving controlled and efficient bricklaying.