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'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.
Practical, useful and beautiful ideas to help you create your own pots, jugs, vases, models, miniatures and jewellery. There are sections on tools and materials required, techniques and preparations, firing and glazing.
Practical, useful and beautiful ideas to help you create your own pots, jugs, vases, models, miniatures and jewellery. There are sections on tools and materials required, techniques and preparations, firing and glazing.
This CD-ROM and book present the research at a large, dispersed residential settlement located along the Santa Cruz River occupied during the Rincon phase of the Sedentary period between about A.D. 950 and 1100. One of the most intensively excavated settlements in the Tucson Basin, excavations at the SRI locus provided an opportunity to return to a previously excavated site and contribute new evidence for earlier findings. West Branch has been identified as a community of potters who fabricated arange of painted, plain, and red ware ceramics. The research focused on this notion, exploring how pots were made, the ways in which potters carried out their craft, and models for the production and distribution of ceramic containers. Volume 1, Feature Descriptions, Material Culture, and Specialized Analyses, is provided in CD-ROM format and includes details of fieldwork such as feature descriptions and the descriptive artifactual and subsistence-data reports. Volume 2, Synthesis and Interpretations, presented in book format, offers the results of synthetic and interpretive analyses.
Double thumb pot modelling. The animals and figures contained in this book were developed over the years and have been used to introduce an important branch of clay modelling to students namely thumb pots. The figures are built up from simple shapes to which the students can relate, the body shape made using thumb pot techniques. Each project has an element of decision making and measurement built into the worksheet with self-expression encouraged in the decoration and design details applied to each model which becomes an individual creation. Double thumb pot creation is studied in this project book. We look into representing large and small animal figures and a rounded human shape in Tweedle Dum and Tweedle Dee and we also explore modelling human heads. Some of the figures are based on a round hollow profile and some have an oval shape as a body. This branch of clay modelling lends itself to all kinds of innovations and our suggestions represent a few for you to expand on and develop, we teach you the basic techniques, the rest is up to you and your imagination. Enjoy your clay modelling. Brian. Please visit our website for more information. bmpotterycrafts.co.uk
This volume emphasizes the complex interactions between ceramic containers and people in past and present contexts. Pottery, once it appears in the archaeological record, is one of the most routinely recovered artifacts. It is made frequently, broken often, and comes in endless varieties according to economic and social requirements. Moreover, even in shreds ceramics can last almost forever, providing important clues about past human behavior. The contributors to this volume, all leaders in ceramic research, probe the relationship between humans and ceramics. Here they offer new discoveries obtained through traditional lines of inquiry, demonstrate methodological breakthroughs, and expose innovative new areas for research. Among the topics covered in this volume are the age at which children begin learning pottery making; the origins of pottery in the Southwest U.S., Mesoamerica, and Greece; vessel production and standardization; vessel size and food consumption patterns; the relationship between pottery style and meaning; and the role pottery and other material culture plays in communication. Pottery and People provides a cross-section of the state of the art, emphasizing the complete interactions between ceramic containers and people in past and present contexts. This is a milestone volume useful to anyone interested in the connections between pots and people.