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The Tudor period was notable for religious turmoil. Under Queen Elizabeth I, the slowly reforming Protestant Church of England finally gained a level of stability, but many people, from paupers to Lords, clung to Catholicism. Most crossed their fingers and attended Protestant services. Others, the ‘recusants’, remained defiant and refused to conform. This book takes a fresh look into the life and death of one prominent Catholic recusant, Margaret Clitherow, and the wider events which shaped her story and that of many others. In 1970, Margaret was made a saint, one of the Forty Martyrs of England and Wales. All suffered a similar fate. Elizabeth’s government faced threats from multiple directions - poor harvests, disease, attempts at invasion and plots to replace the Queen with a Catholic monarch. In York, friction was growing between the Council of the North and the city Corporation. But for much of the population, life went on as normal. One well-to-do family in the city celebrated the birth of a daughter. Brought up for a time as a Protestant, Margaret Middleton eventually married a butcher, John Clitherow. They set up home in the Shambles and raised a family. Margaret’s destiny changed when she embraced Catholicism. In 1586, Margaret’s stepfather was elected Lord Mayor of York. A few weeks later, Margaret was arrested for harbouring Catholic priests. Coincidence, or something more sinister? What happened next was sensational. One woman taking on the northern authorities, the Church of England and assizes judiciary. Sentenced to death for refusing to make a plea in court, Margaret received a last-minute reprieve due to claims of her pregnancy, only for these to be rejected. Following Margaret’s brutal execution, Queen Elizbeth is said to have apologised to the people of York. With one martyr and no winner, Margaret’s story is examined as a microcosm of Tudor life, a family tragedy of faith and betrayal, set against a backdrop of political power games, treason and plot.
Under the Tudor monarchy, English law expanded to include the category of "treason by words." Rebecca Lemon investigates this remarkable phrase both as a legal charge and as a cultural event. English citizens, she shows, expressed competing notions of treason in opposition to the growing absolutism of the monarchy. Lemon explores the complex participation of texts by John Donne, Ben Jonson, and William Shakespeare in the legal and political controversies marking the Earl of Essex's 1601 rebellion and the 1605 Gunpowder Plot. Lemon suggests that the articulation of diverse ideas about treason within literary and polemical texts produced increasingly fractured conceptions of the crime of treason itself. Further, literary texts, in representing issues familiar from political polemic, helped to foster more free, less ideologically rigid, responses to the crisis of treason. As a result, such works of imagination bolstered an emerging discourse on subjects' rights. Treason by Words offers an original theory of the role of dissent and rebellion during a period of burgeoning sovereign power.
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580-1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.
Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580–1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.
Henry VIII's wives, his watershed break with Rome, Mary's 'bloody' persecution of Protestants and Elizabeth's fearless reign have been immortalised in history books and the public consciousness. This book widens the scope of established historiography by examining the dynamics of Tudor power and assessing where power really lay. By considering the roles of the monarch, church and individuals it sheds a fascinating light on the study of government in 16th century England. Addressing different aspects of how Tudor England was governed, the twelve chapters discuss who participated in that government, and the extent of their power and governance. Paying close attention to the scholars who have shaped perceptions of major Tudor political figures, this book re-situates the dynamics of Tudor power and its historiography.
The stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603.
Adventure, friendship, treason and betrayal. A dazzling historical novel from the award-winning Berlie Doherty. Will Montague is a page to Prince Edward, son of King Henry VIII. As the King's favourite, Will gains many enemies in Court. His enemies convince the King that Will's father has committed treason and he is thrown into Newgate Prison. Will flees Hampton Court and goes into hiding in the back streets of London. Lost and in mortal danger, he is rescued by a poor boy, Nick Drew. Together they must brave imprisonment and death as they embark on a great adventure to set Will's father free. 'Doherty paints a very vivid picture... almost Shardlake for young readers' Independent on Sunday
Lacey Baldwin Smith re-evaluates the Tudor mania for conspiracy in the light of psychological and social impulses peculiar to the age. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
After 35 years in power, Henry VIII was a bloated, hideously obese, black-humoured old man, rarely seen in public. He had striven all his life to ensure the survival of his dynasty by siring legitimate sons, yet his only male heir was eight-year-old Prince Edward. It was increasingly obvious that when Henry died, real power in England would be exercised by a regent. The prospect of that prize spurred the rival court factions into deadly conflict. Robert Hutchinson spent several years in original archival research. He advances a genuinely new theory of Henry's medical history and the cause of his death; he has unearthed some fabulous eyewitness material and papers from death warrants, confessions and even love letters between Katherine Parr and the Lord High Admiral.
This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays.Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux fami