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Real musicians don’t sign autographs, date models, or fly in private jets. They spend their lives in practice rooms and basement clubs or toiling in the obscurity of coffee-shop gigs, casino jobs, and the European festival circuit. The ten linked stories in Power Ballads are devoted to this unheard virtuoso: the working musician. From the wings of sold-out arenas to hip-hop studios to polka bars, these stories are born out of a nocturnal world where music is often simply work, but also where it can, in rare moments, become a source of grace and transcendence, speaking about the things we never seem to say to each other. A skilled but snobby jazz drummer joins a costumed heavy metal band to pay his rent. A country singer tries to turn her brutal past into a successful career. A vengeful rock critic reenters the life of an emerging singer-songwriter, bent on wreaking havoc. The characters in Power Ballads—aging head-bangers, jobbers, techno DJs, groupies, and the occasional rock star (and those who have to live with them)—need music to survive, yet find themselves lost when the last note is played, the lights go up, and it’s time to return to regular life. By turns melancholy and hilarious, Power Ballads is not only a deeply felt look at the lives of musicians but also an exploration of the secret music that plays inside us all.
A collection of candid, surreal, and wickedly funny poems and prose.
Power Ballad: A Definitive Guide to Hard Rock's Softer Side Volume One revisits the decade of decadence like no other before, putting the big hair and spandex rockers' most significant pop culture contribution under the microscope. In Power Ballad, author Timothy D. Minneci dissects the history of the genre and the defining essential criteria before diving in track-by-track to determine the songs worthy of the title "Power Ballad." Born out of frustration with an internet culture that had allowed Celine Dion and other non-rock pop stars to be placed alongside Every Rose Has Its Thorn and When I See You Smile, Power Ballad seeks to reclaim the mantle for the worthy, deconstructing songwriting, influences and band histories with perceptive insight and biting humor. Because all Power Ballads were not created equal, even those who successfully survive the cut are not spared honest critiques, whether it's Aerosmith's heavy reliance on outside songwriters and Alicia Silverstone, Jon Bon Jovi's desire to write a Western concept album, or Great White's knack for writing cringe-inducing lyrics. Multi-platinum selling acts such as Def Leppard, Motley Crue and Whitesnake receive as much love (and scorn) as obscure lesser-knownand less successful bands like Craaft, Tyketto or Southgang, with every song getting a chance to prove its mettle. Fans of classic and hard rock can finally settle the age old debate of which songs are truly worthy of being called a Power Ballad.
Power Ballads is a term that derives from the 1970s and especially from an era when Led Zeppelin, Lynyrd Skynyrd and other associated acts conquered the airwaves with their electrified ballads. Millions of listeners were attracted to the songs that were a mix of slow tempo and electric guitar outbreaks to satisfy the fans. This book features exclusive interviews with rock artists that composed or performed in the recordings of popular Power Ballads. The artists discuss the stories behind the songs that were recorded in 1970s, 1980s, 1990s and beyond... You can read interviews with current or former members of: ALIEN, ARC ANGEL, ARGENT, ASIA, AXE, AXXIS, BRIGHTON ROCK, EVERY MOTHER'S NIGHTMARE, FIONA, GOTTHARD, GREAT WHITE, HARDLINE, HOOTERS, JEAN BEAUVOIR, LETCHEN GREY, LIONHEART, LITA FORD, MARTIN BRILEY, MR. BIG, PINK CREAM 69, PRAYING MANTIS, Q5, ROBERT TEPPER, ROBIN BECK, KEEL, STAGE DOLLS, STAN BUSH, STARZ, TALISMAN, TOUCH, TRIXTER, TYKETTO, WARRIOR SOUL, WHITE LION, Y&T and many more!
Includes: Patience (Guns N' Roses) * Love Song (Tesla) * House Of Pain (Faster Pussycat) * Amanda (Boston) * One (Metallica).
In a mix of interviews, essays, personal stories, historical snapshots, obscure anecdotes, and think pieces, this second expanded edition dissects, analyzes and celebrates ska in exactly the way fans have been craving for decades. With the addition of 4 new sections, Aaron adds to the already extensive compendium that was the first edition: The Importance of Christian Ska; After ska died in the '90s, the music went underground and returned to its roots; The ska roots of Fall Out Boy lead singer Patrick Stump; How Katrina created a vibrant ska scene in New Orleans. Aaron expands on the original edition with exciting interviews with Patrick Stump from Fall Out Boy who he interviewed on his podcast of the same name. In Defense of Ska: Ska Now More Than Ever is the much-needed response to years of ska-mockery. Now the time to take to the streets and fight music snobbery, or at least crank up the ska without being teased ruthlessly, has come. This book will enlist ska-lovers as soldiers in the ska army and challenge ska-haters' prejudices to the core.
Rebound Records' Power Ballads contains a selection of ten hard rock love songs, nearly all of which date from the '80s, which of course was the golden age of the power ballad. If anyone ever doubted the veracity of that statement, they just need to listen to this disc, which is filled with such heavy hitters as Bad English's "When I See You Smile," and Night Ranger's "Sister Christian," Damn Yankees' "High Enough," .38 Special's "Caught Up in You" (arguably not a power ballad), Mr. Big's "To Be With You," Cinderella's "Don't Know What You Got Till It's Gone," L.A. Guns' "Ballad of Jayne," and the granddaddy of 'em all, Nazareth's "Love Hurts." When all is said and done, Power Ballads is not definitive, but it is a pretty entertaining collection that is worth the time of any budget-minded power ballad fan.
The first book to explore the ballad's history and emotional appeal, surveying seventy years of the genre in modern America.
"Reprinted after revision and correction from the 'Weekly Mercury, '" Mar. 1881-May 1884.