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In this book, Oluwatoyin Oduntan offers a critical intervention in the scholarly fields of Nigerian, and West African history, as well as towards understanding the intellectual ideas by which modern African society was formed, and how it functions. The book traces the shifting dynamics between various segments of the African elite by critically analyzing existing historical accounts, traditions and archival documents. First, it explores the lost world of native intellectual thoughts as the perspective through which Africans experienced the colonial encounter. It thereby makes Africans central to contemporary debates about the meanings and legitimacy of colonial empires, and about the African cultural experience. It shows that the resettlement of liberated and Westernized Africans in Abeokuta and after them, European missionaries, merchants and colonial agents from the 1840s, did not dismantle preexisting power structures and social relations. Rather, educated Africans and Europeans entered into and added their voices to ongoing processes of defining culture and power. By rendering a continuing narrative of change and adaptation which connects the pre-colonial to the post-colonial, Power, Culture and Modernity in Nigeria leads Africanist scholarship in new directions to rethink colonial impact and uncover the total creative sites of changes by which African societies were formed.
An introduction to the politics and society of post-colonial Nigeria, highlighting the key themes of ethnicity, democracy, and development.
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.
An analysis of how traditional power structures in Nigeria have survived the forces of colonialism and the modernization processes of postcolonial regimes. This book analyzes how indigenous political power structures in Nigeria survived both the constricting forces of colonialism and the modernization programs of postcolonial regimes. With twenty detailed case studies on colonial andpostcolonial Nigerian history, the complex interactions between chieftaincy structures and the rapidly shifting sociopolitical and economic conditions of the twentieth century become evident. Drawing on the interactions between the state and chieftaincy, this study goes beyond earlier Africanist scholarship that attributes the resilience of these indigenous structures to their enduring normative and utilitarian qualities. Linked to externally-derived forces, and legitimated by neotraditional themes, chieftaincy structures were distorted by the indirect rule system, transformed by competing communal claims, and legitimated a dominant ethno-regional power configuration. Olufemi Vaughan is Professor in the Department of Africana Studies and the Department of History, State University of New York at Stony Brook. Winner of the 2001 Cecil B. Currey Book-length Award from the Association ofThird World Studies.
Created as a result of British colonialism, Nigeria emerged as a nation-state during the mid-20th century. Toyin Falola presents statistical data on Nigeria's economy that illustrate the nature of the changes made throughout the mid-20th century.
DIVExamines the role of media technologies in shaping urban Africa through an ethnographic study of popular culture in northern Nigeria./div
With the introduction of globalization and domestic change pulsing through Nigeria, its citizens find themselves in a social, political, and economic transition period. After decades of military rule and political instability, Nigeria has reintroduced itself as a democratic state in 1999. This change has brought about questions of how to get Nigeria moving toward economic growth and social unity in the face of globalization, the polarization of Christians and Muslims in Africa, and crises such as HIV/AIDS. The Yoruba, one of Nigeria's most well-known and historically prevalent ethnic groups in Nigeria, has taken an active role in dealing with these issues. Whether motivated by a nationalist vision of a unified, successful Nigeria, or for their own interests in reclaiming political space and retaining Yoruba culture, the Yoruba have greatly contributed to discussions on this transitional era. Contributors to this work display a wide range of disciplines and viewpoints making this work accessible to readers familiar and unfamiliar to the Yoruba. The Yoruba in Transition captures views on the era, highlighting recommendations for this new Nigeria and emphasizing contemporary issues that the Yoruba face. The contributors, many of them Yoruba, illuminate the complexity of identity and how the Yoruba seek to communicate their values, project an image, and live their lives. Included are essays dealing with contemporary issues such as migration, health, agricultural production, cyber crime, and the role of women in Yoruba society. The Yoruba in Transition represents a rare recording of how people within and outside Nigeria view the new millennium for the Yoruba. "[T]he essays are well-written, analytical, and insightful. As a comprehensive and critical volume, Falola and Genova have succeeded in editing an important reader in Yoruba studies. This significant volume will be invaluable to scholars, public policy analysts, and lay readers of Yoruba and Nigerian studies." -- The Journal of the Royal African Society
Religion and Global Politics: Soft Power in Nigeria and Beyond examines the deployment of religious soft power in African states and the potential it has for transforming perceptions of the continent. The contributors refocus the attention on religion away from the ‘misery’ discourse of conflict and violence towards the domain of international relations, diplomacy and foreign policy in Africa. Through this shift, the contributors analyze the ways in which religion has impacted the external relations of African states. Religion and Global Politics introduces the theme of religion to the discourse of African international relations and politics to provide a thorough examination of religion’s influence on politics in the daily lives of African people.
Uses extensive archival material, interviews and fieldwork to explore how Nigerian Pentecostals mark their self-distinction as a people of power.
Emirs in London recounts how Northern Nigerian Muslim aristocrats who traveled to Britain between 1920 and Nigerian independence in 1960 relayed that experience to the Northern Nigerian people. Moses E. Ochonu shows how rather than simply serving as puppets and mouthpieces of the British Empire, these aristocrats leveraged their travel to the heart of the empire to reinforce their positions as imperial cultural brokers, and to translate and domesticate imperial modernity in a predominantly Muslim society. Emirs in London explores how, through their experiences visiting the heart of the British Empire, Northern Nigerian aristocrats were enabled to define themselves within the framework of the empire. In doing so, the book reveals a unique colonial sensibility that complements rather than contradicts the traditional perspectives of less privileged Africans toward colonialism. Emirs in London was named in the Brittle Paper 100 Notable African Books of 2022 list.