Download Free Postsecular Poetics Book in PDF and EPUB Free Download. You can read online Postsecular Poetics and write the review.

This book is the first full-length study of the postsecular in African literatures. Religion, secularism, and the intricate negotiations between the two, codified in recent criticism as postsecularism, are fundamental conditions of globalized modernity. These concerns have been addressed in social science disciplines, but they have largely been neglected in postcolonial and literary studies. To remedy this oversight, this monograph draws together four areas of study: it brings debates in religious and postsecular studies to bear on African literatures and postcolonial studies. The focus of this interdisciplinary study is to understand how postsecular negotiations manifest in postcolonial African settings and how they are represented and registered in fiction. Through this focus, this book reveals how African and African-diasporic authors radically disrupt the epistemological and ontological modalities of globalized literary production, often characterized as secular, and imagine alternatives which incorporate the sacred into a postsecular world.
Corrinne Harol reveals how secularization catalysed conservative writers to respond and thereby contribute impactfully to literary history.
Our global community desperately needs overt awakening to an age of reason and faith. Reasonable Faith for a Post-Secular Age meets this need by interpreting faith not in terms of belief in propositions but in terms of living surrender to having been seized by agape for every Face, including one's own. Virtually all faith traditions, from Buddhism to Humanism to Wiccan, are rooted in agape and therefore share considerable spiritual and ethical common ground (a truth long veiled). In contrast to ethically feckless secular rationality--over which a devastating, global social Darwinism currently runs roughshod--faith qua living surrender to agape grounds moral realism, awakens us to love for all creatures, and inspires struggles for justice. Inspired by the philosophy of Emmanuel Levinas and Christian spirituality, Greenway engages, on the one hand, intellectuals like Stanley Hauerwas, Richard Rorty, Gayatri Chakravorty Spivak, Jeffery Stout, Charles Taylor, and Bernard Williams, and, on the other, contemporary debates over consciousness, free will, evil, and metaethics. He details the character of secular rationality's devastating scission from moral reality and clarifies the promise of understanding faith and spirituality in terms of agape.
From Allen Ginsberg's 'angel-headed hipsters' to angelic outlaws in Essex Hemphill's Conditions, angelic imagery is pervasive in queer American art and culture. This book examines how the period after 1945 expanded a unique mixture of sacred and profane angelic imagery in American literature and culture to fashion queer characters, primarily gay men, as embodiments of 'bad beatitudes'. Deutsch explores how authors across diverse ethnic and religious backgrounds, including John Rechy, Richard Bruce Nugent, Allen Ginsberg, and Rabih Alameddine, sought to find the sacred in the profane and the profane in the sacred. Exploring how these writers used the trope of angelic outlaws to celebrate men who rebelled wilfully and nobly against religious, medical, legal and social repression in American society, this book sheds new light on dissent and queer identities in postmodern American literature.
Poetry and Crisis argues that the 2004 terrorist attacks in Madrid marked a critical turning point in Spanish society, with poetry taking a unique role in reflecting new political and cultural realities.
In the current secular age, more and more people find beliefs and behaviors associated with traditional religion intellectually and ethically untenable. At the same time, many postsecular writers, both believers and nonbelievers, continue to write with religious or religiously-inflected forms, themes, and purposes. In the United States, postsecular poets wrestle with angels by engaging constructively and deconstructively with matters traditionally considered the domain of religion and spirituality. While the recent work of Jorgen Habermas, Charles Taylor, John McClure and others puts the concept of the postsecular at the cutting edge of various fields of study, including religion, sociology, and literature, this dissertation presents the first study of contemporary postsecular poetry. The central question is, how should we define and describe contemporary postsecular poetry in the United States and how should we understand its religious and literary significance? To answer this question, this dissertation presents a broad survey of postsecular contemporary American poetry, offers extended analyses of the work of two preeminent postsecular poets Li-Young Lee and Scott Cairns0́4and probes the implications for readers of the poetic forms found in such texts.
A Philosophy of Christian Materialism offers a new religious engagement with the public sphere via means of interdisciplinary analysis and empirical examples, developing what the authors call a Relational Christian Realism building upon interaction with contemporary Philosophy of Religion. The book argues that the current discourse on public religion is inadequate in addressing the issues now to be faced, including: material religious practice in the sphere of education; the growth of alternative political movements and the developing awareness of environmental concerns and urban social justice. Key concepts that support this strategic analysis are: entangled fidelities (the form of a materialist religious practice); the possibility of a relational Christian realism (including new developments in how we interpret key categories of doctrine including God and creation, salvation and humanity), and the post-secular public sphere (including the emerging phenomenon of postsecular rapprochement - namely the coming together of both religious and secular actors in methodologies and politics of pragmatism as well as ethical discourse for the sake of the public commons). Co-authored by theologians in both the USA and the UK, this book represents an exciting contribution to philosophy and practice of religion on both sides of the Atlantic and aspires to be sufficiently interdisciplinary to also appeal to readerships engaged in the study of modern political and social trends.
Grief, Identity and the Arts addresses the interplay between grief and identity in a broad range of artistic disciplines, historical periods, and geographical areas.
Drawing on the thought of Durkheim, this volume focuses on societal changes at the symbolic level to develop a new conceptualisation of the emergence of postsecular societies. Neo-Durkheimian categories are applied to the case of Turkey, which in recent years has shifted from a strong Republican and Kemalist view of secularism to a more Anglo-Saxon perspective. Turkish society thus constitutes an interesting case that blurs modernist distinctions between the secular and the religious and which could be described as ’postsecular’. Presenting three symbolic case studies - the enduring image of the founder of the Republic Atatürk, the contested site of Ayasofia, and the remembering and commemoration of the murdered journalist Hrant Dink - The Making of a Postsecular Society analyses the cultural relationship that the modern Republic has always had with Europe, considering the possible implications of the Turkish model of secularism for a specifically European self-understanding of modernity. Based on a rigorous construction of theoretical categories and on a close scrutiny of the common challenges confronting Europe and its Turkish neighbour long considered ’other’ with regard to the accommodation of religious difference, this book sheds light on the possibilities for Europe to find new ways of arranging the relationship between the secular and the religious. As such, it will appeal to scholars of social theory, the sociology of religion, secularisation and religious difference, and social change.
Is culture a theologically neutral concept? The contemporary experts on culture - anthropologists and sociologists - argue that it is. Theologians and missiologists would seem to agree, given the extent of their reliance on anthropological and sociological definitions of culture. Yet this appears a strange reliance given that presumed neutrality in the sciences is a consistently challenged assumption. It is stranger still given that so much theological energy has been expended on understanding and defining the human person in specifically theological as opposed to anthropological terms when culture is in some sense the expression of this personhood in corporate and material forms. This book argues that culture is not and has never been a theologically neutral concept; rather, it always expresses some theological posture and is therefore a term that naturally invites theological investigation. Going about this task is difficult, however, in the face of a long-term reliance on the social sciences that seems to have starved the contemporary theological community of resources for defining culture. However, rich subterranean veins for such a task do exist within the recent tradition, most notably in the writings of John Milbank, Karl Barth, and Kwame Bediako.