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The golden age of coaching came between 1815 and 1840 as great road improvements occurred allowing trams, carts and buggies to be towed by horses comfortably. As companies vied for market share, one man stood out above the rest. William Turton made his money as a Hay and Corn Merchant but is better known as a founder and long-time chairman of Leeds Tramways Company and with the Busby brothers, founder and director of horse tramways in ten of the largest cities of northern England. It is an exciting mixture of biography, social history and city politics.
Explore the lives of your ancestors in the 'city of 1,000 trades' in this family and local history guide, dedicated to the city of Leeds. Learn how to find out more about the streets where your ancestors lived, where they would have gone to school and church and chapel, how they'd have spent their leisure time, what life would have been like for immigrants in the city, and discover more about the different trades in which your family members were involved.Leeds is home to many different archives and collections, from records of major companies such as Joshua Tetley & Sons, Burtons Tailors and Marks & Spencers, to street plans, photo collections and records of theatres and football clubs. Rachel Bellerby's handbook shows you how to get started with your research, building up an intriguing and colourful record of the city that your ancestors called home. It is an essential guide for anyone living in Leeds or with family connections to the city.
This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition “Sounds of Our City” and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet – with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds’ popular music exemplifies and informs understandings of broader cultural and urban changes – both in Britain and across wider global contexts – of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about “heritagising” popular music within discussions about music’s “place” in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond.