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The best manual of spiritual theology which has appeared to date--the most ordered and complete--a true summa of spirituality. This is a work of extraordinary informative value and yet possessing a notable doctrinal solidaity. This encomium of M. M. Philipon, laudatory as it is, does less than justice to this modern classic, now at last appearing in English in a smooth, readable translation and adaptation by Fr. Aumann. For in reality this is three books in one volume. First of all, this is a textbook, a manual whose lucid and orderly presentation of the basic principles of the spiritual life, of the supernatural organism, and of its progressive development recommends it unreservedly for seminarians and other serious students of spiritual theology. As Garrigou-Lagrange points out, the author's order has permitted him to treat all the important questions relative to perfection and to show clearly the basic unity of the Christian life. Thorough and solid as it is, however--firmly based on the chief masters of the spiritual life, St. Thomas, St. John of the Cross, and St. Teresa of Avila--this truly theological synthesis is set forth in clear and accessible form, as its widespread popularity in Spain (four editions in six years) attests. But The Theology of Christian Perfection is perhaps even more valuable as a work of spiritual formation. It is an eminently practical manual of sound advice, counsel, and direction with respect to the increasingly fruitful use of the means, negative and positive, for advancing in perfection. As such, it will be immediately valuable for spiritual directors, an indispensable aid for self-formation, and a work of precious merit for all souls desirous of spiritual advancement.
Focusing on cemetery burials in late-eighteenth-century Mexico, Alone Before God provides a window onto the contested origins of modernity in Mexico. By investigating the religious and political debates surrounding the initiative to transfer the burials of prominent citizens from urban to suburban cemeteries, Pamela Voekel challenges the characterization of Catholicism in Mexico as an intractable and monolithic institution that had to be forcibly dragged into the modern world. Drawing on the archival research of wills, public documents, and other texts from late-colonial and early-republican Mexico, Voekel describes the marked scaling-down of the pomp and display that had characterized baroque Catholic burials and the various devices through which citizens sought to safeguard their souls in the afterlife. In lieu of these baroque practices, the new enlightened Catholics, claims Voekel, expressed a spiritually and hygienically motivated preference for extremely simple burial ceremonies, for burial outside the confines of the church building, and for leaving their earthly goods to charity. Claiming that these changes mirrored a larger shift from an external, corporate Catholicism to a more interior piety, she demonstrates how this new form of Catholicism helped to initiate a cultural and epistemic shift that placed the individual at the center of knowledge. Breaking with the traditional historiography to argue that Mexican liberalism had deeply religious roots, Alone Before God will be of interest to specialists in Latin American history, modernity, and religion.
In 1803 in the colonial South American city of La Plata, Doña Martina Vilvado y Balverde presented herself to church and crown officials to denounce her husband of more than four years, Don Antonio Yta, as a “woman in disguise.” Forced to submit to a medical inspection that revealed a woman’s body, Don Antonio confessed to having been María Yta, but continued to assert his maleness and claimed to have a functional “member” that appeared, he said, when necessary. Passing to América is at once a historical biography and an in-depth examination of the sex/gender complex in an era before “gender” had been divorced from “sex.” The book presents readers with the original court docket, including Don Antonio’s extended confession, in which he tells his life story, and the equally extraordinary biographical sketch offered by Felipa Ybañez of her “son María,” both in English translation and the original Spanish. Thomas A. Abercrombie’s analysis not only grapples with how to understand the sex/gender system within the Spanish Atlantic empire at the turn of the nineteenth century but also explores what Antonio/María and contemporaries can teach us about the complexities of the relationship between sex and gender today. Passing to América brings to light a previously obscure case of gender transgression and puts Don Antonio’s life into its social and historical context in order to explore the meaning of “trans” identity in Spain and its American colonies. This accessible and intriguing study provides new insight into historical and contemporary gender construction that will interest students and scholars of gender studies and colonial Spanish literature and history. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website: openmonographs.org.
Brides of Christ is a study of professed nuns and life in the convents of colonial Mexico.