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The mos maiorum stated that only men could hold magistracies and military office, operating in the spaces dedicated to the city’s politics — the senate, the popular assemblies, the courts, the Forum. Women, on the other hand, were obliged to conform to traditional behavioural models which excluded them from any form of political activity. Nevertheless, in the 1st century BCE, the emergency situation of the civil wars led some women to undertake political initiatives. This opportunity arose from the Roman matrons’ contingent need to represent and replace the men who until recently had managed the city’s politics, and to safeguard the ruling power among the families on which the oligarchic system was founded. Their contemporaries and subsequent historiographers often found ways to justify these women’s actions in order not to compromise their families’ reputations. To that end, certain legends, recast during the Late Republic and the Early Principate, identify authoritative precedents that would legitimise women’s initiatives in the present. This book studies the protagonists, the methods, the aims, the consequences, and the judgement of matrons’ political acts. The purpose of this study is twofold: on the one hand, it seeks to shed light upon a defining moment in the history of women; on the other hand, it aims to reconstruct a crucial aspect of the political history of ancient Rome.
From streetwalkers in the Roman Forum to imperial concubines, Roman prostitutes defined what it meant to be a 'bad girl'.
In the Roman world, landscapes became legal and institutional constructions, being the core of social, political, religious, and economic life. The Romans developed ambitious urban transformations, seeking to equate civic monumentality and legal status. The built environment becomes the axis of the legal, administrative, sacred, and economic system and the main element of dissemination of imperial ideology. This volume follows the modern trend of a multifaceted, composite, multi-layered Roman world, but at the same time reduces its complexity. It views ‘Roman’ not only in the sense of power politics, but also in a cultural context. It highlights ‘landscapes’ and puts into the shadow important administrative and legal structures, i.e., individuals viz. local and imperial members of the elites living in cities, which ran the Roman world.
Dark elf Drizzt Do’Urden fights for his survival in the labyrinthine tunnels of the Underdark Ten years have passed since we last saw Drizzt Do’Urden and his magical feline companion, Guenhwyvar—and much has changed. Exiled from Menzoberranzan, the city of his childhood and the hub of drow society, Drizzt now wanders the subterranean maze of the Underdark in search of a new home. As I became a creature of the empty tunnels, survival became easier and more difficult all at once. I gained in the physical skills and experience necessary to live on. I could defeat almost anything that wandered into my chosen domain. It did not take me long, however, to discover one nemesis that I could neither defeat nor flee. It followed me wherever I went—indeed, the farther I ran, the more it closed in around me. My enemy was solitude, the interminable, incessant silence of hushed corridors. But loneliness is not the only thing that preys on Drizzt: His drow enemies, including his own siblings, would like nothing more than to see him dead. They begin their own search of the Underdark tunnels with murder on their minds, forcing Drizzt to watch his back at every turn. Exile is the second book in the Dark Elf Trilogy and the Legend of Drizzt series.
Drizzt Do’Urden fights for survival in the labyrinthine Underdark in the second book of The Dark Elf Trilogy. Ten years have passed since we last saw Drizzt Do’Urden and his magical feline companion, Guenhwyvar—and much has changed. Exiled from Menzoberranzan, the city of his childhood and the hub of drow society, Drizzt now wanders the subterranean maze of the Underdark in search of a new home. But loneliness is not the only thing that preys on Drizzt: His drow enemies, including his own siblings, would like nothing more than to see him dead. With murder on their minds, they begin their own search of the Underdark tunnels, forcing Drizzt to watch his back at every turn.
The Essential Feminist Collection 60 Powerful Classics in One Volume' is a seminal anthology that encapsulates the multifaceted nature of feminist literary expression across two centuries. This collection traverses a vast landscape of literary styles from the penetrating realism of Henrik Ibsen to the nuanced social commentary of Charlotte Brontë, and the pioneering environmentalism of Gene Stratton-Porter. It underscores the incredible diversity and significant impact of feminist literature, showcasing standout pieces that have fundamentally shifted the cultural and literary discourse surrounding gender, society, and human rights. The range of narratives, from novels and essays to speeches and letters, provides a comprehensive view of the feminist literary canon, highlighting the enduring relevance of its themes. The contributing authors and editors, coming from varied backgrounds, epochs, and disciplines, bring together a rich tapestry of perspectives that reflect the historical, cultural, and literary movements of their times. From the enlightened essays of Mary Wollstonecraft and John Stuart Mill to the poignant novels of Virginia Woolf and Edith Wharton, each contributor has played a pivotal role in shaping the contours of feminist thought. The anthology serves not only as a literary collection but as a dynamic conversation among some of the most influential feminist voices, examining the intersectionality of gender, class, and race, and advocating for social and political reform. 'The Essential Feminist Collection 60 Powerful Classics in One Volume' is an indispensable resource for readers seeking to delve into the depths of feminist literature. It offers an unparalleled opportunity to engage with the works of trailblazing authors who have articulated the struggles, aspirations, and triumphs of women across generations. This anthology is recommended for its educational value, its breadth of insights, and the rich dialogue it fosters between the diverse authors' works. Readers are invited to explore this comprehensive collection, which serves not only as a testament to the progress of feminist thought but also as an inspiration for ongoing advocacy and discourse in the quest for gender equality.
This volume focuses on the reception of antiquity in the performing and visual arts from the Renaissance to the twenty-first century. It explores the tensions and relations of gender, sexuality, eroticism and power in reception. Such universal themes dictated plots and characters of myth and drama, but also served to portray historical figures, events and places from Classical history. Their changing reception and reinterpretation across time has created stereotypes, models of virtue or immoral conduct, that blend the original features from the ancient world with a diverse range of visual and performing arts of the modern era.The volume deconstructs these traditions and shows how arts of different periods interlink to form and transmit these images to modern audiences and viewers. Drawing on contributions from across Europe and the United States, a trademark of the book is the inclusive treatment of all the arts beyond the traditional limits of academic disciplines.
PKKs soul-warming memoir tells of a life enriched by song, literature, food and spirituality at the heart of a loving family. Born into a newly independent Uganda, she grew up in a volatile political landscape but never lacked the inspiration and protection of generations of friends and relatives. Her story travels from her expansive childhood homes in Uganda, to the novelties of living in Addis Ababa, before settling in Cape Town, her current home. But no matter how far her journeys take her, its clear that home is not only about places but people.
Nearly a millennium ago, the Anasazi ruled the cliffs and canyons of New Mexico with a rich, vibrant culture that disappeared as mysteriously as it arose. The link between the 800-year-old murder of an Anasazi holy man and the ritual death of archaeologist Dusty Stewart's beloved mentor drive this rich tapestry of a novel, which moves almost seamlessly between the past and the present to its riveting conclusion. But long before that happens, the reader is drawn into the hunt for a wolf witch that resonates down the centuries, unearthing not only the secrets and relics of an ancient world but also those of Dusty's past--his father's suicide, his mother's desertion, the existence of a sister he never knew, and the reappearance of the woman whose tangled love life set a series of bloody crimes in motion.
Mothers Making Latin America utilizes a combination of gender scholarship and source material to dispel the belief that women were separated from—or unimportant to—central developments in Latin American history since independence. Presents nuanced issues in gender historiography for Latin America in a readable narrative for undergraduate students Offers brief, primary-source document excerpts at the end of each chapter that instructors can use to stimulate class discussion Adheres to a focus on motherhood, which allows for a coherent narrative that touches upon important themes without falling into a “list of facts” textbook style