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The ecological crisis the world is currently experiencing calls for an urgent rethinking of our relationship to nature, natural resources, and the entirety of life on Earth, as well as that of humans to each other. The time has come for repurposing coexistence, aided by post-human thought and technological advancement, and for realizing that humans are merely part of, rather than the center of, our world. Potential Worlds: Planetary Memories and Eco-Fictions, published in conjunction with group shows at Zurich's Migros Museum für Gegenwartskunst and Baku's YARAT Contemporary Art Space, questions forms of knowledge developed in the course of annexation of the environment and asks what ideas of nature might emerge from the current crisis and how we might perceive nature in the future. Thirty-six artists from around the world featured in this book examine the ecological and social consequences of the past and ongoing conquests of land for purposes of accumulating power and resources. Essays by Benjamin H. Bratton, T. J. Demos, Reza Negarestani, and Jussi Parikka shed light on multiple different perspectives, such as colonialism, post-humanism, ecology, and artistic adaption of new technologies, and investigate the potential future of mankind living in alliance with nature and the role of art in this undertaking as a technological, scientific, and social experiment. Concise texts on the work of the participating artists and an introduction by curators Suad Garayeva-Maleki and Heike Munder round out this illustrated volume.
"Cosmos: Possible Worlds travels through more than 14 billion years of cosmic evolution and into an astonishing future where probes travel by light beams to distant stars, helping us solve enduring mysteries of our origins and dream toward an unimaginable time ahead."--
Possible Worlds presents the first up-to-date and comprehensive examination of one of the most important topics in metaphysics. John Divers considers the prevalent philosophical positions, including realism, antirealism and the work of important writers on possible worlds such as David Lewis, evaluating them in detail.
The rag-tag crew of the Capricious hunts down rogue AI, ancient colony ships, and the biggest treasure in the universe in this pulse-pounding space adventure for fans of Firefly and The Expanse. The crew of the Capricious seems to leave a trail of devastation wherever they go. But with powerful enemies in pursuit and family and friends under attack planetside, there's no time to worry about all that. Ensnared by the legend of Origin, humanity's birthplace, and a long-dead form of magic, the Capricious takes off on a journey to find the first colony ship . . . and power that could bring down gods. Read the incredible space-fantasy series that V. E. Schwab calls "A total blast!" The SalvagersA Big Ship at the Edge of the UniverseA Bad Deal for the Whole GalaxyThe Worst of All Possible Worlds
Drawing on recent work in literary theory, linguistics, and symbolic anthropology, as well as cognitive and developmental psychology Professor Bruner examines the mental acts that enter into the imaginative creation of possible worlds, and he shows how the activity of imaginary world making undergirds human science, literature, and philosophy, as well as everyday thinking, and even our sense of self. - Publisher.
This book discusses a range of important issues in current philosophical work on the nature of possible worlds. Areas investigated include the theories of the nature of possible worlds, general questions about metaphysical analysis and questions about the direction of dependence between what is necessary or possible and what could be.
Written in hypertext and read from a computer, hypertext novels exist as a collection of textual fragments, which must be pieced together by the reader. The Possible Worlds of Hypertext Fiction offers a new critical theory tailored specifically for this burgeoning genre, providing a much needed body of criticism in a key area of new media fiction.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BUZZFEED • A stunning epic that is at once a new vision of science fiction and a deeply moving love story, from the award-winning author of Redemption in Indigo “An engrossing picaresque quest, a love story, and a moving character study . . . [Karen] Lord is on a par with Ursula K. Le Guin.”—The Guardian A proud and reserved alien society finds its homeland destroyed in an unprovoked act of aggression, leaving the survivors no choice but to reach out to the indigenous humanoids of their adopted world, to whom they are distantly related. They wish to preserve their cherished way of life but discover that to protect their culture, they may have to change it forever. Now a man and a woman from opposite sides of these clashing societies must work together to save this vanishing race—and end up uncovering ancient mysteries with far-reaching ramifications. As their mission hangs in the balance, these unlikely partners—one cool and cerebral, the other fiery and impulsive—may find in each other their own destinies . . . and a force that transcends all. Includes two bonus short stories “[A] fascinating and thoughtful science fiction novel that examines] adaptation, social change, and human relationships. I’ve not read anything quite like it, which makes it that rare beast: a true original.”—Kate Elliott, author of the Crown of Stars series and The Spiritwalker Trilogy “Reads like smooth jazz comfort food, deceptively familiar and easy going down, but subtly subversive.”—Nalo Hopkinson, Los Angeles Review of Books “If you want to see science fiction doing something new and fascinating . . . then you shouldn’t sleep on The Best of All Possible Worlds.”—io9 “Rewarding science fiction for emotional grown-ups.”—Mysterious Galaxy “[A] marvelously formed universe.”—The A.V. Club “A rewarding, touching and often funny exploration of the forms and functions of human culture.”—SFX “The Best of All Possible Worlds . . . poses an interesting question: What parts of you do you fight to preserve when everything you know suddenly changes?”—Associated Press
It was a good job and Max Alben knew whom he had to thank for it-his great-grandfather. "Good old Giovanni Albeni," he muttered as he hurried into the laboratory slightly ahead of the escorting technicians, all of them, despite the excitement of the moment, remembering to bob their heads deferentially at the half-dozen full-fleshed and hard-faced men lolling on the couches that had been set up around the time machine.