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In this book, Oluwatoyin Oduntan offers a critical intervention in the scholarly fields of Nigerian, and West African history, as well as towards understanding the intellectual ideas by which modern African society was formed, and how it functions. The book traces the shifting dynamics between various segments of the African elite by critically analyzing existing historical accounts, traditions and archival documents. First, it explores the lost world of native intellectual thoughts as the perspective through which Africans experienced the colonial encounter. It thereby makes Africans central to contemporary debates about the meanings and legitimacy of colonial empires, and about the African cultural experience. It shows that the resettlement of liberated and Westernized Africans in Abeokuta and after them, European missionaries, merchants and colonial agents from the 1840s, did not dismantle preexisting power structures and social relations. Rather, educated Africans and Europeans entered into and added their voices to ongoing processes of defining culture and power. By rendering a continuing narrative of change and adaptation which connects the pre-colonial to the post-colonial, Power, Culture and Modernity in Nigeria leads Africanist scholarship in new directions to rethink colonial impact and uncover the total creative sites of changes by which African societies were formed.
An introduction to the politics and society of post-colonial Nigeria, highlighting the key themes of ethnicity, democracy, and development.
There is a close connection between the clothes we wear and our political expression. In 'Fashioning Africa' an international group of anthropologists, historians and art historians bring rich and diverse perspectives to this fascinating topic.
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.
DIVExamines the role of media technologies in shaping urban Africa through an ethnographic study of popular culture in northern Nigeria./div
Created as a result of British colonialism, Nigeria emerged as a nation-state during the mid-20th century. Toyin Falola presents statistical data on Nigeria's economy that illustrate the nature of the changes made throughout the mid-20th century.
In Africa as well as in Europe, many spirits and their mediums are part of local as well as global cultures. Christian spirits named Hitler, Mussolini, or King Bruce (Bruce Lee) flourish in a pantheon of new holy spirits in Uganda waging war against the government. Spirits of airplanes, engines, guitars, and angels are found in Central Africa; and thunder, snakes, and rain as well as playboys and prostitutes inhabit the spirit world in West Africa. Spirit possession cults have continued to proliferate, even in the secular West, and continue to be a subject of intense interest. Despite the continuous expansion of the field, some problems are only now beginning to be explored. The experts in this volume focus on questions of power, the history and inner dynamics of cults, the role of gender and images of the other, based on research conducted during the last fifteen years in Africa. The contributors document changes taking place across the continent as possession beliefs and practices respond to new circumstances and address the shifting local implications of an increasingly global socio-economy. Gender, ethnicity, and class are examined as intersecting forces and features of spirit phenomena. The case studies presented are richly contextualized: history, social organization and upheaval, alternative religious options--all are considered relevant to an understanding of possession forms. Contributors: Leslie Sharp, Heike Behrend, Adeline Masquelier, Mathias Krings, Jean-Paul Colleyn, Alexandra O. de Sousa, Susan Kenyon, Tobias Wendl, Ute Luig, and Linda Giles Co-published with James Currey Publishers, U.K. The Wisconsin edition is not for sale in the United Kingdon, the traditional British Commonwealth (excepting Canada), nor in Europe.
"There I was, standing alone, unable to cry as I said goodbye to Sidimé Laye, my best friend, and to the revolution that had opened the door of modernity for me--the revolution that had invented me." This book gives us the story of a quest for a childhood friend, for the past and present, and above all for an Africa that is struggling to find its future. In 1996 Manthia Diawara, a distinguished professor of film and literature in New York City, returns to Guinea, thirty-two years after he and his family were expelled from the newly liberated country. He is beginning work on a documentary about Sékou Touré, the dictator who was Guinea's first post-independence leader. Despite the years that have gone by, Diawara expects to be welcomed as an insider, and is shocked to discover that he is not. The Africa that Diawara finds is not the one on the verge of barbarism, as described in the Western press. Yet neither is it the Africa of his childhood, when the excitement of independence made everything seem possible for young Africans. His search for Sidimé Laye leads Diawara to profound meditations on Africa's culture. He suggests solutions that might overcome the stultifying legacy of colonialism and age-old social practices, yet that will mobilize indigenous strengths and energies. In the face of Africa's dilemmas, Diawara accords an important role to the culture of the diaspora as well as to traditional music and literature--to James Brown, Miles Davis, and Salif Kéita, to Richard Wright, Spike Lee, and the ancient epics of the griots. And Diawara's journey enlightens us in the most disarming way with humor, conversations, and well-told tales.
With the introduction of globalization and domestic change pulsing through Nigeria, its citizens find themselves in a social, political, and economic transition period. After decades of military rule and political instability, Nigeria has reintroduced itself as a democratic state in 1999. This change has brought about questions of how to get Nigeria moving toward economic growth and social unity in the face of globalization, the polarization of Christians and Muslims in Africa, and crises such as HIV/AIDS. The Yoruba, one of Nigeria's most well-known and historically prevalent ethnic groups in Nigeria, has taken an active role in dealing with these issues. Whether motivated by a nationalist vision of a unified, successful Nigeria, or for their own interests in reclaiming political space and retaining Yoruba culture, the Yoruba have greatly contributed to discussions on this transitional era. Contributors to this work display a wide range of disciplines and viewpoints making this work accessible to readers familiar and unfamiliar to the Yoruba. The Yoruba in Transition captures views on the era, highlighting recommendations for this new Nigeria and emphasizing contemporary issues that the Yoruba face. The contributors, many of them Yoruba, illuminate the complexity of identity and how the Yoruba seek to communicate their values, project an image, and live their lives. Included are essays dealing with contemporary issues such as migration, health, agricultural production, cyber crime, and the role of women in Yoruba society. The Yoruba in Transition represents a rare recording of how people within and outside Nigeria view the new millennium for the Yoruba. "[T]he essays are well-written, analytical, and insightful. As a comprehensive and critical volume, Falola and Genova have succeeded in editing an important reader in Yoruba studies. This significant volume will be invaluable to scholars, public policy analysts, and lay readers of Yoruba and Nigerian studies." -- The Journal of the Royal African Society
In this book, Oyěwùmí extends her path-breaking thesis that in Yorùbá society, construction of gender is a colonial development since the culture exhibited no gender divisions in its original form. Taking seriously indigenous modes and categories of knowledge, she applies her finding of a non-gendered ontology to the social institutions of Ifá, motherhood, marriage, family and naming practices. Oyěwùmí insists that contemporary assertions of male dominance must be understood, in part, as the work of local intellectuals who took marching orders from Euro/American mentors and colleagues. In exposing the depth of the coloniality of power, Oyěwùmí challenges us to look at the worlds we inhabit, anew.